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Since 1993 Brisbane-based artist David M Thomas has investigated self identity through art works that encompass painting, text, audio, video and performance.
Artist David M Thomas lists some of the ideas and influences behind his video portraits.
Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period.
Purchased 2001
Purchased 2003
Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
An interview with Australian astronaut, Dr. Andy Thomas, who describes the experience of space travel.
Thomas Lewis Atkinson (1817-c. 1890) is described in the Benezit Dictionary of Artists as 'one of the shining representatives of English engraving'.
1 portrait in the collection
Avril Thomas (b. 1956), artist, was born in Malaysia and went to boarding school in Scotland and Australia.
2 portraits in the collection
Thomas Pennant (1726-1798), Welsh traveller, antiquary, naturalist, and author, visited Joseph Banks in September 1771, shortly after Banks returned from his voyage with Cook on the Endeavour.
1 portrait in the collection
Rover Thomas (1926-1998), Kukatja-Wangkajunga artist, was born in the Great Sandy Desert of Western Australia and worked as a stockman and fencer before losing his employment upon the introduction of equal pay for indigenous workers in 1975.
1 portrait in the collection
Guboo Ted Thomas (1909–2002), land rights activist, was a tribal Elder of the Yuin nation and grew up on the Wallaga Lake Reserve near Narooma.
1 portrait in the collection
Andy Thomas AO (b. 1951) is an astronaut. Born and educated in Adelaide, an engineer by profession, he managed a number of aeronautical programs and patented several inventions before joining NASA in 1992.
1 portrait in the collection
Thomas Phillips was born in Dudley, Warwickshire and initially trained as a glass painter before moving to London, aged 20, with a letter of introduction to the painter Benjamin West.
6 portraits in the collection
Thomas Daunt Lord (1783–1865) was the commandant of the convict station on Maria Island from 1825 until 1832.
1 portrait in the collection
Thomas Buddle (1812-1883), Wesleyan missionary, worked for 42 years in New Zealand, ministering to Maori and colonists in the Waikato, Auckland and the south.
1 portrait in the collection
Thomas Cook produced portraits for the Gentleman's Magazine and frontispieces for book publishers, as well as a number of single plates in different genres for Boydell.
1 portrait in the collection
Thomas Muir (1765-1799), lawyer, political activist and political convict, began studies at the University of Glasgow at the age of twelve.
2 portraits in the collection
Thomas Bock, artist, printmaker and photographer, is believed to have been born at Sutton Coldfield, near Birmingham, in 1790.
3 portraits in the collection
The Hon. Thomas Playford was a delegate from South Australia to the Constitutional Convention, Sydney, 1891.
1 portrait in the collection
Thomas Keneally (b.1935), author and republican activist, has achieved a considerable reputation for the breadth and accessibility of his writing, and his passion for causes about which many Australians feel deeply.
1 portrait in the collection
Thomas J Washbourne worked as a photographer in Geelong and Melbourne in the 1860s and 70s.
1 portrait in the collection
Thomas de Kessler, artist, came to Australia from Hungary in 1950. Born into an academic and creative family, he spoke several languages and had attended art school before arriving in Melbourne.
3 portraits in the collection
Thomas Clark, teacher and painter, arrived in Victoria from England in about 1852, having been anatomical draftsman at King's College London and headmaster of the Birmingham School of Design.
1 portrait in the collection
Thomas Purves (1909-1969), known as Tam, founded the Australian Galleries in Smith Street, Collingwood, Melbourne with his wife Anne in 1956.
1 portrait in the collection
Thomas Pearce (c. 1860-1909) was an apprentice on the English merchant vessel the Loch Ard, which embarked for Victoria in March 1878 carrying 37 crew and 16 passengers, many from the Carmichael family.
1 portrait in the collection
Sir Thomas Lawrence (1769-1830) was one of the leading portrait painters of the Georgian era.
8 portraits in the collection
Thomas Brassey, 1st Earl Brassey (1836–1918), politician and governor, studied law and modern history at Oxford, but abandoned law for a career in politics two years after being called to the Bar.
1 portrait in the collection
Thomas Woolner, sculptor, studied first with the brothers Henry and William Behnes, painter and sculptor respectively, and later at the Royal Academy, at which he was to become professor of sculpture in his fifties.
5 portraits in the collection
A police party comprising Sergeant Kennedy and Constables Lonigan, Scanlan and McIntyre was dispatched to capture the Kelly gang in 1878.
1 portrait in the collection
A police party comprising Sergeant Kennedy and Constables Lonigan, Scanlan and McIntyre was dispatched to capture the Kelly gang in 1878.
1 portrait in the collection
Recorded 1967
Recorded 1967
Collection: National Portrait Gallery
Gift of Diana de Kessler 2009
The Knox's third son, Thomas Forster Knox (1849-1919) followed his father and older brother into business, and became prominent in the Commercial Banking Company of Sydney.
1 portrait in the collection
Thomas Heathfield Carrick, miniature painter, grew up in Carlisle, where he trained and traded as a chemist, painting miniatures in his spare time.
1 portrait in the collection
Thomas Griffiths Wainewright (1794-1847) is one of the most intriguing and talented figures in colonial Australian art.
4 portraits in the collection
Thomas Herbert Maguire was a painter and lithographer working in London in the middle of the nineteenth century.
4 portraits in the collection
Thomas Foster Chuck (c. 1826-1898) specialised in photographing well-known colonists, many of whom featured amongst the 700 photographs in his huge mosaic The Explorers and Early Colonists of Victoria.
1 portrait in the collection
Thomas Lempriere came to Tasmania in 1822, received a land grant and became a founding shareholder of the Bank of Van Diemen's Land.
1 portrait in the collection
Collection: National Portrait Gallery
Purchased 2015
Thomas Sutcliffe Mort (1816-1878) was a merchant, shipbuilder, wool broker and pioneer of the technique of freezing meat for export.
1 portrait in the collection
Thomas Mackdougall Brisbane (1773-1860) was born into an aristocratic Scottish family and entered the army at the age of 16.
2 portraits in the collection
Thomas Joseph Carr (1839–1917) was the second Catholic archbishop of Melbourne, the successor to James Alipius Goold.
2 portraits in the collection
Thomas Foster Chuck (1826-1898), photographer and entrepreneur, was born in London and arrived in Victoria in 1861.
4 portraits in the collection
Thomas Henry Huxley (1825–1895) travelled to Australia as a member of the expedition conducted by Owen Stanley on the Rattlesnake between 1846 and 1850.
2 portraits in the collection
Thomas Wentworth (Tom) Wills (1836–1880), is popularly thought of as the co-inventor of Australian Rules football.
2 portraits in the collection
Purchased 2005
Collection: National Portrait Gallery
Purchased 2011
Purchased 2018
Collection: National Portrait Gallery
Gift of Mr Peter Kampfner 2013
Donated through the Australian Government's Cultural Gifts Program
Purchased 2015
Commissioned with funds provided by L Gordon Darling AC CMG 2002
Collection: National Portrait Gallery
Purchased with funds provided by L Gordon Darling AC CMG 2009
Collection: National Portrait Gallery
Purchased 2010
Desperately seeking Woolner medallions
John Thomas Lang (1876–1975) served two terms as premier of New South Wales in the 1920s and 1930s.
5 portraits in the collection
Collection: National Portrait Gallery
Gift of L Gordon Darling AC CMG 2005
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Gift of Mrs Lily Kahan 2017
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Purchased 2012
Collection: National Portrait Gallery
Purchased 2015
Collection: National Portrait Gallery
Gift of Peter E.B. Mansell 2018
Collection: National Portrait Gallery
Purchased 2010
Collection: National Portrait Gallery
Gift of Thomas de Kessler 2001
Anne Sanders writes about the exhibitions Victoria & Albert: Art & Love on display at the Queen's Gallery, Buckingham Palace and the retrospective of Sir Thomas Lawrence at the National Portrait Gallery, London.
Collection: National Portrait Gallery
Purchased with funds provided by L Gordon Darling AC CMG and Marilyn Darling AC 2013
Purchased 2017
Purchased 2012
Collection: National Portrait Gallery
Gift of Thomas de Kessler 2001
As a convict Thomas Bock was required to sketch executed murders for science; as a free man, fashionable society portraits.
Purchased 2011
Gift of the Simpson family in memory of Caroline Simpson OAM 2008. Donated through the Australian Government's Cultural Gifts Program.
Collection: National Portrait Gallery
Purchased through the Foundation Acquisitions Fund 2015
Recorded 1967
Collection: National Portrait Gallery
Purchased 2011
Thomas Townshend, 1st Viscount Sydney PC (1733-1800) was British Home Secretary in the Pitt Government, given responsibility for devising a plan to settle convicts at Botany Bay.
1 portrait in the collection
Thomas Stange Heiss Oscar Asche (1871–1936), actor, director and producer, was one of Australia’s most successful theatre exports.
2 portraits in the collection
Collection: National Portrait Gallery
Purchased 2018
Gift of T S Wills Cooke 2014. Donated through the Australian Government's Cultural Gifts Program.
Collection: National Portrait Gallery
Purchased 2013
Collection: National Portrait Gallery
Purchased 2010
Collection: National Portrait Gallery
Purchased 2015
Purchased with funds provided by L Gordon Darling AC CMG 2013
Purchased 2010
Purchased 2000
Purchased 2009
Collection: National Portrait Gallery
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Purchased with funds provided by The Ian Potter Foundation 2007
Michael Desmond examines the career of the eighteenth-century suspected poisoner and portrait artist Thomas Griffiths Wainewright.
Purchased 2006
Joanna Gilmour explores the life of a colonial portrait artist, writer and rogue Thomas Griffiths Wainewright.
Purchased with funds provided by the Ian Potter Foundation 2008
Gift of T S Wills Cooke 2014. Donated through the Australian Government's Cultural Gifts Program.
Gift of Ross and Judy O'Connell 2016
Collection: National Portrait Gallery
Purchased 2010
Collection: National Portrait Gallery
Purchased 2009
Collection: National Portrait Gallery
Gift of Gina and Ted Gregg 2010
Collection: National Portrait Gallery
Purchased 2013
Collection: National Portrait Gallery
Purchased 2010
Collection: National Portrait Gallery
Purchased 2008
Purchased 2010
Collection: National Portrait Gallery
Purchased 2018
Magda Keaney talks with Montalbetti+Campbell about their photographic portrait of Australian astronaut Andy Thomas.
Purchased 2000
Collection: National Portrait Gallery
Gift of Elsie Martin 2000
Collection: National Portrait Gallery
Purchased 2018
Collection: National Portrait Gallery
Purchased 2013
Commissioned 2006
Commissioned 2006
Purchased 2009
Collection: National Portrait Gallery
Purchased with funds provided by The Ian Potter Foundation 2007
Whether the result of misadventure or misdemeanour, many accomplished artists were transported to Australia where they ultimately left a positive mark on the history of art in this country.
Collection: National Portrait Gallery
Purchased 2008
Collection: National Portrait Gallery
Purchased 2013
Collection: National Portrait Gallery
Purchased 2013
Collection: National Portrait Gallery
Purchased 2012
Collection: National Portrait Gallery
Purchased 2016
Purchased with funds provided by Ross A Field 2008
Collection: National Portrait Gallery
Purchased with funds provided by Marilyn Darling AC 2013
In 2006 the National Portrait Gallery acquired a splendid portrait of Victoria's first governor, Lieutenant Governor Charles Joseph La Trobe by Thomas Woolner.
Collection: National Portrait Gallery
Gift of Ted and Gina Gregg 2012
Collection: National Portrait Gallery
Purchased 2014
Purchased 2015
As part of its ongoing program of commissions of portraits of prominent Australians, the National Portrait Gallery has unveiled a portrait of Her Excellency Marjorie Jackson-Nelson by South Australian artist Avril Thomas.
Purchased with funds provided by the Australian Decorative and Fine Arts Society Canberra 2000
Collection: National Portrait Gallery
Gift of Ted and Gina Gregg 2012
Collection: National Portrait Gallery
Gift of Ted and Gina Gregg 2012
Collection: National Portrait Gallery
Purchased 2009
Collection: National Portrait Gallery
Purchased with funds provided by Ross A Field 2008
Purchased 2015
Collection: National Portrait Gallery
Purchased 2001
Collection: National Portrait Gallery
Purchased 2012
Collection: National Portrait Gallery
Purchased 2015
Collection: National Portrait Gallery
Purchased 2015
Mette Skougaard and Thomas Lyngby bring eloquent context to Ralph Heimans’ portraits of Crown Princess Mary and Crown Prince Frederik of Denmark.
Collection: National Portrait Gallery
Gift of Ted and Gina Gregg 2012
Purchased with funds provided by Ross A Field 2007
Purchased with funds provided by Ross A Field 2007
Gift of Ronald A Walker 2009. Donated through the Australian Government's Cultural Gifts Program.
Collection: National Portrait Gallery
Gift of Ted and Gina Gregg 2012
Purchased with funds provided by L Gordon Darling AC CMG 2009
Sir David Low, caricaturist, published his first cartoon in the British comic Big Budget at the age of eleven, while resident in his native New Zealand.
4 portraits in the collection
David Simpson, photographer, is represented in the Art Gallery of South Australia, his subjects including HM Queen Elizabeth II, Don Bradman, David Gulpilil and Sir Mark and Lady Oliphant.
