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So Fine

Contemporary women artists make Australian history

Daily from Friday 29 June 2018 until Monday 1 October 2018

As conceptually thrilling as it is aesthetically rich, So Fine features new works from ten women artists reinterpreting and reimagining elements of Australian history. Forming part of the Portrait Gallery’s twentieth birthday celebrations, the exhibition enriches the contemporary narrative around Australia’s history and biography, reflecting the tradition of storytelling in our country.

So Fine’s contributing artists – of various ages and backgrounds, and hailing from different parts of Australia – have all created new works for the exhibition. Aside from gender, their common attributes are a meticulous approach to creation, driven by considered, nuanced thinking. Their works are intricate, refined and affecting objects that reconceive events, people and places from Australia’s past.

The artists involved are Shirley Purdie, Linde Ivimey, Bern Emmerichs, Leah King-Smith, Nusra Latif Qureshi, Nicola Dickson, Pamela See (Xue Mei-Ling), Fiona McMonagle, Valerie Kirk and Carol McGregor. Charged with these makers’ passionate, intensely individual takes, and incorporating themes from pre-history to the present, So Fine challenges and delights, as well as interrogating the boundaries of contemporary portraiture.

1Marilyn Ball, Albatross, 2018 by Linde Ivimey. 2Cross-Stitched (Centre panel), 2018 by Bern Emmerichs. 3black seeds, 2017 by Carol McGregor. 4Presenting Jean Piron, 1793 - Femme du Cap de Diemen, 2018 by Nicola Dickson. 5Goorlabal (rainbow serpent), 2018 by Shirley Purdie. 6Ayrshire Slates, 2017 by Valerie Kirk. 7The Scheme (5 works on calico - Girl 2), 2018 by Fiona McMonagle. 8Refined Portraits of Desire (detail), 2018 by Nusra Latif Qureshi. 9Reading, 2018. All by Leah King-Smith.

Related people

Dr Sarah Engledow (curator)

Christine Clark (curator)

© National Portrait Gallery 2019
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia


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The National Portrait Gallery acknowledges the Ngunnawal people, the traditional custodians of the land upon which the NPG stands.