Mary Windeyer (née Bolton, 1837-1912), women's rights campaigner, was one of the nine children of Robert Thorley Bolton, a clergyman who emigrated to New South Wales in 1839.
3 portraits in the collection
Mary Hassall (nee Rouse), the eldest of Richard and Elizabeth's children, was born in England and made the sea journey to New South Wales as an infant.
2 portraits in the collection
Jeremiah Ware (1792–1878) arrived in Van Diemen’s Land in 1822 with his wife, Mary (née Brooks, c.
1 portrait in the collection
Ann Mary Windeyer (née Rudd, c. 1783–1865) arrived in Sydney in 1828 with her husband Charles Windeyer (1780–1855) and nine of their ten children.
1 portrait in the collection
George Frederick Ernest Albert, The Duke of Cornwall and York and later King George V (1865-1936), was the son of Edward VII, the man for whom the Edwardian era was named.
3 portraits in the collection
Mary MacQueen studied for a year at the George Bell School after the war, and for another year at RMIT a decade later.
2 portraits in the collection
Mary Moore (b. 1957) is a West Australian portrait artist. She began formal art training in Claremont at the age of fifteen, later attending the Western Australian Institute of Technology and Royal College of Art, London.
4 portraits in the collection
Lady Hay, née Chalmers (c. 1806-1892) was reported at the time of her death to have been about ten years older than Hay.
1 portrait in the collection
Collection: National Portrait Gallery
Gift of Robin MacQueen 2007
Collection: National Portrait Gallery
Gift of Joanna Russell Maher (née Windeyer) 2018
Sister Mary Brady OP (1922-2014), born in Tamworth, is a self-taught painter, though she did receive critiques from Joshua Smith and Norman Carter.
1 portrait in the collection
Dame Mary Gilmore DBE (1865–1962), poet, journalist and social reformer, was born near Goulburn and had an itinerant childhood as her father moved the family around New South Wales for work.
3 portraits in the collection
Recorded 1957
Collection: National Portrait Gallery
Gift of Dr Robert Edwards AO 1999
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Gift of Pamela Glasson 2009
Collected by Leila Haigh (nee Rouse)
Gift of the Windeyer family 2009. Donated through the Australian Government's Cultural Gifts Program.
Collection: National Portrait Gallery
Gift of J.B. Windeyer 2018
Collection: National Portrait Gallery
Purchased with funds provided by Mary Isabel Murphy and Rosalind Blair Murphy 2014
Mary Elizabeth Maud Chomley OBE (1872–1960) has been described as the 'divine angel of mercy' for Australian prisoners of war during the First World War.
1 portrait in the collection
Collection: National Portrait Gallery
Purchased with funds provided by Tim Fairfax AC 2003
Collection: National Portrait Gallery
Gift of Peter Roberts 2015
Collection: National Portrait Gallery
Gift of Peter Roberts 2015
Collection: National Portrait Gallery
Gift of Peter Roberts 2015
Collection: National Portrait Gallery
Purchased 2003
Gift of Leo Christie 2003. Donated through the Australian Government's Cultural Gifts Program.
Collection: National Portrait Gallery
Gift of Pamela Glasson 2009
Collected by Leila Haigh (nee Rouse)
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Collection: National Portrait Gallery
Gift of the Windeyer family 2012
Collection: National Portrait Gallery
Commissioned 2011
Collection: National Portrait Gallery
Commissioned with funds from the Basil Bressler Bequest 2003
Collection: National Portrait Gallery
Commissioned 2011
Collection: National Portrait Gallery
Purchased 2015
Purchased with funds provided by Marilyn Darling AC 2001
Artist Jiawei Shen describes the symbolism in his portrait of HRH Crown Princess Mary of Denmark.