1 portrait in the collection
David McKenzie Dow OBE (1870-1953) was official secretary for Australia in America in 1924-31, and acting commissioner-general in 1931-38.
1 portrait in the collection
David Potts (1926-2012) was a documentary photographer with a career spanning more than fifty years.
3 portraits in the collection
David Strachan (1919–1970), painter and printmaker, was educated at Geelong Grammar School and then studied art at the Slade School in London.
2 portraits in the collection
David Jones (1793-1873), merchant, began his retail career in Pembrokeshire and London before emigrating to Sydney via Hobart.
1 portrait in the collection
David Moore was a photographer who helped to establish the Australian Centre for Photography in Sydney with colleague Wesley Stacey.
115 portraits in the collection
Australian playwright, David Williamson tells us tales from his career.
David Ian Campese (b. 1962) is the world's leading representative rugby union footballer, having played 101 tests for Australia between 1982 and 1996.
1 portrait in the collection
David Rankin OAM (b. 1946) came to Australia with his English parents at the age of two in 1948.
1 portrait in the collection
David Brooks, poet, literary critic and academic, studied in the early 1970s at the Australian National University, where he fell in with a group of Canberra writers including AD Hope, Rosemary Dobson, David Campbell and Judith Wright and co-founded Open Door Press with Alan Gould.
1 portrait in the collection
David Gwinnutt has photographed many artists, performers and fashion personalities.
1 portrait in the collection
David Aspden (1935-2005), artist, came to Australia from England in 1950.
1 portrait in the collection
David Collins (1756–1810), lieutenant-governor, began his career in the British Navy, rising to the rank of captain before being returning to dry land and being placed on half-pay in late 1783.
1 portrait in the collection
David Rosetzky (b. 1970) is a Melbourne-based contemporary artist working across photography, video and installation.
2 portraits in the collection
David Warren graduated from RMIT in 1964, after which he taught for some twenty years at the Prahran School of Art, RMIT and Ballarat CAE.
1 portrait in the collection
Mervyn Godfrey OAM (1924-2013), Dean Godfrey (b. 1970), David Godfrey (b.
1 portrait in the collection
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
David McComb (1962-1999) was the songwriter and frontman for The Triffids, who remain one of Australia's best-loved post-punk bands.
1 portrait in the collection
David Combe (b.1943) became interested in politics at Adelaide University and was motivated to join the ALP in 1962, partly through his friendship with Don Dunstan.
1 portrait in the collection
David Chalmers (b. 1966) is world-renowned in the field of the philosophy of consciousness.
2 portraits in the collection
David Unaipon (1872-1967) writer, public speaker and inventor, was a Ngarrindjeri man, fourth of nine children of the evangelist James Ngunaitponi and his wife Nymbulda, both of whom were Yaraldi speakers.
1 portrait in the collection
David Smith, painter, draughtsman, printmaker and teacher, was born in Lowestoft, Suffolk, where he attended the Technical School and the Lowestoft and Norwich Schools of Art.
1 portrait in the collection
David Davies began studying art at the School of Mines and Industries in his birthplace, Ballarat.
1 portrait in the collection
David 'Rasta' Rastovich (b. 1979), professional surfer and conservation activist, was born in rural New Zealand.
1 portrait in the collection
David Williamson AO (b. 1942), playwright, studied and lectured in mechanical engineering and psychology before achieving success with his works for the stage.
4 portraits in the collection
David Gist is an Acquisitions Officer at the Australian War Memorial, the most recent position in a career spanning a broad range of fields in the museums sector.
David Foster OAM (b. 1957), champion axeman, is the most successful competitor in the history of the sport of woodchopping.
1 portrait in the collection
David Walsh (b. 1961), professional gambler, art collector and gallerist, established Hobart’s Museum of Old and New Art (MONA).
1 portrait in the collection
Melbourne-based photographer David Roberts was born in Forest City, Iowa, and graduated from Iowa State University with an honours degree in philosophy.
4 portraits in the collection
David Campbell (1952–1984) decided to become an artist while a student at Erina High on the New South Wales Central Coast.
3 portraits in the collection
David Malouf (b.1934), educated at Brisbane Grammar and the University of Queensland, left Australia at the age of 24 and remained abroad for a decade, teaching in England and travelling throughout Europe.
3 portraits in the collection
David McAllister AC (b. 1963), dancer and former artistic director of the Australian Ballet, was born in Perth and began studying ballet in the early 1970s.
3 portraits in the collection
David Wenham AM (b. 1965), actor, studied drama at the Nepean College of Advanced Education (now the University of Western Sydney), graduating with a BA in Performing Arts in 1987.
1 portrait in the collection
David Naseby (1937–2022) was born in England and studied in the United Kingdom before coming to Australia in 1953.
8 portraits in the collection
David Gulpilil AM (1953-2021), actor and dancer, was a Yolngu man of the Mandhalpuyngu language group and was born near Maningrida in Arnhem Land.
5 portraits in the collection
David Dridan (b. 1932), artist, studied at the South Australian School of Art and later at East Sydney Technical College.
1 portrait in the collection
David Mitchell (1829-1916), builder, contractor and businessman, arrived in Melbourne in mid-1852 in the Anna.
1 portrait in the collection
States of significance: NSW.
Recorded 2017
Recorded 1976
Recorded 2016
Recorded 1970
Recorded 1973
Recorded 1973
We are delighted to announce the winner of the $10,000 People's Choice Award for the inaugural Darling Portrait Prize is David Darcy for his painting of farmer and environmentalist Wendy Bowman.
Purchased 2001
Collection: National Portrait Gallery
Purchased 2017
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Dempsey’s people: a folio of British street portraits 1824–1844 is the first exhibition to showcase the compelling watercolour images of English street people made by the itinerant English painter John Dempsey throughout the first half of the nineteenth century.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001
Collection: National Portrait Gallery
Gift of the artist 2005
David Solkin ponders the provocations and inspirations of the enigmatic Thomas Gainsborough.
Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.
David Gist steps beyond the public relations veneer of Australia’s official Vietnam War portrait photographs.
I work with portraiture as a way to explore the nuances and complexities of contemporary selfhood and subjectivity.
Collection: National Portrait Gallery
Gift of Dr Peter Halliday in memory of Norah Knox 2010
Collection: National Portrait Gallery
Gift of Ted and Gina Gregg 2012
At just 7.8 x 6.2 cm, the daguerreotype of Thomas Sutcliffe Mort and his wife Theresa is one of the smallest works in the collection of the National Portrait Gallery.
David Lloyd Jones (1931–1961) was the great-grandson of the original David Jones – who founded the eponymous department store in Sydney in 1838 – and the eldest son of Sir Charles Lloyd Jones (1878–1958), who was chairman of David Jones Ltd from 1920 until his death.
1 portrait in the collection
Artistic Director of The Australian Ballet, David McAllister describes the trajectory of his relationship with dance.
David Malangi Daymirringu (1927-1999), Manharrngu, bark painter, printer and designer, was born at Mulanga, near the mouth of the Glyde River, just before Christian missionaries arrived on the nearby island of Milingimbi.
1 portrait in the collection
Jarinyanu David Downs (c. 1925–1995), Wangkajunga/Walmajarri painter, printmaker and preacher, lived a traditional life in the Great Sandy Desert of West Australia until he was a young man.
2 portraits in the collection
Sir David (Albert Cherbury) Rivett KCMG FRS (1885- 1961) was a scientist who graduated with first-class honours in chemistry from the University of Melbourne and who played an influential role within Australia's scientific community.
1 portrait in the collection
David Ramsay McNicoll CBE (1914-2000) was editor-in-chief of Sir Frank Packer's Australian Consolidated Press from 1953 to 1972, and wrote an immensely popular column for the Bulletin magazine from 1972 to 1999.
1 portrait in the collection
Collection: National Portrait Gallery
Purchased 2012
John David Armstrong (1857–1943) was a sideshow and vaudeville performer known as ‘The Australian Tom Thumb’.
2 portraits in the collection
Purchased 2018
Gift of the Mitchell Family 2012
Collection: National Portrait Gallery
Gift of the artist 2001
Purchased 2011
Gift of the artist 2001
Gift of Elizabeth Campbell-MacKenzie on behalf of the family of David Campbell 2012
Collection: National Portrait Gallery
Gift of the artist 2007
Gift of the artist 2001
Purchased 2017
Collection: National Portrait Gallery
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Purchased 2008
Gift of the artist 2001
Gift of the artist 2001
Purchased with funds provided by the Basil Bressler Bequest 2001
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001
Purchased with funds provided by the Basil Bressler Bequest 2001
Dr. Sarah Engledow tells the story of Australia's first Federal statistician, Sir George Knibbs.
Bob Ellis (1942–2016) was a journalist, columnist, screenwriter, film director, playwright, speechwriter and critic.
Collection: National Portrait Gallery
Purchased 2012
Collection: National Portrait Gallery
Purchased 2014
Collection: National Portrait Gallery
Gift of Nigel Naseby 2007
Donated through the Australian Government's Cultural Gifts Program
Purchased 2018
Purchased 2019
Purchased 2004
Collection: National Portrait Gallery
Purchased 2012
Collection: National Portrait Gallery
Purchased 2012
Australian Galleries Director Stuart Purves tells the story of two portraits by John Brack.
An interview with Paul Newton, the creator of the portrait of rugby legend David Campese.
Sir Tannatt William Edgeworth David KBE (1858-1934) was an eminent geologist.
2 portraits in the collection
Collection: National Portrait Gallery
Gift of Lyn Williams AM 2011
Donated through the Australian Government's Cultural Gifts Program
Purchased 2005
Collection: National Portrait Gallery
Gift of David Combe 1998
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Gift of David Dridan OAM 2017
Commissioned 2011
Collection: National Portrait Gallery
Gift of the artist 2002
Purchased with funds provided by the Basil Bressler Bequest 2001
Commissioned with the assistance of funds provided by the Circle of Friends 2012
Gift of Dr Gene Sherman AM and Brian Sherman AM 2012. Donated through the Australian Government's Cultural Gifts Program.
Purchased 2014
Purchased 2005
Gift of the artist 2021
Gift of the artist 2005. Donated through the Australian Government's Cultural Gifts Program.
David Alexander Stewart Campbell (1898-1970), wool buyer and journal editor, undertook a woolclassing course in Sydney, worked as a jackeroo, served in the AIF in Egypt and gained further experience with wool in England before he was inducted into the wool trade in Melbourne.
1 portrait in the collection
Gift of the artist 1998. Donated through the Australian Government's Cultural Gifts Program.
Gift of the artist 2009. Donated through the Australian Government's Cultural Gifts Program.
Gift of the artist 2008
Collection: National Portrait Gallery
Gift of the Defence Science and Technology Organisation, Commonwealth Department of Defence 2005
Purchased 2001
Gift of Elizabeth Campbell-MacKenzie on behalf of the family of David Campbell 2012
Purchased 2014
Collection: National Portrait Gallery
Purchased 2011
Gift of the artist 2017. Donated through the Australian Government's Cultural Gifts Program.
Collection: National Portrait Gallery
Gift of Geoffrey McGeachin 2015
Gift of the artist 2005. Donated through the Australian Government's Cultural Gifts Program.
Collection: National Portrait Gallery
Purchased 2012
Gift of Mrs Lily Kahan 2017. Donated through the Australian Government's Cultural Gifts Program.
Gift of the artist 2018. Donated through the Australian Government's Cultural Gifts Program.
Collection: National Portrait Gallery
Purchased 2014
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001
Collection: National Portrait Gallery
Commissioned 2011
The acquisition of David Moore's archive of portrait photographs for the National Portrait Gallery's collection.
Purchased 2012
Collection: National Portrait Gallery
Gift of David Caird and Melbourne Herald Sun 2003
Collection: National Portrait Gallery
Purchased 2006
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Purchased 2012
Commissioned with funds provided by Sony Music Entertainment Australia 2018
Gift of Dr Gene Sherman AM and Brian Sherman AM 2012. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001
Gift of Margaret Olley 2002. Transferred from the Art Gallery of New South Wales.
Collection: National Portrait Gallery
Gift of Henry Vernon Crock AO in memory of David Smith 2007
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001
Collection: National Portrait Gallery
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Commissioned with funds provided by Ian Darling 2008
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001
Gift of Elizabeth Campbell-MacKenzie on behalf of the family of David Campbell 2012
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Purchased 2005
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Gift of Geoff Cousins AM 2007
Collection: National Portrait Gallery
Purchased 2001
Collection: National Portrait Gallery
Purchased 2008
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Purchased 2009
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001
Collection: National Portrait Gallery
Purchased 1998
Collection: National Portrait Gallery
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001
Collection: National Portrait Gallery
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001
Collection: National Portrait Gallery
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Purchased 1998
Collection: National Portrait Gallery
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001
Collection: National Portrait Gallery
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001
Collection: National Portrait Gallery
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001
Collection: National Portrait Gallery
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001
Collection: National Portrait Gallery
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001
Collection: National Portrait Gallery
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001
Collection: National Portrait Gallery
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
The exhibition Depth of Field displays a selection of portrait photographs that reflect the strength and diversity of Australian achievement.
Purchased 1998
Penelope Grist unpacks photographs by David Parker, who captured the phenomenal emergence of the 1970s and 80s Melbourne music scene.
