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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Leonard French, Heathcote, Victoria, 1969 (printed 2000)

David Moore

type C photograph on paper

Leonard French OBE (1928-2017) left school at fourteen to become an apprentice signwriter in his native Melbourne. He later studied part-time at the Royal Melbourne Institute of Technology. After the war, he visited Europe, studying the Byzantine art whose influence would later become evident in his work. On his return to Australia, he taught at various Melbourne technical schools until the late 1950s. In 1956 he completed the seven-panel Legend of Sinbad the Sailor which hung in the ultra-modern Legend café in Melbourne. Henceforth, he became one of the country's most successful and sought-after artists (although he worked as the National Gallery of Victoria's Exhibitions Officer between 1956 and 1960). His enormous dalle de verre (concrete and slab glass) ceiling in the Great Hall of the National Gallery of Victoria was commissioned in 1963, and completed in 1968; other monumental glass projects of the sixties and seventies were the windows for the new National Library in Canberra, the Alpha and Omega window in Monash University's Blackwood Hall and the mural Regeneration in the Great Hall of University House, ANU.

Collection: National Portrait Gallery
The series David Moore: From Face to Face was acquired by gift of the artist and financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001
© Lisa, Michael, Matthew and Joshua Moore
http://davidmoorephotography.com.au/

Accession number: 2001.71

Currently not on display

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Artist and subject

David Moore (age 42 in 1969)

Leonard French (age 41 in 1969)

Subject professions

Visual arts and crafts

Related information

The Companion

Permanent collection catalogue

Café and shop

On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves: who we read, who we watch, who we listen to, who we cheer for, who we aspire to be, and who we'll never forget. The Companion is available to buy online and in the Portrait Gallery Store.

Clifton Pugh painting in the studio, 1974 Fred Williams
Clifton Pugh painting in the studio, 1974 Fred Williams
Clifton Pugh painting in the studio, 1974 Fred Williams
Clifton Pugh painting in the studio, 1974 Fred Williams

Painting mates

Magazine article by Michael Desmond, 2011

Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.

Harry Seidler, Killara, Sydney, 1984 (printed 2000) David Moore
Harry Seidler, Killara, Sydney, 1984 (printed 2000) David Moore
Harry Seidler, Killara, Sydney, 1984 (printed 2000) David Moore
Harry Seidler, Killara, Sydney, 1984 (printed 2000) David Moore

A Captured Moment

Magazine article by Simon Elliott, 2001

The acquisition of David Moore's archive of portrait photographs for the National Portrait Gallery's collection.

Leonard French, Heathcote, Victoria, 1969 (printed 2000) David Moore
Leonard French, Heathcote, Victoria, 1969 (printed 2000) David Moore
Leonard French, Heathcote, Victoria, 1969 (printed 2000) David Moore
Leonard French, Heathcote, Victoria, 1969 (printed 2000) David Moore

From Face to Face

Portraits by David Moore

Previous exhibition, 2000

Through David Moore's camera we meet many of the outstanding figures of the twentieth century - in diverse areas of achievement - as well as anonymous faces which speak directly to us in these photographs.

We would like to thank our partners.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.