‘Beauty and goodness, And Grief and pity, alive in the dead marble, Do not, as you do, weep so loudly, Lest before time he should awake form death, In spite of himself...’
Giovan Battista Strozzi il Vecchio’s poem on Michelangelo’s Pietà at St Peter’s Basilica quoted in Vasari’s Lives of the Artists 1550
In Western religious art a Pietà, also called a ‘lamentation’, is an image of the Virgin Mary cradling the dead body of Christ. Jinks’ Pietà also references the Buddhist meditation practice of visualising the decay of one’s own body as a means of bringing the mind to terms with the body’s inevitable end. Jinks contemplates the limits of humanism and secularism. He reflects on Michelangelo’s Pietà at St Peter’s Basilica:
as a comfort to people of faith, a practical image for coping with life’s suffering. How do you make an image now that gives comfort in this way? I made Pietà at the same time as my grandmother was dying. She was someone I had grown up with and was close to. I don’t have the luxury of believing.
In the flesh
In the flesh is an enthralling and immersive experience of contemporary art that confronts the concept of humanness and the experiences of consciousness and emotion. Featuring ten Australian artists including Jan Nelson, Patricia Piccinini, Ron Mueck and Michael Peck, the exhibition explores themes of intimacy, empathy, transience, transition, vulnerability, alienation, restlessness, reflection, mortality and acceptance.