Dr Sarah Engledow discusses the recent gift of works by David Campbell.
David Hansen’s tribute to his close friend, prince of words and former National Portrait Gallery director, the late Angus Trumble.
Collection: National Portrait Gallery
Gift of Peter Nicholson 2001
Purchased 1998
Purchased 1999
Collection: National Portrait Gallery
Purchased 2012
Collection: National Portrait Gallery
Gift of Peter Nicholson 2001
Collection: National Portrait Gallery
Gift of Peter Nicholson 2001
Gift of David Lloyd Jones, in memory of his father, David Lloyd Jones 2021. Donated through Australian Government's Cultural Gifts Program.
World champion woodcutter David Foster and artist Jacqui Stockdale.
Australian author David Malouf discusses the creation of his portrait by artist Rick Amor.
David Rosetzky and Cate Blanchett talk about the creation of their video portrait.
Professor David Chalmers explains his interest in philosophy and introduces some of his theories on the conscious mind.
Gift of Susanna de Vienne, Sarah Wood and David Lloyd Jones 2009. Donated through the Australian Government's Cultural Gifts Program.
Commissioned with funds provided by The Stuart Leslie Foundation 2016
Collection: National Portrait Gallery
Gift of Dr Ray Marginson AM 2001
Commissioned with funds provided by The Stuart Leslie Foundation 2016
Collection: National Portrait Gallery
Purchased 2017
Collection: National Portrait Gallery
Gift of the artist 2013
Donated through the Australian Government's Cultural Gifts Program
Singer, songwriter and actress Jessica Mauboy with artist David Rosetzky.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Commissioned 2015
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Purchased 2001
The portrait of Ian Roberts by Ross Watson.
Collection: National Portrait Gallery
Gift of Gina and Ted Gregg 2010
Gift of Jennifer Armstrong 2018. Donated through the Australian Government's Cultural Gifts Program.
Collection: National Portrait Gallery
Purchased 2015
Gift of Dr Mary Newlinds and Sheena Simpson in memory of their father, D.A.S. Campbell, 2014
Collection: National Portrait Gallery
Purchased 2012
Collection: National Portrait Gallery
Gift of L Gordon Darling AC CMG 2001
Collection: National Portrait Gallery
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Dr Christopher Chapman examines Scott Redford's photographic portrait of Australian surfer David 'Rasta' Rastovich.
A moving portrait of Cate Blanchett unfolds as an inspired pairing of medium and subject.
Portraits of Australia’s pioneering psychologists and artworks by artists fascinated by the subconscious mind.
Inner Worlds features the recently commissioned portrait of world-renowned philosopher of consciousness David Chalmers by Melbourne-based artist Nick Mourtzakis.
Dr Sarah Engledow writes about the larger-than-life Australian performance artist, Leigh Bowery.
Penelope Grist’s spirits soar with Lisa Tomasetti’s Dancers in the Streets series.
Collection: National Portrait Gallery
Purchased 2015
Dr Sarah Engledow explores the portraits of writers held in the National Portrait Gallery's collection.
Purchased with funds provided by Alan Dodge AM and Neil Archibald 2021
This display sets two impressive portraits from the collection into direct dialogue: Sam Jinks’ sculptural self portrait and Nick Mourtzakis’ painted portrait of David Chalmers, along with related maquette and sketches.Together they explore physical and psychological manifestations of the strata of self-hood.
Collection: National Portrait Gallery
Purchased 2010
Commissioned with funds provided by the Sid and Fiona Myer Family Foundation 2018
Collection: National Portrait Gallery
Purchased 2016
Purchased with funds provided by the Basil Bressler Bequest 2001
Collection: National Portrait Gallery
Purchased with funds provided by Marilyn Darling AC 2001
Purchased 2009
Collection: National Portrait Gallery
Gift of Sheila and David Fitzpatrick in memory of their father 2008
Collection: National Portrait Gallery
Purchased 2009
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Purchased 2009
Collection: National Portrait Gallery
Gift of the artist 2004
Through David Moore's camera we meet many of the outstanding figures of the twentieth century - in diverse areas of achievement - as well as anonymous faces which speak directly to us in these photographs.
The votes are in and the National Portrait Gallery is pleased to announce The Honourable Bob Hawke savouring a strawberry milkshake by Harold David is the people’s choice for the National Photographic Portrait Prize 2018.
Artistic Director of The Australian Ballet, David McAllister AM will join the Portrait Gallery’s national collection in a newly-commissioned portrait taken by illustrious Australian photographer, Peter Brew-Bevan.
Commissioned with funds provided by the Sid and Fiona Myer Family Foundation 2018
Max Dupain's unknown portrait subjects, phrenologist Madame Sibly, Indigenous-European relationships, Thomas Gainsborough and more.
Commissioned with funds provided by Sony Music Entertainment Australia 2018
Josiah Wedgwood (1730-1795), potter and industrialist, became an apprentice to his potter brother, Thomas, at an early age.
1 portrait in the collection
Collection: National Portrait Gallery
Purchased 2019
I know David, whom I used to work with 40 years ago, when he got his HIV/AIDS.
Lewis Pingo was an engraver at the Royal Mint. Pingo's father Thomas, an Italian-born medallist and die engraver, was one of the founders of the Royal Academy in 1768.
1 portrait in the collection
Collection: National Portrait Gallery
Gift of Gareth Mawson Thomas and Pamela Karran-Thomas of the Mawson family 2010
Donated through the Australian Government's Cultural Gifts Program
Godfrey's amazing man. I've known him for four years now. He has a very tough story.
Paddy Jaminji (Jampin) (1912-1996), Kija visual artist, spent much of his life in and around his country near Bedford Downs station in WA.
1 portrait in the collection
For love, not money
Gift of Mrs Lily Kahan 2017. Donated through the Australian Government's Cultural Gifts Program.
Theresa Shepheard Mort (née Laidley, 1820-1869), colonial spouse, was one of eight children of civil servant James Laidley and his wife Eliza Jane (née Shepheard).
2 portraits in the collection
An interview with former National Portrait Gallery Director, Andrew Sayers, who describes the portrait of Sir Henry Barkly by Thomas Clark.
Collection: National Portrait Gallery
Gift of the artist 2001
Brothers in harms
Kate Gollings describes an encounter between three generations of Australian photographers; David Moore, Max Dupain and John Gollings.
Lucio Galletto OAM (birth date undisclosed) was born into a family of farmers and restaurateurs in north-west Italy.
1 portrait in the collection
Purchased 2015
Purchased 2005
Sir Charles Lloyd Jones (1878-1958), merchant and arts patron, grew up in Sydney, where he studied at Julian Ashton's art school in 1895.
1 portrait in the collection
Purchased with funds provided by Robert Oatley AO 2007
The Darling Prize is a new biennial prize for Australian portrait painters, painting Australian sitters. The winner receives a cash prize of $75,000.
Revealing the backstories behind the NPG collection, Before hand features interviews with artists and sitters as well as working drawings, scrapbooks, sketches and footage taken in artists’ studios and out on location.
Collection: National Portrait Gallery
Gift of Tim Clark 2018
Using ochres collected on her country in Western Australia’s East Kimberley, Shirley Purdie’s self-portrait is a kaleidoscope of traditional Gija stories and Ngarranggarni (Dreaming) passed down to her.
For the first hundred years or so of its existence, The National Portrait Gallery in London had no contemporary collection at all
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018. Donated through the Australian Government's Cultural Gifts Program.
The ‘first Australian first-class cricket team to tour England and North America’ was in fact the second Australian cricket side to contest matches internationally (a team of Indigenous players having done so in 1868), but it is considered the first official national representative team to tour overseas.
1 portrait in the collection
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018. Donated through the Australian Government's Cultural Gifts Program.
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018. Donated through the Australian Government's Cultural Gifts Program.
This issue of Portrait Magazine features Bill Leak's portrait of Robert Hughes, Polly Borland's photographs, Bill Brandt, Andy Thomas, Tracey Moffatt and more.
Collection: National Portrait Gallery
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018
Donated through the Australian Government's Cultural Gifts Program
This issue features suspected poisoner and portrait artist Thomas Wainewright, Rick Amor, Chuck Close, Mick Dodson, Scott Redford, the National Photographic Portrait Prize exhibition and more.
Collection: National Portrait Gallery
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018
Donated through the Australian Government's Cultural Gifts Program
Wesley Stacey (1941–2023), photographer, was an apprentice silk screener and studied drawing and design at East Sydney Technical College in the early 1960s before working as a graphic designer and photographer in Sydney and London.
3 portraits in the collection
Creative kin
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018. Donated through the Australian Government's Cultural Gifts Program.
Collection: National Portrait Gallery
Purchased 2013
An open house, recollections of my early life: extracts from the reminiscences of David Boyd.
Gift of Professor David Phillips 2023
Leaders, painters, friends
Collection: National Portrait Gallery
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018
Donated through the Australian Government's Cultural Gifts Program
The Art Handlers' Award for 2023 went to Ugandan Ssebabi, 2022 by David Cossini.
Little is known of John Chapman, who engraved fine allegorical subjects after the designs of J Smith and Richard Corbould and worked closely with Thomas Macklin on his Shakespeare series.
2 portraits in the collection
Gift of Susanna de Vienne, Sarah Wood and David Lloyd Jones 2009. Donated through the Australian Government's Cultural Gifts Program.
Gift of David Hume OAM 2016
This issue of Portrait Magazine features David Moore, Midnight Oil, Dr Joan Croll by John Brack, the acquisition of the Captain Cook portrait, and more.
Paul Newton (b. 1961), is a Sydney-based portrait painter noted for his ability to capture likeness and sensibility.
6 portraits in the collection
Gift of the Bardas families, in memory of Sandra Bardas OAM and David Bardas AO 2024. Donated through the Australian Government's Cultural Gifts Program.
Sage (b. 1963) was born in Wales and studied at the School of Documentary Photography in South Wales under magnum photographer David Hurn.
7 portraits in the collection
Shirley Purdie (b. 1947) is a senior Gija artist at the Warmun Art Centre who has been painting for more than twenty years.
1 portrait in the collection
Gift of Gareth Mawson Thomas and Pamela Karran-Thomas of the Mawson family 2010. Donated through the Australian Government's Cultural Gifts Program.
Collection: National Portrait Gallery
Gift of David Crooke 2011
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Gift of Dr Peter Halliday in memory of Norah Knox 2010
Gift of the Simpson family in memory of Caroline Simpson OAM 2008. Donated through the Australian Government's Cultural Gifts Program.
Gervaise Purcell was a commercial photographer specialising in fashion.
1 portrait in the collection
Moses Griffith, topographer, draftsman, watercolourist and engraver, spent his life in the service of Thomas Pennant, antiquarian and amateur naturalist; although engaged as a servant, he was employed by Pennant as a full time artist from 1771.
1 portrait in the collection
François Jacques Dequevauviller was the son of the French engraver Nicolas-Barthelemy François Dequevauviller (1745–1807).
1 portrait in the collection
Bare: Degrees of undress celebrates the candid, contrived, natural, sexy, ironic, beautiful, and fascinating in Australian portraiture that shows a bit of skin.
The National Photographic Portrait Prize exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
Featuring 130 works across painting, film, photography, screen printing, sculpture, and then some – it explores our inner worlds, outer selves, intimacy, isolation, celebrity and more.
John Thomas Barber, army officer, insurer, miniaturist and philanthropist, took the additional name of Beaumont in 1812.
1 portrait in the collection
John Williams (1796-1839), missionary, began his working life in 1810, apprenticed to an ironmonger, but in 1814 he underwent an Evangelical conversion and became a member of the Tabernacle Church (Calvinistic Methodist).
1 portrait in the collection
Claude-Marie Dubufe, born in Paris, is said to have studied with Jacques-Louis David.
1 portrait in the collection
Robert Thomas Carter (1843–1917) was a leading Sydney cabinetmaker and furniture warehouseman, and later an antique dealer.
2 portraits in the collection
Eleanor Wingate (née Rouse, 1813–1898) was the second youngest daughter of colonial public servant and landowner Richard Rouse (1774–1852) and his wife Elizabeth (née Adams, 1772–1849), who’d come to Sydney as free settlers in 1801.
1 portrait in the collection
Eye to Eye is a summer Portrait Gallery Collection remix arranged by degree of eye contact – from turned away with eyes closed all the way through to right-back-at-you – as we explore artists’ and subjects’ choices around the direction of the gaze.
Gift of the artist 1998. Donated through the Australian Government's Cultural Gifts Program.
The studios of Troppo Architects are located away from Australia’s major urban centres.
Gift of Susanna de Vienne, Sarah Wood and David Lloyd Jones 2009. Donated through the Australian Government's Cultural Gifts Program.
To celebrate the centenary of the birth of poet Alec Derwent Hope AC OBE (1907-2000), the National Portrait Gallery exhibited a selection from its many portraits of Australian poets and authors.
Just after 10.00 o'clock on 3 December 1879, four prisoners were brought from their cells at Darlinghurst Gaol and placed in the dock of a courtroom heaving with agitated spectators
Elvis at 21 is a photographic exhibition capturing Elvis’ rise to fame in the year 1956, before security and money built walls between him and his fans.
Earl Carter completed a Bachelor of Arts degree in Photography at the Royal Melbourne Institute of Technology before embarking on his a freelance photographic career in 1981.