Commissioned with funds provided by Mary Isabel Murphy 2005
Collection: National Portrait Gallery
Commissioned with funds provided by Mary Isabel Murphy 2005
Commissioned with funds provided by Mary Isabel Murphy 2005
Commissioned with funds provided by Mary Isabel Murphy 2005
Artist study for commissioned portrait. Written approval was granted from the Danish Royal Protocol Office (Chief of Court of TRH the Crown Prince and the Crown Princess,
Chamberlain), to dislay for loan to the Danish musuem, Trapholt Museum for Moderne
Purchased with the assistance of funds provided by Jillian Broadbent AC 2021
Collection: National Portrait Gallery
Gift of Larry Sitsky and Magda Sitsky 2010
Emanuel Solomon gave shelter to the Sisters of St Joseph upon the excommunication of St Mary MacKillop.
In April 2006 the National Portrait Gallery showcased Australian portraits at the Fredenksborg Castle in Denmark.
The full-length portrait of HRH Crown Princess Mary of Denmark by artist Jiawei Shen, has become a destination piece for visitors.
Michael Desmond interviews Ralph Heimans about his portrait of Crown Princess Mary of Denmark.
Collection: National Portrait Gallery
Purchased 2006
Collection: National Portrait Gallery
Purchased with funds provided by Marilyn Darling AC 2008
Mette Skougaard and Thomas Lyngby bring eloquent context to Ralph Heimans’ portraits of Crown Princess Mary and Crown Prince Frederik of Denmark.
Collection: National Portrait Gallery
Purchased 2011
Collection: National Portrait Gallery
Commissioned with funds provided by Tim Fairfax AC 2006
Dr Sarah Engledow explores the portraits of writers held in the National Portrait Gallery's collection.
Family affections are preserved in a fine selection of intimate portraits.
Henry Mundy's portraits flesh out notions of propriety and good taste in a convict colony.
Collection: National Portrait Gallery
Purchased 2008
Collection: National Portrait Gallery
Purchased 2008
Collection: National Portrait Gallery
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018. Donated through the Australian Government's Cultural Gifts Program.
Collection: National Portrait Gallery
Purchased with funds provided by Mary Isabel Murphy and Rosalind Blair Murphy 2014
Fanny Lee (1832–1905) was the only daughter of colonial landowner John Richard Tindale and his wife Mary (whose portraits by Maurice Felton are displayed nearby).
1 portrait in the collection
Collection: National Portrait Gallery
Purchased 2019
Collection: National Portrait Gallery
Gift of Fiona Turner (née Robertson) and John Robertson 2011. Donated through the Australian Government's Cultural Gifts Program.
Jeremiah Ware (1792–1878) arrived in Van Diemen’s Land in 1822 with his wife, Mary (née Brooks, c.
1 portrait in the collection
![William and Martha Mary Robertson and their children [William St Leonards, Eliza, John, William St Leonards on a horse, Beatrice and Ida]](/files/5/3/6/1/i12225-sl.jpg "William and Martha Mary Robertson and their children [William St Leonards, Eliza, John, William St Leonards on a horse, Beatrice and Ida]")
![William and Martha Mary Robertson and their children [William St Leonards, Eliza, John, William St Leonards on a horse, Beatrice and Ida]](/files/5/3/6/1/i12225-ths.jpg "William and Martha Mary Robertson and their children [William St Leonards, Eliza, John, William St Leonards on a horse, Beatrice and Ida]")
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018. Donated through the Australian Government's Cultural Gifts Program.
Courtesy of the Tait family
Collection: National Portrait Gallery
Gift of Mrs Mary Shedley, Mrs Christine Moriarty, Mrs Josephine Lawrence and Mrs Helen Beare 2010
This issue of Portrait Magazine features Daddy Cool, HRH Crown Princess Mary of Denmark, the exhibition Glossy 2, Aldo Giurgola, Fiona Wood and more.
Melbourne Spurr, born in Decorah, Iowa, arrived in Hollywood around 1917.
2 portraits in the collection
William John Pickett Bedford (1805–1869) was the eldest of three children of Anglican clergyman, William Bedford (1781–1852), and his wife, Eleanor, and came to Van Diemen’s Land with his family in 1823 following the appointment of his father to a chaplaincy in the colony.
1 portrait in the collection
Collection: National Portrait Gallery
Purchased with funds provided by Marilyn Darling AC 2013
Little is known of Rudolph Buchner, a Sydney photographer whose parents lived in Manly.
