Skip to main content

We’re thrilled to welcome you back to the Gallery! Please see what we need you to do first.

Menu

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Robert O'Hara Burke, Leader of the Victorian Expedition, 1860

Henry Samuel Sadd

mezzotint on paper (sheet: 49.0 cm x 38.0 cm, image: 31.5 cm x 25.5 cm)

More images of this artwork

Robert O’Hara Burke (1821–1861), explorer, came to Australia after serving in the Austrian Army and Irish Mounted Constabulary, in 1853. Following several years with the Victorian police force, in February 1860, he applied to join the transcontinental expedition being planned by the Royal Society of Victoria. According to one who endorsed his application, Burke was ‘a most active man, and very strong ... kind and gentle in his manners’; but he was also moody, impulsive and possessed of wilfulness and ambition. Despite having no experience of exploration, Burke was appointed commander of the Victorian Exploring Expedition, which left Melbourne in August 1860. On reaching Menindee, New South Wales, in October, Burke decided to split the expedition, ignoring instructions to establish a base camp further north at Coopers Creek. Burke and seven others then continued north; but he split the party again in early December when they reached Coopers Creek, instructing four men to remain at the depot they made there while he, William Wills, John King and Charlie Gray made a bid for the Gulf of Carpentaria. Ultimately, they made it close enough to the coast to taste salt water, but with their progress obstructed by mangroves ‘could not obtain a view of the open ocean’. On the terrible return to Coopers Creek, Gray died; Burke, Wills and King got back to the camp to find that the waiting party had left just nine hours earlier. Burke then decided to head for the settled districts of South Australia, this decision resulting in another missed opportunity for rescue. For several weeks, they remained on the creek, sometimes assisted in finding food by the local Aboriginal people. Burke died of starvation and exhaustion in June 1861, having reportedly asked King to leave him unburied on the desert ground, his pistol in his hand.

Henry Samuel Sadd (1811–1893) arrived in Australia in 1853 and worked in Sydney for a time before relocating to Melbourne. Sadd became known for his mezzotint portraits of governors, clergymen and other public figures, exhibiting his work at the Victorian Exhibition of Art in 1856 and with the Victorian Society of Fine Arts in 1857. Many of Sadd’s portraits were taken from photographs: these mezzotints of Burke and Wills are based on ambrotypes taken by Thomas Adams Hill in Melbourne in 1860. Though Sadd’s work was much admired he, like many other artists, suffered from photography’s increasing popularity as a medium for portraiture. He died in St Kilda in 1893.

Collection: National Portrait Gallery
Purchased with funds provided by Ross A Field 2007

Accession number: 2007.46.1

Currently not on display

View zoomable image on Google Arts & Culture

Copyright image request form
Request a digital copy of an image for publication

Artist and subject

Henry Samuel Sadd (age 49 in 1860)

Robert O'Hara Burke (age 39 in 1860)

Subject professions

Exploration and settlement

Related information

The Companion

Permanent collection catalogue

Café and shop

On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.

Charles Summers, (late 1860s) Batchelder & Co. Photo
Charles Summers, (late 1860s) Batchelder & Co. Photo
Charles Summers, (late 1860s) Batchelder & Co. Photo
Charles Summers, (late 1860s) Batchelder & Co. Photo

The importance of being bearded

Magazine article by Joanna Gilmour, 2012

Joanna Gilmour discovers that the beards of the ill-fated explorers Burke and Wills were as epic as their expedition to traverse Australia from south to north.

Ned Kelly death mask, date unknown an unknown artist after Maximilian Kreitmayer
Ned Kelly death mask, date unknown an unknown artist after Maximilian Kreitmayer
Ned Kelly death mask, date unknown an unknown artist after Maximilian Kreitmayer
Ned Kelly death mask, date unknown an unknown artist after Maximilian Kreitmayer

Sideshow Alley

Infamy, the macabre & the portrait

Previous exhibition, 2015

Death masks, post-mortem drawings and other spooky and disquieting portraits... Come and see how portraits of infamous Australians were used in the 19th century.

The National Portrait Gallery
The National Portrait Gallery
The National Portrait Gallery

The Gallery

Explore portraiture and come face to face with Australian identity, history, culture, creativity and diversity.

We would like to thank our partners.
© National Portrait Gallery 2020
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia


Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.