1 portrait in the collection
The National Photographic Portrait Prize exhibition is selected from a national field of entries that reflect the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
Trevor Jamieson (b. 1975), Pitjantjatjara/Nyungar actor, didgeridoo player, guitarist, singer, dancer and storyteller, grew up in the Goldfields region of Western Australia.
1 portrait in the collection
Robert Grieve (1924-2006), painter and printmaker, exhibited in Melbourne in 1948 before leaving for Europe and England, where he studied lithography at the Regent Polytechnic.
1 portrait in the collection
Gift of Pamela Glasson 2009
Collected by Leila Haigh (nee Rouse)
George Mealmaker (1768–1808), convict and activist, became involved in radical politics in his native Dundee in the 1780s.
1 portrait in the collection
Purchased 2018
Sir William Beechey, portrait painter and pupil of Johann Zoffany, was greatly influenced by Sir Joshua Reynolds.
1 portrait in the collection
Finalist, MDPA 2014
English-born Thomas Ellis Glover moved to New Zealand as a child and by his early twenties was working as a cartoonist, court reporter and journalist.
10 portraits in the collection
Jill Hickson Wran AM (b. 1948) graduated from the University of Sydney and then worked for Qantas.
1 portrait in the collection
Luigi Schiavonetti, Italian reproductive engraver and etcher, studied art for several years before being employed by an engraver named Testolini to execute imitations of Bartolozzi's works, which Testolini passed off as his own.
1 portrait in the collection
Sir James Hardy OBE (1932-2023) was a wine industry executive, yachtsman and community leader.
1 portrait in the collection
Gift of Mr and Mrs James Bain 2000. Donated through the Australian Government's Cultural Gifts Program.
Australian photographer Karin Catt has photographed world leaders, a host of rock stars and Oscar-winning compatriots Russell Crowe, Nicole Kidman, and Cate Blanchett.
Collection: National Portrait Gallery
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018
Donated through the Australian Government's Cultural Gifts Program
In 2020 the Annual Appeal was focussed on Sally Robinson's remarkable portrait of author Tim Winton.
National Portrait Gallery Director Angus Trumble is ending his five-year tenure with a flourish, after announcing that Gallery publication Dempsey’s People: A Folio of British Street Portraits 1824-1844 has been awarded the 2018 William MB Berger Prize for British Art History.
The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
Dissections, showcases the hyper-realist sculptural self-portrait of artist Sam Jinks, Divide, alongside the painted portrait of philosopher David Chalmers by Nick Mourtzakis, which was commissioned by the Gallery in 2011.
Over the last five years the National Portrait Gallery has developed a collection of portrait photographs that reflects both the strength and diversity of Australian achievement as well as the talents of our photographers.
We were in Gaza shooting a documentary and we had heard about the orphanages and wanted to visit and document some of the children who had lost parents during the wars in Gaza.
Tennyson's Enoch Arden was inspired by a story that Thomas Woolner passed on to him – but whose story and of whom?
William Yang on his autobiographical self portraits, David Parker's 1970s and 80s Melbourne music photographs, seven-time NPPP finalist Chris Budgeon, and Benjamin Warlngundu Ellis.
One of the versions of thick, macho moustache strongly associated in the Australian visual lexicon with sportsmen of the 1970s and 80s.
Nancy Menetrey (née Wilkinson) (1924-2024) was born in Sydney in 1924.
1 portrait in the collection
The Photographic Society of Victoria was formed in 1876 to 'bring photographers together in a friendly spirit, in order to advance the art and science of photography in the colony, without any attempt at binding or dictating to members any special trading rules, such as charges for photographs or hours or days for closing or opening their respective establishments.' At the time of the first annual meeting on 9 March 1877 there were 61 members, five whom were ladies.
1 portrait in the collection
Mervyn Godfrey OAM (1924-2013), Dean Godfrey (b. 1970), David Godfrey (b.
1 portrait in the collection
Mervyn Godfrey OAM (1924-2013), Dean Godfrey (b. 1970), David Godfrey (b.
2 portraits in the collection
Mervyn Godfrey OAM (1924-2013), Dean Godfrey (b. 1970), David Godfrey (b.
1 portrait in the collection
Ralph Heimans on his portraits, and features on Louis Kahan, Helena Rubinstein, Judy Cassab and Tasmanian convicts.
Collection: National Portrait Gallery
Gift of Lucio Galletto OAM 2012
Donated through the Australian Government's Cultural Gifts Program
Hon Thomas Hughes AO KC (1923-2024), lawyer and former politician, was born in Sydney and educated at Riverview before serving in the RAAF during World War 2.
3 portraits in the collection
Noel Rubie (1901–1976) was a painter and photographer who had a portrait and industrial photography studio in Sydney and worked during the 1930s, 1940s and 1950s.
1 portrait in the collection
Sir James Balderstone (1921-2014) was chairman of BHP from 1984 to 1989.
1 portrait in the collection
Gift of Mrs SM Asplin 2011
David Ward writes about the exhibition Hide/Seek: Difference and Desire in American Portraiture on display at the National Portrait Gallery, Washington.
Collection: National Portrait Gallery
Purchased 2001
Fred Schepisi AO (b. 1939), film producer and director, briefly trained to be a priest before working in advertising.
1 portrait in the collection
Collection: National Portrait Gallery
Gift of the artist 2002
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Gift of the artist 2001
Collection: National Portrait Gallery
Gift of the artist 2001
Aspects of singer songwriter Paul Kelly’s performance persona are communicated by portraits selected from a range of artists and leading music photographers in this focus exhibition.
Barry Walsh (b. 1951) is a painter, photographer and printmaker who has studied in Italy and France and has exhibited since the early '80s in Europe as well as Australia.
1 portrait in the collection
Collection: National Portrait Gallery
Purchased with funds provided by Graham Smith 2009
Sir (Aynsley) Eugene Goossens (1893-1962) was an English conductor, composer and violinist.
2 portraits in the collection
James Heath commenced an apprenticeship with an engraver named Joseph Collyer at the age of fourteen.
2 portraits in the collection
The National Portrait Gallery is calling on family history enthusiasts and amateur historians to tell it more about the people in its new show, Dempsey’s People: A folio of British street portraits from 1824-1844.
Eleven works by Brett Whiteley, centred around his scintillating 'Patrick White at Centennial Park 1979-1980'.
Purchased 2009
Bleddyn Butcher was born in London and came to Australia when he was six.
5 portraits in the collection
William John Pickett Bedford (1805–1869) was the eldest of three children of Anglican clergyman, William Bedford (1781–1852), and his wife, Eleanor, and came to Van Diemen’s Land with his family in 1823 following the appointment of his father to a chaplaincy in the colony.
1 portrait in the collection
Gift of the Mort family 2009
George Judah Cohen (1842-1937), banker, took over the Maitland office of his father's wholesale firm David Cohen and Co.
1 portrait in the collection
Those of you who are active in social media circles may be aware that through the past week I have unleashed a blitz on Facebook and Instagram in connection with our new winter exhibition Dempsey’s People: A Folio of British Street Portraits, 1824−1844.
Noah Taylor (b. 1969) left school at 16 to join Melbourne's St Martin's Youth Theatre.
1 portrait in the collection
Boyd’s self-portrait at age 25 is joined by his equally emotive portraits of those around him.
Collection: National Portrait Gallery
Purchased 2009
Collection: National Portrait Gallery
Purchased 2015
Collection: National Portrait Gallery
Commissioned 2010
Slim Dusty AO MBE (1927-2003) (David Gordon Kirkpatrick) is Australia's most prolific recording artist, and his travelling show has become an Australian tradition.
2 portraits in the collection
Lecture by Sandy Nairne, Director, National Portrait Gallery, London, given at the National Portrait Gallery, Canberra on 28 April 2006.
Collection: National Portrait Gallery
Purchased 2004
Collection: National Portrait Gallery
Purchased with funds provided by Timothy Fairfax AC 2003
Talented wife for a talented husband
George Milpurrurru (1934-1998), Ganalbingu (Yolgnu) painter, was one of the most important bark painters of the twentieth century.
1 portrait in the collection
Elizabeth Sarah Ellen Carter (née Hill, 1845-1927) was one of the eight children born to Sydney cabinetmaker and undertaker John Hill jnr and his wife Elizabeth - the step-daughter of ex-convict boatman, John Cadman.
1 portrait in the collection
Collection: National Portrait Gallery
Gift of Mrs J.Q. McEwin 2000
Born in Lincolnshire, Charles Hewitt (1837–1912) had begun working in Melbourne by 1860 and was one of the founding members of the Photographic Society of Victoria.
3 portraits in the collection
Purchased with funds provided by Harold Mitchell AC 2015
Basil Philip Bressler, who died in 2000, was a surveyor with an amateur interest in art and music.
Nicolas Thomas Baudin (1754–1803), cartographic surveyor and naturalist, was sent by the French government to survey the coast of Australia in 1800.
1 portrait in the collection
In its second year at the National Portrait Gallery, and for the first time touring to other venues, the National Photographic Portrait Prize 2009 continues to present surprising perspectives on the nature of contemporary portrait photography.
Purchased 2010
Christopher Chapman delights in the intimacy of Robert Mapplethorpe's photography
Nam Le (b. 1978), writer, came to Australia as a baby with his Vietnamese refugee parents.
1 portrait in the collection
Collection: National Portrait Gallery
Gift of the artist 2001
Queenie McKenzie (c. 1930–1998) was a prominent Gija artist in the East Kimberley painting movement.
1 portrait in the collection
Arthur Thomas 'A T' Woodward (1865–1943), painter and art scholar, was born in Birmingham, England.
1 portrait in the collection
Gift in memory of Frederick John Cato Kumm 2011. Donated through the Australian Government's Cultural Gifts Program.
George Richmond, son of the miniature painter Thomas Richmond, grew up in London, took early artistic instruction from his father and enrolled in the Royal Academy Schools in 1824.
1 portrait in the collection
Artist Henry Mundy arrived in Van Diemen’s Land in 1831 and took up a position as teacher of drawing, French and music at Ellinthorp Hall, a school near Ross established ‘with a view to the improvement of Young Ladies’.
4 portraits in the collection
Derek Freeman (1916–2001) was an anthropologist. Born in New Zealand, he gained his doctorate from Cambridge before moving to Canberra in 1955 to work at the Australian National University.
1 portrait in the collection
Gift of Danina Dupain Anderson 2017. Donated through the Australian Government's Cultural Gifts Program.
Collection: National Portrait Gallery
Gift of Gina and Ted Gregg 2010
Angus Trumble salutes the glorious portraiture of Sir Thomas Lawrence.
Italian-born Carla Zampatti AC (1942–2021) moved to a small town in Western Australia with her family in 1950.
1 portrait in the collection
Charles Henry Theodore Costantini (also Constantine, Constantini and Costantine) was a Paris-born surgeon of Italian descent who was twice transported to the Australian colonies in the 1820s.
1 portrait in the collection
Thanks to Canon Australia, the Winner of Living Memory will be awarded over $50,000 in prizes. Thanks to Eizo, the Highly Commended winner will receive a ColorEdge monitor, and the winner of the Art Handlers' Award will receive $2,000 thanks to IAS Fine Art Logistics.
A penny for their thoughts
Francis Russell Nixon (1803-1879) photographer, artist and Anglican clergyman, arrived in Hobart in 1843 to take up the role of Bishop of Tasmania.
2 portraits in the collection
Collection: National Portrait Gallery
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018
Donated through the Australian Government's Cultural Gifts Program
Jimmy Wululu (1936-2005) was a Gupapuyngu (Yolgnu) painter and sculptor.
1 portrait in the collection
The discovery of Dempsey's People, Australian rugby greats, Athol Shmith's progressive pictures, and powerful Indigenous portraits.
A rare and enchanting collection of 52 portraits of British street people will be on display for the first time in the National Portrait Gallery’s winter show, Dempsey’s People: a folio of British street portraits 1824-1844.
Collection: National Portrait Gallery
Gift of Dr Robert Edwards AO 1999
Donated through the Australian Government's Cultural Gifts Program
Sir Francis Forbes (1784–1841) was the first chief justice of the New South Wales Supreme Court.
1 portrait in the collection
Georgie Swift (1920-2008), journalist, publicist and chatelaine, was born Georgette Marie Hiro Matsui to a French-born mother and Japanese father in Sydney after the First World War.
1 portrait in the collection
Karin Catt grew up in Newcastle, where she began taking photographs of touring bands while a schoolgirl, and also in London and Hong Kong.
9 portraits in the collection
Gift of the artist 2012
Jules Henry Roy Rousel (1897-1985) studied at the Royal Art Society School from 1912 to 1918 and the Slade School and RAS in London from 1935-1938.
2 portraits in the collection
Rolf de Heer (b. 1951) was born in Heemskerk, Holland, and migrated to Australia with his family in 1959.
1 portrait in the collection
Collection: National Portrait Gallery
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018
Donated through the Australian Government's Cultural Gifts Program
Anna Frances Walker (1830–1913), botanical artist and collector, was one of the thirteen children of Thomas Walker, a high-ranking colonial public servant, and his wife Anna Elizabeth, the daughter of merchant and landowner John Blaxland.