2 portraits in the collection
In Western religious art a Pietà, also called a ‘lamentation’, is an image of the Virgin Mary cradling the dead body of Christ.
The National Portrait Gallery acknowledges and thanks all its supporters.
Mary Anne Egan (also Marianne or Marian, née Cheers, 1818–1857), was born in Sydney, the daughter of ex-convicts.
1 portrait in the collection
Purchased 2012
George Frederick Ernest Albert, The Duke of Cornwall and York and later King George V (1865-1936), was the son of Edward VII, the man for whom the Edwardian era was named.
4 portraits in the collection
Intimate Portraits is an exhibition of paintings, drawings and prints that explore the less public side of portraiture
Shen Jiawei was born in China. During the Cultural Revolution he laboured in the Great Northern Wilderness, but even as he worked there, he gained recognition as an artist.
Kiffy Rubbo (1944-1980) was director of the Ewing and George Paton Gallery at the University of Melbourne from 1973 to 1980.
1 portrait in the collection
This exhibition focuses on exploring national and communal identity through sculptural production in Australia, from the early decades of settlement through to the present day
Adapted from A Tribute to William Dobell an exhibition presented by the Australian National University's Drill Hall Gallery in association with the Sir William Dobell Art Foundation, The National Gallery of Australia, and the Australian War Memorial. Dobell is of course, celebrated for his achievements in portraiture, winning the Archibald prize (1943, 1948 and 1959), the Wynne Prize (1948), and representing Australia at the 1954 Venice Biennale. Curator Mary Eagle concludes her essay in the catalogue of the exhibition thus, "Overall I see a dissonance in Dobell’s art and life
Schulim Krimper (1893-1971), furniture designer and cabinetmaker, was born in the Austro-Hungarian province of Bukovina.
1 portrait in the collection
Sarah Tuckfield neé Gilbart (c. 1808–1854), was the daughter of a Cornish farmer.
1 portrait in the collection
John Tindale was born in Warwickshire in 1809 and came to Sydney in 1820 to join his father, a convict who had been transported to NSW in 1812 and who received a free pardon in 1816.
1 portrait in the collection
Marcia Hines (b. 1953) sang in church choirs while growing up in Boston, Massachusetts and had her first solo singing engagement at the age of seven.
1 portrait in the collection
Collection: National Portrait Gallery
Purchased 2004
Joshua Smith studied sculpture with Rayner Hoff and took classes in drawing and painting at Julian Ashton's Sydney Art School.
5 portraits in the collection
Born in Adelaide and raised in Darwin, Ben Baker currently resides in New York City and works internationally.
1 portrait in the collection
Lowe Kong Meng (1831–1888), merchant, was born and grew up in the British colony of Penang and came to Melbourne in 1853.
1 portrait in the collection
Laura Praeger (née Blundell) was born in Tunbridge Wells, Kent, and was about twelve years old when her father brought his family to Australia, settling in Queensland.
1 portrait in the collection
Collection: National Portrait Gallery
Purchased 2015
Family fortunes
Collection: National Portrait Gallery
Gift of the Cutler family 2017
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Purchased with funds donated by Mary Isabel Murphy 2004
Exploring the photographs of Martin Schoeller, Michael Desmond delves into the uneasy pact that exists between celebrity and the camera.
Collection: National Portrait Galley
Purchased 1999
Collection: National Portrait Gallery
Commissioned with funds provided by Dr Justin Garrick and Ms Dharini Ganesan Rasu, Mr Dino Nikias & Mrs Dimitra Nikias, Mr Jim Windeyer, Ms Claudia Hyles, Mrs Sotiria Liangis OAM and Mr John Liangis, Justice Mary Finn, Mr Bill Farmer AO and Mrs Elaine Farmer, Mr Tim Efkarpidis, Mr Bob Nattey and Mrs Charlotte Nattey, Ms Jennifer Bott AO, Mr Keith Bradley, Dr Sam Whittle and Mrs Heather Whittle 2017
Julian Smith, surgeon and photographer, came to Australia with his family from England at the age of three.
