Trevor Jamieson (b. 1975), Pitjantjatjara/Nyungar actor, didgeridoo player, guitarist, singer, dancer and storyteller, grew up in the Goldfields region of Western Australia. A teenager when he won the lead role in Black Swan Theatre's premiere of the musical Bran Nue Day, he has performed professionally for the past 25 years. He began his television career in Heartland (1994), starring Cate Blanchett and Ernie Dingo, and Kings in Grass Castles (1998). He was a regular on the series Lockie Leonard in 2010, and appeared in The Secret River (2015) and Cleverman (2016). Meanwhile, in 2008 at the Sydney Theatre Awards he was named best actor for the stage show Ngapartji Ngapartji. Jamieson conceived the play, about his Central Desert family who were displaced by the Maralinga tests of the 1950s, in collaboration with Scott Rankin. In 2011 he was the star of another stage collaboration with Rankin, the critically and popularly acclaimed Namatjira, and appeared in As You Like It at the Belvoir. Jamieson has appeared in many movies including Rabbit Proof Fence (2002) and Bran Nue Day (2009). In 2017 he starred in the Ilbijerri Theatre Company and Belvoir production of Coranderrk and The Season at the Opera House. In the 2019 remake of the 1976 film Storm Boy he portrayed Fingerbone Bill, originally played by David Gulpilil. The film The Furnace, in which he starred with David Wenham, featured at the 2020 Venice Film Festival.
The portrait of Jamieson won the People's Choice Award for the National Photographic Prize of 2017.
National Photographic Portrait Prize 2017 Finalist
Collection: National Portrait Gallery
Purchased 2018
© Brett Canet-Gibson
On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.
Featuring striking photographic portraits of contemporary figures from the National Portrait Gallery collection, The Look is an aesthetic treat with a lashing of je ne sais quoi.
The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
