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George Reid paperweight an unknown artist

Some prime ministers

General content

Sarah Engledow explores the history of the prime ministers and artists featured in the exhibition.

Bryan Brown, 2008 Adam Knott

The Look

Previous exhibition, 2019

Featuring striking photographic portraits of contemporary figures from the National Portrait Gallery collection, The Look is an aesthetic treat with a lashing of je ne sais quoi.

Bob Hawke, 2012 Luke Cornish

Primed Some Prime Ministers

Current exhibition

Seventeen of Australia’s thirty prime ministers to date are represented in the contrasting sizes, moods and mediums of these portraits.

The Right Honourable Sir Ninian Stephen KGAK GCMG GCVO KBE QC, 2006 by Rick Amor

Prima facie

Magazine article by Dr Sarah Engledow, 2019

Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.

Helen Blaxland judging flower arrangements, c. 1940s photographer unknown

Petal to the mettle

Magazine article by Dr Sarah Engledow, 2019

Sarah Engledow lauds the very civil service of Dame Helen Blaxland.

Jacki Weaver, 2018 John Tsiavis

Flash mob

Magazine article by Dr Sarah Engledow, 2019

Sarah Engledow trains her exacting lens on the nine photographs from 20/20.

Self portrait, 1949 Louis Kahan

A guy from Paris

Magazine article by Dr Sarah Engledow, 2018

Sarah Engledow on a foundational gallery figure who was quick on the draw.

Marilyn Ball, Albatross, 2018 (detail) by Linde Ivimey

So Fine Contemporary women artists make Australian history

Previous exhibition, 2018

This exhibition features new works from ten women artists reinterpreting and reimagining elements of Australian history, enriching the contemporary narrative around Australia’s history and biography, reflecting the tradition of storytelling in our country.

Greek Orthodox Priest, 2015 by Sarah Ball

Hope for kindness

Magazine article by Dr Sarah Engledow, 2018

Sarah Engledow arrives at the junction of fate and hope in Sarah Ball’s poignant Immigrants series.

The blue of the dawn, 2009 by Vittoria Dussoni

NPPP 2011 exhibition essay

General content

Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2011 Prize.

David Marr, 2011 by Nicholas Harding

Through thick and thin

Magazine article by Dr Sarah Engledow, 2017

Sarah Engledow likes the manifold mediums of Nicholas Harding’s portraiture.

Hugo at home (Hugo Weaving), 2011 Nicholas Harding

Nicholas Harding 28 Portraits

Previous exhibition, 2017

Nicholas Harding: 28 portraits features paintings of Robert Drewe, John Bell and Hugo Weaving alongside gorgeously coloured recent oil portraits, delicate gouaches and bold ink and charcoal drawings.

David Marr, 2011 by Nicholas Harding

Nicholas Harding: 28 Portraits Exhibition essay

General content

Sarah Engledow looks at three decades of Nicholas Harding's portraiture.

Richard Morecroft & Alison Mackay, 2016 Gary Grealy

National Photographic Portrait Prize 2017

Previous exhibition, 2017

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

NPPP finalists

20 20

Magazine article by Dr Sarah Engledow, 2017

Sarah Engledow picks some favourites from a decade of the National Photographic Portrait Prize.

Billie, 2016 by Graeme Drendel

In your dreams

Magazine article by Dr Sarah Engledow, 2016

An excerpt from The Popular Pet Book.

Billie, 2016 by Graeme Drendel

The Popular Pet Show

Previous exhibition, 2016

This exhibition expresses the joy and warmth that many of us derive from our animal companions, and celebrates their trusting, unpretentious ways, with portraits of Australians and their furry, feathered and fluffy friends.

Billie, 2016 by Graeme Drendel

Pets of all types take over the National Portrait Gallery 3 November 2016

Archived media releases 2016

It is not every day that a national gallery turns its walls over to the animal companions that bring unconditional love and joy to their owners but this summer we have opened the doors to 15 contemporary artists with very different ways of depicting our furry, feathered and scaled pets.