2 portraits in the collection
Collection: National Portrait Gallery
Purchased 2009
Collection: National Portrait Gallery
Purchased 2015
A list of books our Friends nominated as their favourite
Collection: National Portrait Gallery
Gift of the artist 2005
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Gift of the artist 2005
Donated through the Australian Government's Cultural Gifts Program
For Tom Roberts - Australia's best nineteenth-century portrait painter - neither a proto-national portrait gallery nor more popular collections of portrait heads, were sufficient public celebrations for the notables of Australian history
Li Cunxin AO (b. 1961) is the artistic director of the Queensland Ballet.
1 portrait in the collection
Absence rends the heart asunder
Collection: National Portrait Gallery
Gift of Mary Thomson 2017
John Perceval AO (1923-2000) was a painter and ceramic artist. Early on, along with Sidney Nolan, Arthur Boyd and Albert Tucker, he was part of a loose group of largely self-taught Australian artists, now known as the Angry Penguins, who rebelled against the conservatism of the art establishment.
10 portraits in the collection
Harriet and Julia Swan were daughters of the successful Hobart merchant John Swan (1796–1858), who emigrated to Van Diemen’s Land in 1823 with his wife and first four daughters.
1 portrait in the collection
Harriet and Julia Swan were daughters of the successful Hobart merchant John Swan (1796–1858), who emigrated to Van Diemen’s Land in 1823 with his wife and first four daughters.
1 portrait in the collection
Bernard Fanning (b. 1969) is the frontman of Queensland band Powderfinger.
1 portrait in the collection
Robin Sellick (b. 1967), photographer, is well known for his distinctive portraits of Australian actors, musicians, politicians and athletes.
17 portraits in the collection
Collection: National Portrait Gallery
Gift of Richard King 2008
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Purchased 2015
Collection: National Portrait Gallery
Gift of Thomas de Kessler 2001
Collection: National Portrait Gallery
Purchased 2012
Collection: National Portrait Gallery
Gift of Peter Roberts 2015
Collection: National Portrait Gallery
Gift of Peter Roberts 2015
Collection: National Portrait Gallery
Gift of the Estate of Leslie Walford AM 2013
Collection: National Portrait Gallery
Gift of the Estate of Leslie Walford AM 2013
Jane Windeyer (1865–1950) was the second eldest daughter of politician and judge Sir William Charles Windeyer (1834–1897) and his wife, Mary (née Bolton, 1837–1912), a leading campaigner for women’s rights.
2 portraits in the collection
Collection: National Portrait Gallery
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018
Donated through the Australian Government's Cultural Gifts Program
Therese Desmond (1902–1961), radio and stage actress, was born Mary Long in London and came to Australia as a teenaged orphan at the end of World War 1.
1 portrait in the collection
Collection: National Portrait Gallery
Gift of Elizabeth Campbell-MacKenzie on behalf of the family of David Campbell 2012
Patrick Francis Moran (1830-1911), orphaned at 11, was sent from his native Ireland to Rome, where a relative was rector of the Irish College.
2 portraits in the collection
Collection: National Portrait Gallery
Purchased 2015
Commissioned with funds provided by Tim Fairfax AC 2018
Charles Chauvel (1897-1959), actor and film-maker, worked on the sets of Snowy Baker films as a young man, and followed the great action hero to Hollywood in 1921.
1 portrait in the collection
Richard Windeyer (1806-1847), journalist, barrister and politician, was the eldest of the ten children born to Charles Windeyer and his wife Ann Mary and remained in England when the rest of his family went to New South Wales.
3 portraits in the collection
Arthur Triggs (1868-1936), pastoralist and collector, is sometimes referred to as the 'Kidman of the wool industry'.
1 portrait in the collection
Alfred George Stephens (1865–1933), editor, journalist and publisher, was born and educated in Toowoomba.
1 portrait in the collection
George Rayner Hoff (1894-1937), sculptor, was born in England and trained at the Royal College of Art, London.
