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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Russell Drysdale, Woollahra, Sydney

1964 (printed 2000)
David Moore

type C photograph on paper (42.5 cm x 28.5 cm)

Sir Russell Drysdale AC (1912-1981) developed eye trouble in 1929, and had to leave boarding school for the first of many eye treatments that left him fearful of total blindness. Over the 1940s and 50s Drysdale produced a series of stark, foreboding paintings of the landscapes, towns and people of outback and rural Australia, amongst which are many of the best-known images in Australian art. In 1962 Drysdale's son took his own life; Drysdale's wife, inconsolable, did the same in 1963. In 1964 Drysdale and his second wife, Maisie, a lifelong friend, built a house in the Bouddi National Park, not far from Tallow Beach. A period of stability followed, and Drysdale was able to produce a further body of significant work over the next fifteen years.

Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
© Lisa, Michael, Matthew and Joshua Moore
http://davidmoorephotography.com.au/

Artist and subject

David Moore (age 37 in 1964)

Russell Drysdale (age 52 in 1964)

Subject professions

Visual arts and crafts

Donated by

David Moore (79 portraits)

Related information

The Companion

Permanent collection catalogue

Café and shop

On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.

Painting mates

Magazine article by Michael Desmond, 2011

Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.

A Captured Moment

Magazine article by Simon Elliott, 2001

The acquisition of David Moore's archive of portrait photographs for the National Portrait Gallery's collection.

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Canberra, ACT 2600, Australia

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The National Portrait Gallery is an Australian Government Agency