Untitled (Chihuahua), 2001 by Noel McKenna
Private collection, Melbourne

Noel McKenna

Explore The Popular Pet Show

It’s a matter beyond dispute that in the entire history of Australian art, it’s Noel McKenna who’s painted the liveliest rendition of the head of a Chihuahua.

Beach life (dog), 2006 by Nicholas Harding

Nicholas Harding

Explore The Popular Pet Show

Over the years the young Nicholas Harding got his hands on various mice and guinea pigs, but they served mainly to illustrate the concept of mortality. 

Emitt sitting, 2001 by Lucy Culliton

Lucy Culliton

Explore The Popular Pet Show

Most well-regarded pictures of chickens show them dead. A reliable way to tell if a chicken in a painting is dead is to check if it’s hanging upside down, because unlike, say, cockatoos, chickens don’t practise inversion for enjoyment in life.

Jack With Flossy, 2016 by Anna Culliton

Anna Culliton

Explore The Popular Pet Show

Anna Culliton never had a colouring-in book when she was little. Her parents –Tony, a filmmaker, and Stephanie, a painter – wouldn’t let her have one. Instead, they insisted on her drawing her own pictures to colour-in. 

Self Portrait (the year my husband left), 2008 by Jude Rae

Jude Rae

Explore The Popular Pet Show

Jude Rae’s high reputation rests on her austere, cerebral still lifes of gas canisters, electric jugs and jars, which she groups and rearranges for paintings that catch their difficult curves and reflections. Her self-portrait’s likewise thoughtfully composed.

Self portrait with pug, 2009 by William Robinson
QUT Art Collection
Donated through the Australian Government’s Cultural Gifts Program by William Robinson, 2015

William Robinson

Explore The Popular Pet Show

Unique in the world, perhaps, is a bronze sculpture that fuses the age-old human portrait bronze tradition, and the later genre of the bronze pug figurine: that’d be William Robinson’s Self-portrait with pug.

Janet Dawson, 2016 by Mark Mohell

Janet Dawson

Explore The Popular Pet Show

When soulmates Janet Dawson and Michael Boddy moved from Sydney to a property, Boddy was clear about why: ‘Our marriage is one long conversation - we moved to the bush so we could talk to each other without so many interruptions.’

Basil steps out, 2016 by Kristin Headlam
Courtesy the artist and Charles Nodrum Gallery

Kristin Headlam

Explore The Popular Pet Show

Basil grew into a speckled beauty – a long-legged leaper and an exceptionally vocal dog, with a great register of sounds, ascending in shock value from a whimper to a growl to a bark to a yelp that’s a violation of the ears.

Kangaroos, 2007 by Davida Allen

Davida Allen

Explore The Popular Pet Show

Going around a gallery with a child, we point to a painting of a dog and brightly ask ‘What’s that?’ If they don’t say ‘A dog’, we tell them that’s what it is. We don’t say it’s a shape inscribed by an artist that’s popularly understood to signify a dog. That’d only serve to foster a smarty-pants.

Scone, 2010 by Darren McDonald
Private collection, Melbourne and courtesy of Scott Livesey Galleries

Darren McDonald

Explore The Popular Pet Show

The wild balancing act of McDonald’s home décor (is that there as a joke? where do I actually sit down? is this ironic or what? what a lovely photo of Darren and Robin in Europe!) is reflected in his own personality.

Night Owl, 2013 by Fiona McMonagle
Private Collection, NSW

Fiona McMonagle

Explore The Popular Pet Show

Fiona aims to create a dangerous situation with a flood of water on the paper, forcing each work to the point where it can fail, and then rescuing it. 

Cadet with rabbit, 2009 by Graeme Drendel

Graeme Drendel

Explore The Popular Pet Show

I like talking about Drendel’s pictures as if they expressed dreams of my own.

Xini and Billy, 2006 by Jiawei Shen

Shen Jiawei

Explore The Popular Pet Show

Shen Jiawei was born in China. During the Cultural Revolution he laboured in the Great Northern Wilderness, but even as he worked there, he gained recognition as an artist. 