2 portraits in the collection
Collection: National Portrait Gallery
Gift of the Windeyer family 2012
Gift of Elizabeth Evatt and Penelope Seidler 1998. Donated through the Australian Government's Cultural Gifts Program.
Collection: National Portrait Gallery
Purchased with funds provided by The Ian Potter Foundation 2007
Collection: National Portrait Gallery
Gift of Fiona Turner (née Robertson) and John Robertson 2011. Donated through the Australian Government's Cultural Gifts Program.
George Lambert (1873–1930), artist, was born in St Petersburg and lived in Germany and England before coming to Australia with his family at the age of fourteen.
7 portraits in the collection
Collection: National Portrait Gallery
Gift of Madeleine Howell 2013
Jiawei Shen (b. 1948), artist, was born in China in 1948 and began to gain recognition as a painter during the Cultural Revolution.
13 portraits in the collection
Francis William Barnard Walford (1821–1896), businessman and landowner, was born in Hobart, the son of Barnard Walford (1801–1846), a publican and victualler; and the grandson of Barnard Walford senior (c.
1 portrait in the collection
Brenda Niall AO (b. 1930), writer, academic and reviewer, is one of Australia's foremost biographers.
1 portrait in the collection
This 1910 portrait of Elizabeth Sarah (Lillie) Roberts by Tom Roberts was brought into the Gallery's collection with the assistance of the Acquisition Fund in 2013.
Collection: National Portrait Gallery
Gift of Dr Mary Newlinds and Sheena Simpson in memory of their father, D.A.S. Campbell, 2014
Johann Zoffany, painter of portraits and conversation pieces, grew up in the court of the Prince von Thurn und Taxis in Germany, where his father was employed.
1 portrait in the collection
The Circle of Friends Acquisition Fund for 2012 was dedicated to purchasing a portrait of David Malouf by Rick Amor.
Charles Haddon Chambers (1860-1921), playwright and dramatist, grew up in Sydney.
1 portrait in the collection
Sir John Hay (1816-1892), pastoralist and politician, graduated in law in his native Scotland before emigrating to New South Wales with his new wife, Mary, in 1838.
1 portrait in the collection
Thomas Bock, artist, printmaker and photographer, is believed to have been born at Sutton Coldfield, near Birmingham, in 1790.
5 portraits in the collection
Kristin Headlam's portrait of Chris Wallace-Crabbe was acquired with the support of the Circle of Friends in 2014.
Collection: National Portrait Gallery
Purchased 2003
Collection: National Portrait Gallery
Purchased 2012
Collection: National Portrait Gallery
Purchased 2012
Richard Fitzgerald (1772-1840), convict, public servant and settler, spent four years of his seven-year sentence imprisoned (probably on a floating 'hulk') at Portsmouth before arriving in Sydney in 1791, along with his private assets.
1 portrait in the collection
'I have just been to my dressing case to take a peep at you.
Purchased with the assistance of the Mundango Charitable Trust and Claudia Hyles 2006
Collection: National Portrait Gallery
Gift of the Windeyer family 2009
Gift of Isaac Wakil AO 2019
Collection: National Portrait Gallery
Purchased with funds provided by L Gordon Darling AC CMG and Marilyn Darling AC 2013
Collection: National Portrait Gallery
Purchased with funds provided by L Gordon Darling AC CMG and Marilyn Darling AC 2013
Collection: National Portrait Gallery
Commissioned 2010
David Solkin ponders the provocations and inspirations of the enigmatic Thomas Gainsborough.
Collection: National Portrait Gallery
Purchased 2010
May Emmeline Wirth (1894–1978), circus performer, was once described as the ‘greatest lady bareback rider of all time’.
1 portrait in the collection
This exhibition is the first comprehensive survey of self-portraits in Australia, from the colonial period to the present
During his long and distinguished career Max Dupain took thousands of photographs of people
Collection: National Portrait Gallery
Gift of the artist 2003
Donated through the Australian Government's Cultural Gifts Program
Thomas Griffiths Wainewright (1794-1847) is one of the most intriguing and talented figures in colonial Australian art.