1 portrait in the collection
Sir Joshua Reynolds (1723-1792), acknowledged as one of the world's great portraitists, was master of portraits in the 'Grand Manner', replete with moral and heroic symbolism.
3 portraits in the collection
The late Georgian and early Victorian working classes often bought their food in ale-houses, chop-houses and ‘penny pie shops’, or purchased their meals day after day in the streets.
Images for media use will be available from 8 March 2018.
David Henry Souter (1862-1935) was a cartoonist, painter and art editor.
2 portraits in the collection
Rick Amor, noblest yet most unaffected of contemporary Australian portraitists, is also a painter of enigmatic, ominous landscapes, seascapes and cityscapes that haunt the viewer like dreams, dimly-recalled.
When a portrait communicates determination and individuality as boldly as these do, it has the potential to become an iconic image. For the Gallery’s 20th birthday this display brings together a group contemporary photographic portraits of inspiring women and men.
Canadian-born photographic team Denis Montalbetti and Gay Campbell arrived in Australia in 1988.
14 portraits in the collection
When a portrait communicates determination and individuality as boldly as these do, it has the potential to become an iconic image. For the Gallery’s 20th birthday this display brings together a group contemporary photographic portraits of inspiring women and men.
Gift of Mrs Kate Hodgkinson 1999. Donated through the Australian Government's Cultural Gifts Program.
Marcie Elizabeth 'Betty' Fairfax (1907–1995) was a leading figure in fashionable circles in Sydney in the 1920s and 1930s.
1 portrait in the collection
Sir Richard Owen (1804–1892), naturalist, anatomist and palaeontologist, was born in Lancaster and apprenticed to surgeon-apothecaries there before completing his studies in medicine in Edinburgh and London.
1 portrait in the collection
Robert Henderson Croll (1869-1947), author, worked as a clerk in the Victorian public service for over 40 years, but is better remembered for his books and journalism.
2 portraits in the collection
Andrew Maccoll (b. 1978) is a photographer and creative director. Born into an artistic family (his father is a press photographer and his mother a documentary producer) he worked as a darkroom printing assistant while studying for his degree in Visual Arts in Photography at Queensland College of Art, Griffith University.
3 portraits in the collection
Baron George Hoyningen-Huene (1900–1968) was a high-profile American fashion photographer and Hollywood figure.
1 portrait in the collection
Desired by millions
Bruce Dawe AO (1930-2020), poet and teacher, was born in Fitzroy and worked as a labourer, clerk, sawmill hand, farmhand and postman before joining the RAAF in 1959.
1 portrait in the collection
Lyndon Dadswell CMG (1908-1986) studied at the Julian Ashton School before working with Rayner Hoff from 1926 to 1929 and Paul Montford from 1929 to 1935.
3 portraits in the collection
The self-portrait enables students to explore emerging and changing aspects of their own identity, their sense of self, their place in the world, their experience of being human
Purchased 2008. The original frame for this work was donated to the National Portrait Gallery of Australia by the National Gallery of Victoria 2009.
Purchased 2008. The original frame for this work was donated to the National Portrait Gallery of Australia by the National Gallery of Victoria 2009.
Gift of David Archer 2016
Lady Hay, née Chalmers (c. 1806-1892) was reported at the time of her death to have been about ten years older than Hay.
1 portrait in the collection
Purchased 2019
Ethel Anderson (née Mason, 1883-1958), writer and artist, was an important figure in the Sydney modern art scene of the 1920s and 30s.
2 portraits in the collection
Joan Kerr (1938-2004), art historian, writer and lecturer, was responsible for several key reference texts on Australian art.
1 portrait in the collection
Collection: National Portrait Gallery
Purchased with funds provided by the Liangis family 2018
Georgette Lizette (Googie) Withers AO (1917–2011), stage, film and television actor, was born in India and studied drama at the Italia Conti Academy of Theatre Arts in London.
1 portrait in the collection
Helen Grieve (1931–1981), child actress, was born in Sydney. Her first film role was in The Overlanders (1946), opposite Chips Rafferty.
1 portrait in the collection
Mathew Lynn (b. 1963), primarily a portrait painter, lives and works between Sydney and the Blue Mountains.
2 portraits in the collection
Charles Abraham, son of a London architect, trained at the Royal Academy schools under the sculptor Sierier, and for a further three years in Paris and Rome.
1 portrait in the collection
Roderick Shaw (1915-1992) is perhaps best known for his worker paintings of the social realist school, such as Cable Layers (in the Art Gallery of NSW).
2 portraits in the collection
Enrico Taglietti (1926-2019), architect, spent his early childhood in Milan, moving to Eritrea in the year leading up to World War 2.
1 portrait in the collection
Andree Johnston-Bell (1917-2007), pioneer publisher of articles on Australian antiques, was born in China of Belgian parents and educated in Belgium.
1 portrait in the collection
Collection: National Portrait Gallery
Purchased 2008
Wilfrid John Peisley, born in Bathurst, won a number of prizes at regional shows before gaining a scholarship to the East Sydney Technical College at the age of seventeen.
1 portrait in the collection
Gift of Patrick Corrigan AM 2008. Donated through the Australian Government's Cultural Gifts Program.
It has been suggested that Sir Thomas Brisbane’s interest in the New South Wales governorship was as attributable to his passion for astronomy as to the desirability of the position as a prestigious career move.
Adam Knott (b. 1966) began taking photographs for local newspapers as a schoolboy in St George, South Sydney.
7 portraits in the collection
Hugh Reskymer 'Kym' Bonython AC DFC AFC (1920-2011), company director, art dealer, jazz authority, music promoter and speedway entrepreneur, was one of the most significant collectors and dealers of contemporary Australian art in the post-war period.
2 portraits in the collection
Collection: National Portrait Gallery
Gift of the artist 2005
The National Portrait Gallery has unveiled twenty new portrait commissions of Australian leaders and individualists as part of its twentieth birthday celebrations in a new exhibition, 20/20: Celebrating twenty years with twenty new portrait commissions.
Linda Mary Jackson (b. 1950) is a fashion designer and artist. Having studied fashion design at Emily McPherson College and photography at Prahran Technical College, she travelled to New Guinea, through Asia and Europe, and worked for Parisian couture house Mia-Vicky.
1 portrait in the collection
Gift of the artist and the New South Wales division of the Liberal Party of Australia 2004
Jules Poret de Blosseville (1802-1833), geographer, navigator and explorer, was a junior officer on the Coquille, which, under the command of Louis Isidore Duperrey, conducted a voyage to Oceania and South America between 1822 and 1825.
1 portrait in the collection
Frederick Cato (1858-1935), grocer and philanthropist, was born in a tent at Pleasant Creek (Stawell), to the Scottish wife of an English gold miner.
1 portrait in the collection
Sydney Edward Gregory (1870–1929) was born on the site of the Sydney Cricket Ground, the son of batsman Ned Gregory (1839–1899), who was one of five boys from the same family who all played cricket at national or international level.
1 portrait in the collection
Vanity Fair Portraits traces the birth and evolution of photographic portraiture through the archives of Vanity Fair magazine.
Chandler Phillip Coventry AM (1924–1999), grazier, gallerist, art collector and arts patron, was born in Armidale, New South Wales to an established New England grazing family.
1 portrait in the collection
Adam Cullen (1965-2012), painter, studied art in Sydney from 1986 to 1999, when he obtained his master’s degree in fine arts from the University of New South Wales.
8 portraits in the collection
In light of recent and ongoing gallery closures brought on by the COVID pandemic, the NPG’s 2021 National Photographic Portrait Prize exhibition season will be extended until 16 January next year.
What does 'portraiture mean at the end of the 20th century? At the outset of building a national portrait collection it seems an appropriate question to investigate.
In this exhibition Sydney based photographer Peter Brew-Bevan brings together an intimate collection of works that highlight his passion for the genre of portraiture over the last 10 years
Purchased with funds provided by Alan Dodge AM & Neil Archibald 2019
Gift of David Crooke 2011. Donated through the Australian Government's Cultural Gifts Program.
John Bell AO OBE (b. 1940), actor and director, is one of Australia's best-known theatre personalities.
3 portraits in the collection
Collection: National Portrait Gallery
Purchased 1999
The votes have been counted, and the winners of the National Portrait Gallery’s People’s Choice Awards for the Prize exhibitions are...
Australia's major abstract painter Yvonne Audette discusses her portrait of sculptor Robert Kippel.
The Hon Sir Reginald Talbot KCB (1841-1929), army officer and English MP, was governor of Victoria from April 1904 to July 1908.
1 portrait in the collection
Henry (Thomas Henry) Kendall (1839-1882) was once regarded as the finest poet Australia had produced.
1 portrait in the collection
Purchased 2023
Open Air is an exhibition of portraits of Australians in environments of particular significance to them.
Lily Brett OAM (b. 1946) is a New York-based novelist, essayist and poet.
2 portraits in the collection
Shane Maloney (b. 1953) is the creator of the popular 'Murray Whelan' series of six crime novels, beginning with Stiff (1994) and The Brush-Off (1996) and currently ending at Sucked In (2007).
1 portrait in the collection
Carol Spencer AM (b. 1943), known as Carlotta, is a cabaret performer, television personality and LGBTIQ+ advocate.
1 portrait in the collection
Gift of Patrick Corrigan AM 2004. Donated through the Australian Government's Cultural Gifts Program.
Accomplished illustrator, painter, writer and diarist, set designer and one of the most distinguished photographers of the twentieth century, Cecil Beaton is renowned for his portraits of well known faces from the worlds of fashion, literature, and film.
Tommy Tycho AM MBE (1928-2013), musician, began studying at the Conservatorium of Music in his native Budapest at the age of eight.
1 portrait in the collection
Collection: National Portrait Gallery
Purchased 2010
Thomas Coleman Durkin trained at the Williamstown School of Design and started work in Melbourne as an apprentice to an engraver and then a jeweller.
27 portraits in the collection
Betty Burstall AM (1926–2013) played a vital role in the development of theatre in Australia.
1 portrait in the collection
Sir Jack Brabham OBE (1926-2014), racing car driver, was born in Hurstville, NSW, and studied mechanical engineering before working as a mechanic for the RAAF during WW2.
2 portraits in the collection
Purchased 2008
From 2015 to 2017 the Acquisition Fund was focussed on Reg Richardson AM by Mitch Cairns, a finalist in the Archibald Prize 2014, and a great example of minimalist portraiture.
Collection: National Portrait Gallery
Purchased 1999
Collection: National Portrait Gallery
Purchased 2016
'I have just been to my dressing case to take a peep at you.
Purchased 2005
John Darling (1923-2015), businessman, company director and media producer was the son of Harold Gordon Darling, chair of BHP.
1 portrait in the collection
Maurice Appleby Felton (1803-1842) arrived in Sydney with his wife and four children in late 1839 as surgeon to the immigrant ship the Royal Admiral.
3 portraits in the collection
Collection: National Portrait Gallery
Purchased with funds provided by Marilyn Darling AC 2001
Dr G Yunupingu (1970-2017), a man of the Gumatj clan of north-east Arnhem Land, learned to play guitar, keyboard, drums and didgeridoo as a child.
Collection: National Portrait Gallery
Gift of the Hammond Care Group 1999
Cherry Hood (b. c. 1950), is an artist well known for her haunting, large-scale images of faces.
3 portraits in the collection
Purchased 2021
Purchased 2021
Collection: National Portrait Gallery
Gift of Mrs Margaret Adams 1999
Collection: National Portrait Gallery
Purchased with funds provided by L Gordon Darling AC CMG 2014
Collection: National Portrait Gallery
Gift of Jocelyne MacLeod 2008
Collection: National Portrait Gallery
Gift of the artist 2006
Collection: National Portrait Gallery
Purchased 2006
Dame Helen Blaxland DBE (1907–1989), conservationist and fundraiser, studied at the Julian Ashton School of Art in Sydney.
1 portrait in the collection
Purchased with funds provided by Jillian Broadbent AC 2021
Gift of the artist 2001
Purchased with funds provided by the Annual Appeal 2023
Purchased 2005
Purchased 2015
Phil Manning celebrates a century of Brisbane photographic portraiture.
Drawn from some of the many donations made to the Gallery's collection, the exhibition Portraits for Posterity pays homage both to the remarkable (and varied) group of Australians who are portrayed in the portraits and the generosity of the many donors who have presented them to the Gallery.
Collection: National Portrait Gallery
Purchased 2016
Purchased 1999
Gift of David Archer 2016
George Fetting (b. 1964) is a Sydney-based photographer specialising in portrait, travel and editorial work.
8 portraits in the collection
More than eighty treasures from the National Portrait Gallery London will travel to Canberra for a once-in-a-lifetime exhibition at the National Portrait Gallery from March 2022.
During his long and distinguished career Max Dupain took thousands of photographs of people
Michelle Simmons AO (b. 1967), 2018 Australian of the Year, is a pioneer in atomic electronics and quantum computing.
1 portrait in the collection
Let’s look closely at the National Photographic Portrait Prize 2022 together! For students and family groups.
Collection: National Portrait Gallery
Gift of the artist 2010
Donated through the Australian Government's Cultural Gifts Program
The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
Megan Gale (b. 1975), model, entrepreneur and media personality, achieved fame in Italy before becoming widely recognised in Australia.
1 portrait in the collection
Rod McNicol's method and motivation, 19th century Indigenous peoples, Barrie Cassidy on Bob Hawke, five generations of the Kang family from Korea and more.
