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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Glossy - Faces Magazines Now

Previous exhibition from Friday 2 July 1999 until Sunday 31 October 1999

Magazines are the portrait galleries of the 90s... Glossy is about magazines. The exhibition presents the work of eight photographers, Australian by birth or long-term residency, who are producing portraits for publication in magazines around the world.

John Farnham, 1996 Polly Borland
John Farnham, 1996 Polly Borland. © Polly Borland

The images on display have all been taken within the last five years and are indicative of the strength and diversity of their work in an international arena... If Glossy says nothing else, it says that portraiture continues to flourish, be it outside the bounds of accepted fine art practice. It boldly screams that portraiture is sexy and, surprise, surprise, it sells.

Director’s foreword

Celebrity and photography are two important subjects for a contemporary portrait gallery. Celebrity and photography go together. This marriage is nowhere better demonstrated than in the pages of magazines. In the newsagent we are surrounded by magazines - confronted on all sides by faces and facades. Magazines represent a significant phenomenon of contemporary culture which deserves our scrutiny, and the exhibition Glossy is an examination of the way magazines create a contemporary iconography.

We have long been used to the idea that we live in an age of mechanical reproduction. Yet in this age, as in all previous ages, we search for heroes and villains, for excitement, colour and surprise. Such yearnings enliven the pages of magazines and make them a reflection of the world which we inhabit.

Glossy is part of the National Portrait Gallery’s program of exhibitions which seek to explore the possibilities and the limits of 20th-century portraiture. Glossy is an unusual exhibition for the National Portrait Gallery because the works on the walls are treated as part of a process - a process which ends in enormous numbers of multiplied images in printed form. Nonetheless, the artists, choices of ideal format, size, surface and technique have all been taken into account in the display of the exhibition.

Like all of the displays at the National Portrait Gallery, this selection of works is not intended to constitute a definitive statement; rather it has been assembled to highlight a range of significant emerging artists’ personal approaches.

Andrew Sayers
Director

15 portraits

1Michael Hutchence, 1997 Polly Borland. © Polly Borland. 2Nick Cave, 1994 Bleddyn Butcher. © Bleddyn Butcher
Bleddyn@Tenderprey.com. 3Dave Graney, 1996 Bleddyn Butcher. © Bleddyn Butcher
Bleddyn@Tenderprey.com. 4Dave Graney and Clare Moore, 1996 Bleddyn Butcher. © Bleddyn Butcher
Bleddyn@Tenderprey.com.

Related information

Baz Luhrmann, 2005 Ingvar Kenne
Baz Luhrmann, 2005 Ingvar Kenne
Baz Luhrmann, 2005 Ingvar Kenne
Baz Luhrmann, 2005 Ingvar Kenne

Go glossy!

Magazine article by Katherine Russell, 2006

In association with the Glossy 2 exhibition, eight year 10,11 and 12 students spent two days transforming themselves into a variety of alter-egos in the first ever 8x10 Glossy Photo Shoot Workshop.

Margaret Whitlam, 2005 Sahlan Hayes
Margaret Whitlam, 2005 Sahlan Hayes
Margaret Whitlam, 2005 Sahlan Hayes
Margaret Whitlam, 2005 Sahlan Hayes

Glossy too

Magazine article by Christine Clark, 2005

The Glossy 2 exhibition highlights the integral role magazine photography plays in illustrating and shaping our contemporary culture.

William Johnson (1873—1948) by Percy Leason
William Johnson (1873—1948) by Percy Leason
William Johnson (1873—1948) by Percy Leason
William Johnson (1873—1948) by Percy Leason

Recognition

Percy Leason's Aboriginal Portraits

Previous exhibition, 1999

Originally conceived as an anthropological record, Percy Leason’s powerful 1934 portraits of Victorian Aboriginal people are today considered to be a highlight of 20th century Australian portraiture

Betty Burstall, 1945 Arthur Boyd
Betty Burstall, 1945 Arthur Boyd
Betty Burstall, 1945 Arthur Boyd
Betty Burstall, 1945 Arthur Boyd

Arthur Boyd Portraits

Previous exhibition, 1999

This is the first in a series of National Portrait Gallery exhibitions to survey the portraits painted by artists who are not thought of, primarily, as portrait painters

We would like to thank our partners.
© National Portrait Gallery 2020
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia


Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.