4 portraits in the collection
This exhibition features new works from ten women artists reinterpreting and reimagining elements of Australian history, enriching the contemporary narrative around Australia’s history and biography, reflecting the tradition of storytelling in our country.
Commissioned with funds provided by Tim Fairfax AC 2018
Traversing paint and pixels, Inga Walton examines portraits of select women in Tudors to Windsors: British Royal Portraits.
Francis William Barnard Walford (1821–1896), businessman and landowner, was born in Hobart, the son of Barnard Walford (1801–1846), a publican and victualler; and the grandson of Barnard Walford senior (c.
1 portrait in the collection
Collection: National Portrait Gallery
Purchased with funds provided by the Liangis family 2013
The exhibition will include works of art from the NPG Canberra's permanent collection with some inward loans and aims to highlight the achievements of notable Australians.
The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.
The considered matching of artist to subject has produced an amazing collection of unique and original works in the permanent collection of the National Portrait Gallery
How is it done? How do artists capture someone’s presence and personality? What is the nature of this relationship? What does it feel like to be a sitter for a portrait in the national collection?
From 2015 to 2017 the Acquisition Fund was focussed on Reg Richardson AM by Mitch Cairns, a finalist in the Archibald Prize 2014, and a great example of minimalist portraiture.
Former NPG Director, Andrew Sayers celebrates the support given to the Gallery by Gordon and Marilyn Darling.
Arnold Shore, a lifelong inhabitant of Melbourne, was apprenticed to a stained glass and leadlight company called Brooks, Robinson soon after leaving school at the age of twelve.
2 portraits in the collection
This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.
George Brown (1835-1917), clergyman, established numerous Methodist missions in the Pacific from the late 1880s.
1 portrait in the collection
Collection: National Portrait Gallery
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018
Donated through the Australian Government's Cultural Gifts Program
Celebrate the Gallery’s 20th birthday summer with Electric! Portraits that pop! The collection exhibition features a mix of bright, bold and colourful paintings, prints and photographs, and buoyant video portraits.
Over the last five years the National Portrait Gallery has developed a collection of portrait photographs that reflects both the strength and diversity of Australian achievement as well as the talents of our photographers.
First Ladies profiles women who have achieved noteworthy firsts over the past 100 years.
Drawn from some of the many donations made to the Gallery's collection, the exhibition Portraits for Posterity pays homage both to the remarkable (and varied) group of Australians who are portrayed in the portraits and the generosity of the many donors who have presented them to the Gallery.
Purchased 2018
Robin Sellick captured a rare moment of quietude from the late conservation star Steve Irwin.
James Holloway describes the first portraits you encounter when entering the Scottish National Portrait Gallery.
Inspiring Australians tell their own stories in a unique new gallery audio tour, developed in collaboration with the National Library of Australia.
Djon Mundine OAM brings poignant memory and context to Martin van der Wal’s 1986 portrait photographs of storied Aboriginal artists.
Joanna Gilmour looks beyond the ivory face of select portrait miniatures to reveal their sitters’ true grit.
Joanna Gilmour explores the life of a colonial portrait artist, writer and rogue Thomas Griffiths Wainewright.
Joanna Gilmore delights in the affecting drawings of Mathew Lynn.
Joanna Gilmour describes how colonial portraitists found the perfect market among social status seeking Sydneysiders.
I met Kaloti Parmjit the day I took the photo. I first visited the Sikh temple in the suburb of Glenwood to take photos as part of a social documentary project I'm undertaking for the State Library of NSW.
The second row of paintings recall stories relating to specific sites, experiences and activities.
Blue Mountain, Owner, Trainer, Jockey, James Scobie 1887 by Frederick Woodhouse Snr. is a portrait of James Scobie, well known jockey and eminent horse trainer.
In March 2003 Magda Keaney travelled to London to join the photography section of the Victoria & Albert Museum for three months.
At the time of Herra Pahlasari’s birth in 1978, her academic parents were living in Canberra.