Jeremiah Ware (1792–1878) arrived in Van Diemen’s Land in 1822 with his wife, Mary (née Brooks, c.
1 portrait in the collection
Jeremiah Ware (1792–1878) arrived in Van Diemen’s Land in 1822 with his wife, Mary (née Brooks, c.
1 portrait in the collection
Purchased 2009
Purchased with funds provided by the Basil Bressler Bequest 2001
Gift of the Estate of Nancy Wiseman 2007
Gift of Robert Rosen 2012
Brian Dunlop studied at East Sydney Technical College and won the Le Gay Brereton Prize for Drawing while still a student.
7 portraits in the collection
The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
Gift of the Simpson family in memory of Caroline Simpson OAM 2008. Donated through the Australian Government's Cultural Gifts Program.
Ross Watson specialises in interpolating representations of lithe semi-naked men into copies of paintings by masters such as Vermeer, Ter Borsch, David and Bronzino.
2 portraits in the collection
Purchased 2005
Collection: National Portrait Gallery
Gift of the artist 2010
Death masks, post-mortem drawings and other spooky and disquieting portraits... Come and see how portraits of infamous Australians were used in the 19th century.
Djon Mundine OAM brings poignant memory and context to Martin van der Wal’s 1986 portrait photographs of storied Aboriginal artists.
The National Portrait Gallery acquired a beguiling silhouette group portrait by Samuel Metford, an English artist who spent periods of his working life in America.
This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.
Dr Arthur Martin a’Beckett FRCS (1812-1871) surgeon and New South Wales parliamentarian studied at London University from 1831 before undertaking a residency in Paris, centre for innovation in the practice of hygiene, pathological anatomy and physiopathology.
2 portraits in the collection
Collection: National Portrait Gallery
Purchased 2019
Gift of Charles E. Lloyd Jones and Kim Lloyd Jones 2019. Donated through the Australian Government's Cultural Gifts Program.
In 2021 the Annual Appeal was focussed on Peter Brew-Bevan's portraits of athletes Turia Pitt, Leisel Jones OAM and Ellie Cole OAM.
Collection: National Portrait Gallery
Purchased 2001
Collection: National Portrait Gallery
Purchased 2001
Collection: National Portrait Gallery
Gift of the artist 2003
Donated through the Australian Government's Cultural Gifts Program
Naomi Watts (b. 1968), actress, was born in England and came to Australia from Wales at the age of fourteen.
1 portrait in the collection
Purchased 1998
Gift in memory of Tesse Lang by her husband Moshe Lang and family 2024. Donated through the Australian Government's Cultural Gifts Program.
Purchased 2006
Maggie Tabberer AO (1936-2024), designer, writer, editor, publicist and television presenter, is one of Australia's best-known personalities.
1 portrait in the collection
June Dally-Watkins OAM (1927–2020), model, deportment icon and entrepreneur, grew up on a property at Watsons Creek in the New England district of New South Wales.
3 portraits in the collection
Hannah Benyon Lloyd Jones OBE (1901–1982) was the third wife of Sir Charles Lloyd Jones, the chairman of David Jones from 1920 until his death in 1958.
3 portraits in the collection
Patrick White (1912–1990), acknowledged as Australia’s pre-eminent novelist of the 20th century, was awarded the Nobel Prize for Literature in 1973 for The Eye of the Storm, ‘for an epic and psychological narrative art which has introduced a new continent into literature’.
7 portraits in the collection
Gift of Danina Dupain Anderson 2021. Donated through the Australian Government's Cultural Gifts Program.
Commissioned with funds provided by The Calvert-Jones Foundation, The Sid and Fiona Myer Family Foundation and Dr David Thurin AM and Lisa Thurin 2021
Gift of the artist 2004
For Tom Roberts - Australia's best nineteenth-century portrait painter - neither a proto-national portrait gallery nor more popular collections of portrait heads, were sufficient public celebrations for the notables of Australian history
Gift of the artist 2006
Mark Ella AM (b. 1959) was one of four Australians named amongst the eleven inaugural ‘legends’ of the International Rugby Board Hall of Fame in 2013.
1 portrait in the collection
Emma Kindred looks at the career of Joan Ross, whose work subverts colonial imagery and its legacy with the clash of fluorescent yellow.
The exhibition will include works of art from the NPG Canberra's permanent collection with some inward loans and aims to highlight the achievements of notable Australians.
The Australian cricket team of 1882 was the third side to tour England and the team whose defeat of England at The Oval in August of that year initiated the 'The Ashes' Test series.
1 portrait in the collection
Collection: National Portrait Gallery
Commissioned 2010
This edited version of a speech by Andrew Sayers examines some of the antecedents of the National Portrait Gallery and set out the ideas behind the modern Gallery and its collection.
Headspace5: Crystal Gazing highlighted the diversity of materials and techniques that young people use for self expression. David Sequeira presents a personal view of three works in the exhibition.
This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.
Collection: National Portrait Gallery
Commissioned 2010
Collection: National Portrait Gallery
Commissioned 2010
Commissioned with funds provided by Westpac Group and Optus 2018
Piper (life dates unknown), also known as John Piper, was a Wiradjuri man who acted as a guide to Thomas Mitchell’s surveying expedition along the Murray and Darling Rivers into present-day Victoria in 1836.
2 portraits in the collection
Douglas Annand (1903–1976), graphic designer and artist, moved to Sydney from Brisbane in 1930.
2 portraits in the collection
Gift of the artist 1999. Donated through the Australian Government's Cultural Gifts Program.
This 1910 portrait of Elizabeth Sarah (Lillie) Roberts by Tom Roberts was brought into the Gallery's collection with the assistance of the Acquisition Fund in 2013.
Friedrich Wilhelm Ludwig Leichhardt (1813-c. 1848) went to school and university in Germany but the range of his interests was such that he never actually graduated (he was later called Dr Leichhardt in recognition of his broad scholarship).
1 portrait in the collection
Gift of Danina Dupain Anderson 2021. Donated through the Australian Government's Cultural Gifts Program.
The National Portrait Gallery is calling on family history enthusiasts and amateur historians to help reveal more about the people in Dempsey’s People: A folio of British street portraits from 1824-1844.
The Australian of the Year Awards have often provoked controversy about who is selected and whether their achievements are remarkable.
Johann Zoffany, painter of portraits and conversation pieces, grew up in the court of the Prince von Thurn und Taxis in Germany, where his father was employed.
1 portrait in the collection
Scoring first prize in New South Wales for Art in the 1983 HSC was a signal that a talented creative career lay ahead and this has indeed proven the case.
2 portraits in the collection
The Circle of Friends Acquisition Fund for 2012 was dedicated to purchasing a portrait of David Malouf by Rick Amor.
Although perceived to be a recent phenomenon, the 'Aussie invasion' of Hollywood can actually be traced as far back as the early 1900s
Featuring works by Australian and New Zealand photographers from the late 1970s up to the present day Reveries focuses on images made in the presence of or consciousness of death.
This is the first in a series of National Portrait Gallery exhibitions to survey the portraits painted by artists who are not thought of, primarily, as portrait painters
Rennie Ellis: Aussies All is a celebration of the life and work of the late Australian photographer Rennie Ellis.
Amy Christine Rivett (1891–1962), doctor, contributed greatly to medicine and women's health.
1 portrait in the collection
William Macleod, artist and magazine proprietor, attended the Sydney Mechanics’ School of Arts as a young teenager and saw his first illustration published in 1866.
4 portraits in the collection
Margaret Fink AO (b. 1933), film producer, was a key figure in the renaissance of Australian cinema in the 1970s.
2 portraits in the collection
Henri-Cartier-Bresson invented the grammar for photographing life in the 20th century.
Shea Kirk’s portrait of friend and fellow-artist Emma Armstrong-Porter has won the 2023 National Photographic Portrait Prize.
Gift of the National Australia Bank 2002
Leanne Benjamin AM OBE (b. 1964) was Principal Dancer with the Royal Ballet between 1993 and 2013.
1 portrait in the collection
Purchased 2002
The considered matching of artist to subject has produced an amazing collection of unique and original works in the permanent collection of the National Portrait Gallery
Collection: National Portrait Gallery
Gift of the artist 2002
Rodney Hall OAM (b. 1935), writer, came to Australia in 1947 and settled in Brisbane.
2 portraits in the collection
This exhibition offers a comprehensive display of Clifton Pugh's portraits revealing his development and growth from tonal paintings to a unique style that was in demand from politicians, artists, academics and Australian personalities.
Eric Smith (1919-2017), painter, was born in Brunswick, Melbourne, and trained in commercial art at the Brunswick Technical College before serving in the army during World War 2.
6 portraits in the collection
Philippe Mora (b. 1949), filmmaker, artist and writer, is the eldest son of artist Mirka Mora and restauranteur and gallery owner Georges Mora.
1 portrait in the collection
Geoff Dyer (1947-2020) was renowned landscape and portrait painter whose practice depicted Tasmania and its people.
1 portrait in the collection
An exhibition devoted to Hans Holbein's English commissions shows the portraitist bringing across the Channel new technical developments in art - with a dazzling facility.
Stephen Page AO (b. 1965), Nunukul dancer and choreographer, has been artistic director of Bangarra Dance Theatre since 1991.
2 portraits in the collection
Joanna Gilmour travels through time to explore the National Portrait Gallery London’s masterpieces in Shakespeare to Winehouse.
Kristin Headlam's portrait of Chris Wallace-Crabbe was acquired with the support of the Circle of Friends in 2014.
Seventeen of Australia’s thirty prime ministers to date are represented in the contrasting sizes, moods and mediums of these portraits.
John Connell (c. 1759–1849), free settler, merchant and landowner, came to New South Wales aboard the Earl Cornwallis, which arrived in Sydney in June 1801.
1 portrait in the collection
The Australian public was invited in 2008 to vote for their favourite Australian. After the votes were tallied an exhibition of the top-ten Popular Australians and the top-twenty unsung heroes was displayed at the National Portrait Gallery.
Ryan Presley about portraiture, Emma Kindred on the career of Joan Ross, Ellie Buttrose looks at Archie Moore’s kith and kin, and Joanna Gilmour steps into the world of Julie Rrap.
Russell Page (1968–2002), choreographer, dancer and actor, was from the Nunukul (Noonuccal) people and the Munaldjali clan of the Yugambeh people of south-east Queensland.
5 portraits in the collection
Purchased with funds provided by Ross A Field 2008
The Hon. Dame Roma Mitchell AC DBE CVO QC (1913–2000) was the first Australian woman to be a Queen's Counsel, Supreme Court judge, Acting Chief Justice, Deputy University Chancellor, Chancellor and State Governor.
2 portraits in the collection
Rebecca Ray on Robert Fielding’s Mayatjara series, Jennifer Higgie on Alice Neel, Elspeth Pitt chats with Yvette Coppersmith, Vincent Fantauzzo on virtual sittings with Hugh Jackman and more.
Nicholas-Martin Petit was born in Paris, the son of a fan maker, and learned graphic art in the studio of Jacques Louis David.
9 portraits in the collection
Commissioned with funds provided by Malcolm and Lucy Turnbull 2003
Hardtmuth Lahm (1912-1981), commercial artist and cartoonist, came to Australia from Estonia as a sixteen-year-old.
1 portrait in the collection
Christopher Chapman considers photographer Rozalind Drummond's portrait of author Nam Le.
One night in the spring of 1970 in an old house in Whale Beach, north of Sydney, John Witzig, Albe Falzon and David Elfick put together the first issue of Tracks, playing Neil Young’s album Harvest over and over again as they pasted up galleys of type.
Collection: National Portrait Gallery
Gift of the artist 2002
Mortimer Lewis (1796–1879), surveyor and architect, and his wife Elizabeth (née Clements, c.
1 portrait in the collection
Mortimer Lewis (1796–1879), surveyor and architect, and his wife Elizabeth (née Clements, c.
1 portrait in the collection
James Holloway describes the first portraits you encounter when entering the Scottish National Portrait Gallery.
The Rt Hon Sir Garfield Barwick AK GCMG QC (1903–1997) was Chief Justice of Australia from 27 April 1964 to 11 February 1981 – the longest serving Chief Justice of Australia.
2 portraits in the collection
Magazines are the portrait galleries of the 90s... Glossy is about magazines. The exhibition presents the work of eight photographers, Australian by birth or long-term residency, who are producing portraits for publication in magazines around the world.
Collection: National Portrait Gallery
Gift of Vicky Tycho 2013
Matthias (or Matthew) Darly, printseller, engraver, caricaturist and furniture designer, served an apprenticeship to a clockmaker before opening a print shop in London in the 1740s.
3 portraits in the collection
Masters of fare: chefs, winemakers, providores celebrates men and women who have championed the unique culinary characteristics and produce of Australia, enriching our lives with new ideas and new flavours over the past forty years.
Collection: National Portrait Gallery
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018
Donated through the Australian Government's Cultural Gifts Program
Nicholas Harding: 28 portraits features paintings of Robert Drewe, John Bell and Hugo Weaving alongside gorgeously coloured recent oil portraits, delicate gouaches and bold ink and charcoal drawings.
Collection: National Portrait Gallery
Purchased 2001
These full-length figures in watercolour, gouache and pencil date mostly from the 1820s, and almost all come from the collection of the Tasmanian Museum and Art Gallery, Hobart.