Zed, from the series Walking the dog, 2005 by Robyn Sweaney

Robyn Sweaney

Explore The Popular Pet Show

Robyn's parents had two terriers, Wuff and Snuff. In spite of Snuff’s ominous name and a couple of close shaves – once, he jumped out of a moving car, and another time, on a long road trip, he was accidentally left behind at a petrol station – he outlived Wuff.

Spot, 2016 by Ken Done

Ken Done

Explore The Popular Pet Show

With a mum who was married to a tradie, you’d think it a fair chance that the baby Jesus would have grown up with a dog in the house.

Sarah Engledow and Acorn, 2016 by Mark Mohell

Explore The Popular Pet Show The artists and their furry friends

General content

Curator, Sarah Engledow, introduces the artists and the animals in The Popular Pet Show.

Studio portrait of Lord Kitchener, British Secretary of State for War, 1914 by J Russell & Sons

All the way with K of K

Magazine article by Dr Sarah Engledow, 2016

Sarah Engledow bristles at the biographers’ neglect of Kitchener’s antipodean intervention.

Commander Skyring, Gang-gang cockatoo by Leila Jeffreys

A real tweet

Magazine article by Dr Sarah Engledow, 2016

Sarah Engledow plays wingman to Leila Jeffreys.

Dr Edward MacMahon, 1959 by William Dobell

Bill and Ted's excellent portrait.

Magazine article by Dr Sarah Engledow, 2016

Sarah Engledow on Messrs Dobell and MacMahon and the art of friendship.

Rehearsing Godot (Mullins as Lucky) 4.11.2013 by Nicholas Harding

Waiting for Godot

Magazine article by Dr Sarah Engledow, 2015

'Artist and actors, advancing spasmodically, find their rhythm together' writes Sarah Engledow.

Henry Lawson, c. 1919 Lionel Lindsay

Regarding Henrys

Magazine article by Dr Sarah Engledow, 2015

Sarah Engledow ponders the divergent legacies of Messrs Kendall and Lawson.

Patrick Ryan, 1968 by Mark Strizic

The silent partner

Magazine article by Dr Sarah Engledow, 2015

One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.

Lady Barkly, 1863 Batchelder & O'Neill

A real Pratt

Magazine article by Dr Sarah Engledow, 2015

The death of a gentlewoman is shrouded in mystery, a well-liked governor finds love after sorrow, and two upright men become entangled in the historical record.

Portrait of Thea Proctor, 1905 by George Lambert

The real Thea

Magazine article by Dr Sarah Engledow, 2015

Long after the portraitist became indifferent to her, and died, a beguiling portrait hung over its subject.

Andy Thomas, 2002 Montalbetti+Campbell

Uncommon Australians The vision of Gordon and Marilyn Darling

Previous exhibition, 2015

This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.

Barry Humphries, 1958 Clifton Pugh

Uncommon Australians The vision of Gordon and Marilyn Darling

General content

Sarah Engledow writes about Gordon and Marilyn Darling and their support for the National Portrait Gallery throughout its evolution.

Professor Peter Doherty, 2001 Rick Amor

Rick Amor 21 Portraits

Previous exhibition, 2014

Rick Amor, noblest yet most unaffected of contemporary Australian portraitists, is also a painter of enigmatic, ominous landscapes, seascapes and cityscapes that haunt the viewer like dreams, dimly-recalled.

Self portrait, 2005 Rick Amor

Rick Amor: 21 Portraits

General content

Sarah Engledow chronicles Rick Amor's work and accomplishments in this extensive essay in conjunction with the exhibition Rick Amor: 21 Portraits.

Nat Young, c. 1968 by Albert Falzon

Arcadia Sound of the sea

Previous exhibition, 2014

An exhibition of photographs by John Witzig, drawings by Nicholas Harding and film footage by Albe Falzon, expressive of the free-spirited, hot-blooded energy of Australian surfers under the cloud of conscription to Vietnam.

