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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

John Perceval, 1999

Thomas de Kessler

ink, coloured pencil, gouache, crayon and fibre-tipped pen on single mount board with gold coloured ink border (mount: 18.1 cm x 14.6 cm, sheet: 14.6 cm x 11.1 cm)
Image not available (NC)

John Perceval (1923-2000) was a painter and ceramic artist. Early on, along with Sidney Nolan, Arthur Boyd and Albert Tucker, he was part of a loose group of largely self-taught Australian artists, now known as the Angry Penguins, who rebelled against the conservatism of the art establishment. By the mid-1940s Perceval had moved on to Victoria, where he worked as a potter and sculptor with the Boyd family at Murrumbeena. He married the painter Mary Boyd, younger sister of Arthur, and three of their four children became painters. Joint winner of the Wynne Prize for landscape art in 1960, Perceval remains known as one of the leading Australian landscape painters of the 1950s and 1960s. His ceramic work from the same period includes a celebrated series of representations of angels. In the 1980s his long-term alcoholism saw Perceval consigned to a psychiatric hospital. During his time there his old 'comrades of the canvas' would take him out painting, paying for his materials and models. By 1988 he had moved to an elderly persons' hostel in Kew, and was able to show some new work at a South Yarra gallery.

Collection: National Portrait Gallery
Gift of Thomas de Kessler 2001

Accession number: 2003.163

Currently not on display

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Artist and subject

Thomas de Kessler (age 74 in 1999)

John Perceval AO (age 76 in 1999)

Subject professions

Visual arts and crafts

Donated by

Thomas de Kessler (2 portraits)

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.