Collection: National Portrait Gallery
Purchased 2009
An interview with the photographer.
Henry Mundy's portraits flesh out notions of propriety and good taste in a convict colony.
Gift of Leo Schofield AM 2002. Donated through the Australian Government's Cultural Gifts Program.
Donald Friend (1915-1989), painter, writer and diarist, studied at the RAS and Dattilo-Rubbo’s school in Sydney before spending 1935 and 1936 at the Westminster School in London.
2 portraits in the collection
Penelope Grist spends some quality time with the Portrait Gallery’s summer collection exhibition, Eye to Eye.
Portraits of philanthropists in the collection honour their contributions to Australia and acknowledge their support of the National Portrait Gallery.
Growing up feeling isolated, ostracised and ornate in the heated homogeny of the suburbs of Perth and the Gold Coast we often longed and dreamed for an escape.
Sir Percy Spender KCVO KBE QC (1897-1985) was a politician, statesman, diplomat and judge.
3 portraits in the collection
Michael Desmond discusses the portrait of Senator Neville Bonner by Robert Campbell Jnr.
Tim Jarvis AM (b. 1966), environmental scientist, author and adventurer, was the Australian Geographic Society’s Adventurer of the Year in 2013 and its Conservationist of the Year in 2016 – the only person ever to have received both awards.
1 portrait in the collection
In 2023 the Annual Appeal was focussed on a work by one of Australia's best loved and most successful portrait painters, Judy Cassab AO CBE, depicting model, entrepreneur and deportment icon, June Dally-Watkins OAM.
Collection: National Portrait Gallery
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018. Donated through the Australian Government's Cultural Gifts Program.
Born in Manila in 1972, Alfredo Esquillo Jr majored in painting at University of Santo Thomas.
Photographed 35 years apart, these two portraits offer both a timeline of, and thematic thread for, Maria (Polly) Cutmore’s life – from a young woman to a respected Gomeroi Elder.
John Sumner AO CBE (1924–2013), described as the 'father of Australian drama', was born in England and trained and worked in repertory theatre there before World War 2.
2 portraits in the collection
Carl Cooper (1912-1966), ceramic decorator, contracted poliomyelitis in his twenties.
1 portrait in the collection
Dame Annie Florence Cardell-Oliver DBE (1876–1965), politician, grew up in Melbourne before marrying David Sykes Boyd, a wool buyer, and returning with him to England.
1 portrait in the collection
James McCabe provides proof that hanging wasn’t necessarily a fate reserved for the perpetrators of murder and other deeds of darkest hue.
Rachel Roxburgh (1915–1991), artist, conservationist and architectural historian, grew up in Sydney's eastern suburbs and studied art at East Sydney Technical College and the Adelaide Perry Art School in the 1930s.
1 portrait in the collection
The National Portrait Gallery this week launches an online exhibition of Shirley Purdie’s remarkable self-portrait Ngalim-Ngalimbooroo Ngagenybe to coincide with Reconciliation Week.
Clem, George, David, Alfie and Russell Sands were members of one of Australia's most famous sporting families.
2 portraits in the collection
Clem, George, David, Alfie and Russell Sands were members of one of Australia's most famous sporting families.
2 portraits in the collection
Clem, George, David, Alfie and Russell Sands were members of one of Australia's most famous sporting families.
2 portraits in the collection
Clem, George, David, Alfie and Russell Sands were members of one of Australia's most famous sporting families.
2 portraits in the collection
Clem, George, David, Alfie and Russell Sands were members of one of Australia's most famous sporting families.
2 portraits in the collection
Gift of Claudia Hyles, Dr Christiane Lawin-Bruessel, Gwenda Matthews, Gael Newton, Anne O'Hehir, Susan Smith and Dominic Thomas in memory of our friend, Robyn Beeche 2016
Gift of Patrick Corrigan AM 2004. Donated through the Australian Government's Cultural Gifts Program.
This exhibition features new works from ten women artists reinterpreting and reimagining elements of Australian history, enriching the contemporary narrative around Australia’s history and biography, reflecting the tradition of storytelling in our country.
Collection: National Portrait Gallery
Purchased 2015
Collection: National Portrait Gallery
Gift of Lawrence Daws 2012
Donated through the Australian Government's Cultural Gifts Program
The Portrait Gallery is calling for contributions to support in the acquisition of superb portraits for the national collection.
Beyond the centenary of the ANZAC landings at Gallipoli, a number of other notable anniversaries converge this year. Waterloo deserves a little focussed consideration, for in the decades following 1815 numerous Waterloo and Peninsular War veterans came to Australia.
Sarah Engledow on a foundational gallery figure who was quick on the draw.
Purchased 2013
The acquisition of the ivory miniatures of Mortimer and Mrs Lewis.
Australian photographer Karin Catt has shot across the spectrum of celebrity, her subjects including rock stars, world leaders and actors.
Gift of the family of FW Macpherson 2010
Collection: National Portrait Gallery
Purchased with funds provided by Graham Smith 2009
Last night in Sydney, the National Portrait Gallery unveiled a newly commissioned portrait of Australian sporting legend Mark Ella AM.
Collection: National Portrait Gallery
Purchased 2001
Collection: National Portrait Gallery
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018. Donated through the Australian Government's Cultural Gifts Program.
The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
Lauren Dalla examines the life of Basil Bressler, the art patron responsible for one of the NPG's most important bequests.
Purchased 1998
Collection: National Portrait Gallery
Gift of David Tuckwell 2018
Purchased 2008
The Australian Tapestry Workshop (formerly the Victorian Tapestry Workshop) was established in 1976, following two years of planning and research on the part of its founding patrons, Dame Elisabeth Murdoch and Lady Joyce Delacombe.
2 portraits in the collection
Sir Frank Lowy AC (b. 1930) businessman, property developer and philanthropist, founded the Westfield group of shopping centres.
2 portraits in the collection
Sir Charles Nicholson (1808-1903), statesman, landowner, businessman, connoisseur, scholar and physician, was born illegitimately into unpropitious circumstances in Yorkshire.
2 portraits in the collection
The following on-line and physical exhibitions are planned to open at the National Portrait Gallery in coming months. For those who can’t travel at present, selected works from all exhibitions will be included online
Purchased 2006
Magda Keaney examines the 123 Faces project by Simon Obarzanek.
Collection: National Portrait Gallery
Purchased with funds provided by Graham Smith 2009
Inga Walton on the brief but brilliant life of Hugh Ramsay.
Emily Casey takes in Shirley Purdie’s remarkable self-portrait, Ngalim-Ngalimbooroo Ngagenybe.
Joanna Gilmour explores the life of colonial women Lady Ellen Stirling, Eliza Darling, Lady Eliza Arthur, Elizabeth Macquarie and Lady Jane Franklin.
Rowan McGinness asks: when is a self portrait not a self portrait?
It was definitely a candid encounter as was the expression on the face. It was constructed insofar as the image was deliberately taken from a distance so as to minimize intrusion and to magnify the effect of the image.
Commissioned with funds provided by the Sid and Fiona Myer Family Foundation 2018
Katherine Russell examines the art of Australian artist Paul Newton, referencing the portraiture of John Singer Sargent.
The southern winter has arrived. For people in the northern hemisphere (the majority of humanity) the idea of snow and ice, freezing mist and fog in June, potentially continuing through to August and beyond, encapsulates the topsy-turvidom of our southern continent.
The newly-established National Portrait Gallery Foundation met for its inaugural meeting last Friday 15 May in Canberra.
Tedi Bills on how social media in the age of COVID-19 has fanned the flames of our portrait fascination.
Jenny Kee AO (b. 1947) is a fashion designer and an Australian style icon.
1 portrait in the collection
The National Portrait Gallery acquired the self-portrait by Grace Cossington Smith in 2003.
Richard Flanagan (b. 1961) was born in Longford in northern Tasmania, the second youngest of the six children of Archie Flanagan, a primary school principal, and his wife Helen.
1 portrait in the collection
An interview with the photographer.
Christopher Chapman looks at influences and insight in the formative years of Arthur Boyd.
Joanna Gilmour describes how colonial portraitists found the perfect market among social status seeking Sydneysiders.
The bronze sculpture by Julie Edgar reflects through both the material and representation the determined and straight-forward nature of Brabham.
Tim Storrier describes the influences on the development of his artistic style.
Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.
A reflection on the National Portrait Gallery's first four years.
Percy Leason, artist, illustrator and cartoonist, grew up in Victoria's Wimmera region and trained in the rudiments of art in Nhill.
1 portrait in the collection
A major new exhibition celebrating love in all its guises. Opening 20 March 2021.
Commissioned with funds provided by Tim Fairfax AC 2018
Joanna Gilmour presents John Kay’s portraits of a more infamous side of Edinburgh.
I think the most important thing in capturing candid shots is to never take the photo when people are expecting you to press the shutter. The more poignant moments are not the stock standard images of people looking at the camera smiling but after or before when they are really interacting with each other.
Celebrating a new painted portrait of Joseph Banks, Sarah Engledow spins a yarn of the naturalist, the first kangaroo in France and Don, a Spanish ram.
Tara James shares the joy of dance and its power to connect in the National Portrait Gallery’s touring exhibition Dancer.
Born 1966 in Beijing, China. Lives and works in Beijing.
An extract from the 2004 Nuala O'Flaaherty Memorial Lecture at the Queen Victoria Musuem and Art Gallery in Launceston in which Andrew Sayers reflects on the unique qualities of a portrait gallery.
How seven portraits within Bare reveal in a public portrait parts of the body and elements of life usually located in the private sphere.
Gael Newton delves into the life and art of renowned Australian photographer, Max Dupain.
A new painting by Jiawei Shen captures the vision and resolve of the Gallery's founder, L. Gordon Darling AC CMG.
Commissioned with funds provided by the Sid and Fiona Myer Family Foundation 2018
One of the chief aims of George Stubbs, 1724–1806, the late Judy Egerton’s great 1984–85 exhibition at the Tate Gallery was to provide an eloquent rebuttal to Josiah Wedgwood’s famous remark of 1780: “Noboby suspects Mr Stubs [sic] of painting anything but horses & lions, or dogs & tigers.”
Tony Curran ponders whether our phones can change the course of painting.
Gift of the Estate of Harold Thornton 2009
Commissioned with funds provided by Trent Birkett 2018
A National Portrait Gallery, London exhibition redefines portraiture, shifting the focus towards a new perspective on Pop Art.
Michael Desmond explores what makes a portrait subject significant.
Sir William Dobell painted the portraits of Sir Charles Lloyd Jones and Sir Hudson Fysh, who did much to promote the image of Australia in this country and abroad.
At the end of a summer break one is tempted to say that there is nothing much to report. Isn’t one restful holiday very much like another?
Certain European leaders (needless to name) had the effect of making certain styles of facial hair decidedly undesirable in the years immediately after World War 2.
When soulmates Janet Dawson and Michael Boddy moved from Sydney to a property, Boddy was clear about why: ‘Our marriage is one long conversation - we moved to the bush so we could talk to each other without so many interruptions.’
Sarah Engledow writes about Gordon and Marilyn Darling and their support for the National Portrait Gallery throughout its evolution.
Scott Redford discusses his dynamic portrait commission of motorcycling champion and 2008 Young Australian of the Year Casey Stoner.
Vanity Fair Editor David Friend describes how the rebirth of the magazine sated our desire for access into the lives of celebrities and set the standard for the new era of portrait photography.
Deborah Hill talks figures with character, as the National Portrait Gallery touring exhibitions program welcomes its millionth visitor.
A remarkable undated drawing by Edward Lear (1812–88) blends natural history and whimsy.
Andrew Sayers outlines the highlights of the National Portrait Gallery's display of portrait sculpture.
Exploring the photographs of Martin Schoeller, Michael Desmond delves into the uneasy pact that exists between celebrity and the camera.
Inspiring Australians tell their own stories in a unique new gallery audio tour, developed in collaboration with the National Library of Australia.
Jane Raffan asks do clothes make the portrait, and can the same work with a new title fetch a better price?
Take a peek at a selection of the portraits you can see in the exhibition.
The complex connections between four creative Australians; Patrick White, Sidney Nolan, Robert Helpmann and Peter Sculthorpe.
The second row of paintings recall stories relating to specific sites, experiences and activities.
Joanna Gilmour reflects on 25 years of collecting at the National Portrait Gallery.
Sharon Peoples contemplates costumes and the construction of identity.
Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2009 Prize.
Sarah Engledow on Messrs Dobell and MacMahon and the art of friendship.
An interview with the photographer.
The National Portrait Gallery today announced finalists for the inaugural Darling Portrait Prize, a national new $75,000 prize for Australian portrait painting, and released selected images from the final prize pool for the popular National Photography Portrait Prize.
Patrick McCaughey explores a striking Boyd self portrait.
Joanna Gilmour on Tom Durkin playing with Melbourne's manhood.
Gareth Knapman explores the politics and opportunism behind the portraits of Tasmania’s Black War.
Bon Scott and Angus Young photographed by Rennie Ellis are part of a display celebrating summer and images of the shirtless male.
Joanna Gilmour delves into a collection display that celebrates the immediacy and potency of drawing as an art form in its own right.
