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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Self portrait, Cyprus

1953
David Potts

gelatin silver photograph on paper (sheet: 40.2 cm x 30.2 cm, image: 34.4 cm x 23.8 cm)

David Potts (b. 1926) is a photographer with a career spanning more than fifty years. In the late 1940s he contributed to Laurence le Guay's magazine Contemporary Photography and worked in Russell Roberts's and le Guay's studios in Sydney, often accompanying David Moore on weekend excursions to document the Sydney scene. In 1950 he left Australia to work as a photojournalist in London. In a review of his 2000 exhibition Dawn, Dusk and other Abstracts, Robert McFarlane described Potts as one of Australia's most distinguished photographers. He wrote that 'It is a tribute to Potts's vision that he can express the beauty found in [incongruous] subjects . . . Potts is clearly at the age of contemplation, and what remarkable images he has found to meditate upon.'

Collection: National Portrait Gallery
Purchased 2001

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

David Potts (age 27 in 1953)

Subject professions

Visual arts and crafts

Related information

The Companion

Permanent collection catalogue

Café and shop

On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.

In the mirror: self portrait with Joy Hester
In the mirror: self portrait with Joy Hester
In the mirror: self portrait with Joy Hester
In the mirror: self portrait with Joy Hester

Depth of Field

Portrait Photography from the Collection

Previous exhibition, 2004

Over the last five years the National Portrait Gallery has developed a collection of portrait photographs that reflects both the strength and diversity of Australian achievement as well as the talents of our photographers.

The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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