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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Study for portrait of Les Murray, 1995

David Naseby

charcoal on paper

Leslie Allan ‘Les’ Murray AO (1938-2019) was acknowledged during his lifetime as one of the great poets writing in English. From the appearance of his first book, The Ilex Tree, written with Geoffrey Lehmann in 1965, he published more than twenty volumes of poetry, imbued with his religious faith and linked by an engagement with the values of what he called the ‘real Australia’ – the rural heartland and the bush. Although he won many literary awards, including the prestigious Petrarch Prize in Germany, the TS Eliot Award in Britain, and the Queen’s Medal for Poetry, by 2006 his collected volumes contained ‘about twelve’ poems that he thought were good. He wrote eight books of prose, including The Quality of Sprawl: Thoughts About Australia (1999). A biography, Les Murray: A life in progress, by Peter Alexander, was published in 2000. Having lived with – and written about – paralysing depression for many years, Murray said he had ‘just about grown out of issues,’ including any political ones. His collections of poems include The Biplane Houses (2006), Taller When Prone (2010) and On Bunyah (2015).

Collection: National Portrait Gallery
Gift of David Naseby 2001

Accession number: 2001.15

Currently not on display

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Artist and subject

David Naseby (age 58 in 1995)

Les Murray AO (age 57 in 1995)

Subject professions

Writing

Donated by

David Naseby (4 portraits)

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.