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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Mysterious eyes

Arthur Boyd portraits from 1945

Previous exhibition
from Wednesday 4 May until Sunday 14 August 2016
Self portrait
Self portrait, 1945-1946 Arthur Boyd AC OBE. © Arthur Boyd. Arthur Boyd’s work reproduced with the permission of Bundanon Trust bundanon.com.au

A young man whose soft features betrayed the intensity of his own self-image, Arthur Boyd (1920-1999) portrayed others with equally concentrated emotion. He would become one of Australia’s most loved and renowned artists.

Prickly hot summers and wet winters, long grass and overgrown gardens alive with insects imprinted young Arthur’s brain. His protection of the family’s chickens earned him the affectionate nick-name chookie-boy, his shaggy hair and mended clothes marked him as different from the other school kids.

Arthur’s extended family was loving and accepted everyone’s quirks. The value of artistic exploration was natural to generations of Boyds. Adolescent Arthur’s warm and light landscape paintings had morphed into darker expressionistic heads by his late teens.

At age 25 Arthur produced a burst of portraits of those close to him, and through his eyes they are a reflection of the artist’s own state of mind.

For this focus exhibition five portraits from around 1945 have been borrowed from the National Gallery of Australia (Douglas Woods, Pauline Ford, Ian Bassett, Stanley Holt and Carl Cooper, all Arthur Boyd Gift 1975) along with Boyd’s portrait of his wife Yvonne from the Bundanon Trust, to complement three held by the National Portrait Gallery.

4 portraits

1 Carl Cooper, 1945-1946 Arthur Boyd AC OBE. © Arthur Boyd Arthur Boyd's work reproduced with the permission of the Bundanon Trust. 2 Betty Burstall, 1945 Arthur Boyd AC OBE. © Arthur Boyd Arthur Boyd's work reproduced with the permission of the Bundanon Trust. 3 Arthur Boyd’s studio (1945, not dated) by Albert Tucker.

Related people

Arthur Boyd AC OBE

Related information

Arthur Boyd's studio
Arthur Boyd's studio
Arthur Boyd's studio
Arthur Boyd's studio

Boyd to man

Magazine article by Dr Christopher Chapman, 2016

Christopher Chapman looks at influences and insight in the formative years of Arthur Boyd.

Self Portrait in red shirt, 1937 by Arthur Boyd
Self Portrait in red shirt, 1937 by Arthur Boyd
Self Portrait in red shirt, 1937 by Arthur Boyd
Self Portrait in red shirt, 1937 by Arthur Boyd

Arthur as Alyosha?

Magazine article by Patrick McCaughey, 2015

Patrick McCaughey explores a striking Boyd self portrait.

Artist and wife near Arthurs Seat, 1969
Artist and wife near Arthurs Seat, 1969
Artist and wife near Arthurs Seat, 1969
Artist and wife near Arthurs Seat, 1969

Through blue eyes

Magazine article by Dr Sarah Engledow, 2009

Works by Arthur Boyd and Sidney Nolan bring the desert, the misty seashore and the hot Monaro plains to exhibition Open Air: Portraits in the landscape.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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