The art of Australia’s colonial women painters affords us an invaluable, alternative perspective on the nascent nation-building project.
Sir William Dobell painted the portraits of Sir Charles Lloyd Jones and Sir Hudson Fysh, who did much to promote the image of Australia in this country and abroad.
Joanna Gilmour profiles the life and times of the shutter sisters May and Mina Moore.
Gael Newton delves into the life and art of renowned Australian photographer, Max Dupain.
In their own words lead researcher Louise Maher on the novel project that lets the Gallery’s portraits speak for themselves.
As a convict Thomas Bock was required to sketch executed murders for science; as a free man, fashionable society portraits.
The name of Florence Broadhurst, one of Australia’s most significant wallpaper and textile designers, is now firmly cemented in the canon of Australian art and design.
Works by Arthur Boyd and Sidney Nolan bring the desert, the misty seashore and the hot Monaro plains to exhibition Open Air: Portraits in the landscape.
The world of Thea Proctor was the National Portrait Gallery's second exhibition to follow the life of a single person, following Rarely Everage: The lives of Barry Humphries.
Michael Desmond, National Photographic Portrait Prize judge and curator, introduces the 2007 Prize.
Michael Desmond profiles a handful of the entrants in first National Photographic Portrait Prize and notes emerging themes and categories.
Sir Sidney Kidman (1857-1935) is inscribed in Australian legend as the ‘Cattle King’.
Phil Manning celebrates a century of Brisbane photographic portraiture.
Michael Desmond examines the career of the eighteenth-century suspected poisoner and portrait artist Thomas Griffiths Wainewright.
Scott Redford discusses his dynamic portrait commission of motorcycling champion and 2008 Young Australian of the Year Casey Stoner.
Ashleigh Wadman rediscovers the Australian characters represented with a kindly touch by the British portrait artist Leslie Ward for the society magazine Vanity Fair.
Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.
Charles Haddon Chambers the Australian-born playboy playwright settled permanently in London in 1880 but never lost his Australian stance when satirising the English.
John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.
George Selth Coppin (1819-1906) comedian, impresario and entrepreneur, was a driving force of the early Australian theatre.
Three tiny sketches of Dame Nellie Melba in the NPG collection were created by the artist who was to go on to paint the most imposing representation of the singer: Rupert Bunny.
An exploration of national identity in the Canadian context drawn from the symposium Face to Face at the Scottish National Portrait Gallery in 2004.
Krysia Kitch celebrates Oodgeroo Noonuccal.
Penelope Grist finds inspiration in pioneering New Zealand artist, Frances Hodgkins.
Sarah Engledow on Messrs Dobell and MacMahon and the art of friendship.
Gareth Knapman explores the politics and opportunism behind the portraits of Tasmania’s Black War.
Sarah Engledow picks some favourites from a decade of the National Photographic Portrait Prize.
Diana O’Neil samples the tartan treats on offer in the Scottish National Portrait Gallery.
Tenille Hands explores a portrait prize gifted to the National Screen and Sound Archive.
Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.
How the National Portrait Gallery and its unique collection came to be
Dr Sarah Engledow discusses the recent gift of works by David Campbell.
Alexandra Roginski gets a feel for phrenology’s fundamentals.
Alexandra Roginski reveals a forceful feminist figure in the colonial period’s slippery science, phrenology.
Traudi Allen discovers sensitivity, humour and fine draughtsmanship in the portraiture of John Perceval.
It’s a matter beyond dispute that in the entire history of Australian art, it’s Noel McKenna who’s painted the liveliest rendition of the head of a Chihuahua.
The London-born son of an American painter, Augustus Earle ended up in Australia by accident in January 1825.
An exhibition of humanness in ten themes by Penelope Grist.
Anne Sanders celebrates the cinematic union of two pioneering australian women.
Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.
The Rajah Quilt’s narrative promptings are as intriguing as the textile is intricate.
Dr Anne Sanders NPG Curatorial Researcher investigated the lives of the pioneering psychologists whose portraits are featured in Inner Worlds.
Sarah Engledow looks at three decades of Nicholas Harding's portraiture.