In 2022 the Annual Appeal was focussed on Mayatjara by Robert Fielding, a series of 24 photographs of Elders of the Anangu Pitjantjatjara Yankunytjatjara community.
In recent years I have become fascinated by the so-called Sydney Cove Medallion (1789), a work of art that bridges the 10,000-mile gap between the newly established penal settlement at Port Jackson and the beating heart of Enlightenment England.
The Glossy 2 exhibition highlights the integral role magazine photography plays in illustrating and shaping our contemporary culture.
To celebrate his family bicentenary, Malcolm Robertson looks at the portraiture legacy left by his ancestors.
Australian character on the market by Jane Raffan.
Gift of the Jozef Vissel 2015
Alison Baily Rehfisch (1900–1975) was born Alison Green in Woollahra, New South Wales, to parents who 'were very interested in painting – in all the arts: music, literature, everything'.
2 portraits in the collection
Joanna Gilmore delights in the affecting drawings of Mathew Lynn.
Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2017 Prize.
Some years ago my colleague Andrea Wolk Rager and I spent several days in the darkened basement of a Rothschild Bank, inspecting every one of the nearly 700 autochromes created immediately before World War I by the youthful Lionel de Rothschild.
Jennifer Coombes explores the lush images of Picnic at Hanging Rock, featuring Anne-Louise Lambert’s Miranda, the face of the film.
Sarah Engledow describes the fall-out once Brett Whiteley stuck Patrick White’s list of his loves and hates onto his great portrait of the writer.
Dr Christopher Chapman NPG Curator of Inner Worlds explains the development of an exhibition that spans from Surrealism to contemporary art.
Michael Desmond reveals the origins of composite portraits and their evolution in the pursuit of the ideal.
Malcolm Robertson tells the family history of one of Australia's earliest patrons of the arts, his Scottish born great great great grandfather, William Robertson.
The National Portrait Gallery's acquisition of the portrait of Edward John Eyre by pioneering English photographer Julia Margaret Cameron.
Cartoonist Michael Leunig's insights into the human condition and current affairs have become famous Australia-wide.
Dr. Sarah Engledow explores the context surrounding Charles Blackman's portrait of Judith Wright, Jack McKinney and their daughter Meredith.
The death of a gentlewoman is shrouded in mystery, a well-liked governor finds love after sorrow, and two upright men become entangled in the historical record.
A short overview of modern Chinese art from 1949 to the present.
Penelope Grist speaks to Robert McFarlane about shooting for the stars.
Andrew Sayers asks whether a portrait can truly be the examination of a life.
Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2018 Prize.
Gideon Haigh discusses portraits of Australian cricketers from the early 20th century
Sarah Engledow lauds the very civil service of Dame Helen Blaxland.
Sarah Engledow picks some favourites from a decade of the National Photographic Portrait Prize.
Inga Walton sheds light on a portraiture collection usually only seen by students and teachers at Melbourne University.
The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.
Diana O’Neil samples the tartan treats on offer in the Scottish National Portrait Gallery.
Penelope Grist delves into an insightful portraiture exhibition that asks: How do three artists see the same sitter?
Dr Helen Nugent AO, Chairman, National Portrait Gallery at the opening of 20/20: Celebrating twenty years with twenty new portrait commissions.
The Portrait Gallery's paintings of two poets, Les Murray and Peter Porter, demonstrate two very different artists' responses to the challenge of representing more than usually sensitive and imaginative men.
John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.
An interview with the photographer.
Jane Raffan examines unique styles of Indigenous portraiture that challenge traditional Western concepts of the artform.
Bradley Vincent considers Samuel Hodge’s use of the archive to create a queer vernacular of portraiture.
Ashleigh Wadman rediscovers the Australian characters represented with a kindly touch by the British portrait artist Leslie Ward for the society magazine Vanity Fair.
Books seldom make me angry but this one did. At first, I was powerfully struck by the uncanny parallels that existed between the Mellons of Pittsburgh and the Thyssens of the Ruhr through the same period, essentially the last quarter of the nineteenth century.
Cate Blanchett and the art of acting in Rosetzky’s digital portrait.
Michael Desmond looks at the history of the Vanity Fair magazine in conjunction with the exhibition Vanity Fair Portraits: Photographs 1913-2008
Gallery directors Karen Quinlan and Tony Ellwood talk to Penelope Grist about the NPG and NGV collaborative exhibition, Who Are You: Australian Portraiture.
Basil grew into a speckled beauty – a long-legged leaper and an exceptionally vocal dog, with a great register of sounds, ascending in shock value from a whimper to a growl to a bark to a yelp that’s a violation of the ears.
To accompany the exhibition Cecil Beaton: Portraits, held at the NPG in 2005, this article is drawn from Hugo Vickers's authorised biography, Cecil Beaton (1985).
Joanna Gilmour describes some of the stories of the individuals and incidents that define French exploration of Australia and the Pacific.
In their own words lead researcher Louise Maher on the novel project that lets the Gallery’s portraits speak for themselves.
The exhibition Reveries: Photography and mortality is a powerful display which brings together images that depict the last phase of people's lives.
Joanna Gilmour examines the prolific output of Charles Balthazar Julien Févret de Saint-Mémin, and discovers the risk of taking a portrait at face value.
Christopher Chapman contemplates the provocative performance art of Chris Burden.
Australia's former Cultural Attache to the USA, Ron Ramsey, describes the mood at the opening week of the revitalised American National Portrait Gallery.
Athol Shmith’s photographs contributed to the emergence of a new vision of Australian womanhood.
The name of Florence Broadhurst, one of Australia’s most significant wallpaper and textile designers, is now firmly cemented in the canon of Australian art and design.
Sandra Phillips on portraits of Indigenous activism from Cairns Art Gallery’s 2019 Queen’s Land Blak Portraiture exhibition.
In his speech launching the new National Portrait Gallery building on 3 December 2008, then Prime Minister Kevin Rudd set the Gallery in a national and historical context.
How the National Portrait Gallery and its unique collection came to be
Michael Desmond, National Photographic Portrait Prize judge and curator, introduces the 2007 Prize.
It may seem an odd thing to do at one’s leisure on a beautiful tropical island, but I spent much of my midwinter break a few weeks ago re-reading Bleak House.
Michael Desmond profiles a handful of the entrants in first National Photographic Portrait Prize and notes emerging themes and categories.
Angus Trumble reveals the complex technical mastery behind a striking recent acquisition, Henry Bone’s enamel portrait of William Manning.
National Photographic Portrait Prize curator, Sarah Engledow, finds reward in a difficult task and ultimately uncovers the essence of portraiture.
Judith Pugh reflects on Clifton Pugh's approach to portrait making.
Michael Desmond in conversation with University of Houston professor of philosophy Cynthia Freeland.
Corinna Cullen on the symbolic power of pandemic-related imagery over the ages.
There is in the collection of the Yale Center for British Art in New Haven, Connecticut, an English painting, datable on the basis of costume to about 1745, that has for many years exercised my imagination.
Dr Sarah Engledow writes about the gift of two striking paintings by the Australian artist Ken Done AM.
Professor Stephen Fitzgerald, Australia’s first Ambassador to China, traces the historical course from sino-australian cultural engagement to a maturing Australian identity.
Grace Carroll on the gendered world of the Wentworths.
Penelope Grist charts an immersive path through Stuart Spence’s photography.
The exhibition Aussies all features the ecclectic portrait photography of Rennie Ellis which captures Australian life during the 70s and 80s.
Roger Benjamin explores the intriguing union of Lina Bryans and Alex Jelinek.
Dr Sarah Engledow explores the lives of Sir George Grey and his wife Eliza, the subjects of a pair of wax medallions in the National Portrait Gallery's collection.
Dr Anne Sanders previews the works in the new focus exhibition Paul Kelly and The Portraits.
Penelope Grist explores the United Nations stories in the Gallery’s collection.
Joanna Gilmour discovers that the beards of the ill-fated explorers Burke and Wills were as epic as their expedition to traverse Australia from south to north.
An exploration of national identity in the Canadian context drawn from the symposium Face to Face at the Scottish National Portrait Gallery in 2004.
Jo Gilmour uncovers endearing authenticity in the art of a twice-transported Tasmanian.
A focus on Indigenous-European relationships underpins Facing New Worlds. By Kate Fullagar.
Dr Christopher Chapman describes the experimental exhibition Portraits + Architecture
Joanna Gilmour explores the fact and fictions surrounding the legendary life of Irish-born dancer Lola Montez.
Sarah Engledow explores the history of the prime ministers and artists featured in the exhibition.
April Phillips (Wiradjuri-Scottish, kalari/galari) yarns with Marri Ngarr artist Ryan Presley about portraiture, resilience and the spirit held within fire.
Jenny Gall delves into Starstruck to celebrate some of Australian cinema’s iconic women.
Michael Wardell samples the fare in the University of Queensland National Self-portrait Prize.
Frank Hurley's celebrated images document the heroism and minutiae of Australian exploration in Antarctica.
Anne Sanders imbibes Tony Bilson’s gastronomic revolution.
Joanna Gilmour reflects on merging collections and challenging traditional assumptions around portraiture in WHO ARE YOU.
Krysia Kitch reviews black chronicles at the National Portrait Gallery, London.
Joanna Gilmour accounts for Australia’s deliciously ghoulish nineteenth century criminal portraiture.
Christopher Chapman takes a trip through the doors of perception, arriving at the junction of surrealism and psychoanalysis.
Sandra Bruce gazes on love and the portrait through Australian Love Stories’ multi-faceted prism.
Anne O’Hehir on the seductive power of the film still to reflect and shape ourselves and our cultural landscape.
The wild balancing act of McDonald’s home décor (is that there as a joke? where do I actually sit down? is this ironic or what? what a lovely photo of Darren and Robin in Europe!) is reflected in his own personality.
Penny Grist, National Photographic Portrait Prize judge and curator, introduces the 2016 Prize.
Sarah Engledow chronicles Rick Amor's work and accomplishments in this extensive essay in conjunction with the exhibition Rick Amor: 21 Portraits.
Glynis Jones on the Powerhouse’s retrospective of one of Australia’s foremost fashion reportage and social photographers.
Robyn's parents had two terriers, Wuff and Snuff. In spite of Snuff’s ominous name and a couple of close shaves – once, he jumped out of a moving car, and another time, on a long road trip, he was accidentally left behind at a petrol station – he outlived Wuff.
The London-born son of an American painter, Augustus Earle ended up in Australia by accident in January 1825.
Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2014 Prize.
Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.
Despite once expressing a limited interest in the self portrait, the idea of it has figured strongly in much of Tracey Moffatt's work and has done so in some of her most distinctive and compelling images.
The art of Australia’s colonial women painters affords us an invaluable, alternative perspective on the nascent nation-building project.
Dr Sarah Engledow examines a number of figures in the collection of the National Portrait Gallery who were pioneers or substantial supporters of the seminal Australian environmental campaigns of the early 1970s and 1980s.
Joanna Gilmour profiles Violet Teague, whose sophisticated works hid her originality and non-conformity in plain sight.
Lesley Harding, Curator, Heide Museum of Modern Art, Melbourne explores Albert Tucker’s experience of World War II, his interests in the intersection between psychology and creativity, and their influence on his portrait making.
Joanna Gilmour profiles the life and times of the shutter sisters May and Mina Moore.
Jane Raffan investigates auction sales of self portraits nationally and internationally.
Representations of the inhabitants of the new world expose the complexities of the colonisers' intentions.
The tragic tale of Tom Wills, the ‘inventor’ of Australian Rules Football.
Aircraft designer, pilot and entrepreneur, Sir Lawrence Wackett rejoins friends and colleagues on the walls of the National Portrait Gallery.
Alexandra Roginski reveals a forceful feminist figure in the colonial period’s slippery science, phrenology.
Sarah Engledow ponders the divergent legacies of Messrs Kendall and Lawson.
At first glance, this small watercolour group portrait of her two sons and four daughters by Maria Caroline Brownrigg (d. 1880) may seem prosaic, even hesitant
Sarah Engledow trains her exacting lens on the nine photographs from 20/20.
Joanna Gilmour explores the life and times of convict-turned-artist William Buelow Gould.
Works by Arthur Boyd and Sidney Nolan bring the desert, the misty seashore and the hot Monaro plains to exhibition Open Air: Portraits in the landscape.
Inga Walton delves into the bohemian group of artists and writers who used each other as muses and transformed British culture.
Inner Worlds evokes a broad view of psychology as a discipline. However, the specific interests of the practitioners whose portraits are included in the exhibition incorporate specialist areas including psychoanalysis.
Where do we draw a line between the personal and the historical? Although she died in Melbourne in 1975, when I was not quite eleven years old, I have the vividest memories of my maternal grandmother Helen Borthwick.
Over the years the young Nicholas Harding got his hands on various mice and guinea pigs, but they served mainly to illustrate the concept of mortality.
Sarah Engledow likes the manifold mediums of Nicholas Harding’s portraiture.
Curator, Penny Grist, reveals how this exhibition came to be
This is my last Trumbology before, in a little more than a week from now, I pass to my successor Karen Quinlan the precious baton of the Directorship of the National Portrait Gallery.
Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.
Sarah Engledow looks at three decades of Nicholas Harding's portraiture.
Dr Anne Sanders NPG Curatorial Researcher investigated the lives of the pioneering psychologists whose portraits are featured in Inner Worlds.