Arcadia: Sound of the sea Exhibition introduction

General content

One night in the spring of 1970 in an old house in Whale Beach, north of Sydney, John Witzig, Albe Falzon and David Elfick put together the first issue of Tracks, playing Neil Young’s album Harvest over and over again as they pasted up galleys of type.

The Art Lovers - Megan, 2013 by Gary Grealy

Everybody, look serious NPPP 2014 exhibition essay

General content

Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2014 Prize.

Matthew Martin, 2013 by Andrew Cowen

National Photographic Portrait Prize 2014

Previous exhibition, 2014

The National Photographic Portrait Prize exhibition is selected from a national field of entries that reflect the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

Adrian Rawlins, 1977 David Campbell

Earth to earth

Magazine article by Dr Sarah Engledow, 2013

Dr Sarah Engledow discusses the recent gift of works by David Campbell.

Autumn evenings golden glow, c.1942 by Hilda Rix Nicholas

Paris to Monaro Pleasures from the studio of Hilda Rix Nicholas

Previous exhibition, 2013

After successfully exploring the art scenes of London, France and Morocco, Hilda Rix Nicholas settled at Knockalong, a property near Delegate, on the Monaro plain in the 1920s.

Patrick White at Centennial Park, 1979–1980

Listomania

Magazine article by Dr Sarah Engledow, 2013

Sarah Engledow describes the fall-out once Brett Whiteley stuck Patrick White’s list of his loves and hates onto his great portrait of the writer.

Janice Wakely, 1959 Helmut Newton

Generous Janice

Magazine article by Dr Sarah Engledow, 2013

Dr Sarah Engledow puts four gifts to the National Portrait Gallery’s Collection in context.

The Coronation Theatre, Westminster Abbey: A Portrait of Her Majesty Queen Elizabeth II, 2012

Imagination

Magazine article by Dr Sarah Engledow, 2013

Dr Sarah Engledow tells the story of The Queen’s Diamond Jubilee portrait by Australian artist Ralph Heimans.

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Big bouquet of Blackmans

Magazine article by Dr Sarah Engledow, 2013

Dr. Sarah Engledow explores the context surrounding Charles Blackman's portrait of Judith Wright, Jack McKinney and their daughter Meredith.

Patrick White at Centennial Park, 1979-1980 by Brett Whiteley

White Whiteley The portrait of Patrick White by Brett Whiteley

Previous exhibition, 2012

Eleven works by Brett Whiteley, centred around his scintillating 'Patrick White at Centennial Park 1979-1980'.

The sisters, 1904

Beguiling impressions

Magazine article by Dr Sarah Engledow, 2012

Sarah Engledow is seduced by the portraits and the connections between the artists and their subjects in the exhibition Impressions: Painting light and life.

Robyn Archer, 2010

Real close

Magazine article by Dr Sarah Engledow, 2012

Peter Ciemitis breached regulations when creating the portrait of the polymath environmental scientist George Seddon.

Tea time, c.1898–1902 by Rupert Bunny (1864–1947)

Impressions Painting light and life

Previous exhibition, 2011

Impressions: Painting light and life presents portraits by, and of, artists at the heart of Australian impressionism including Tom Roberts, Arthur Streeton and Frederick McCubbin.

Federal Statistican Knibbs, 1919 David Low

The numbers man

Magazine article by Dr Sarah Engledow, 2011

Dr. Sarah Engledow tells the story of Australia's first Federal statistician, Sir George Knibbs.

Dorothy Porter, 2001-02 Rick Amor

Beautiful bones

Magazine article by Dr Sarah Engledow, 2011

Sarah Engledow reflects on the shared life and writing of Dorothy Porter and Andrea Goldsmith.

John Bell as King Lear oil on Belgian linen, 2001 by Nicholas Harding

Lear unbuttoned

Magazine article by Dr Sarah Engledow, 2011

Sarah Engledow steps up to the footlights and applauds the storyline behind Nicholas Harding's portraits of actor John Bell.

Miss Alesandra, 2010

The more things change

Magazine article by Dr Sarah Engledow, 2011

National Photographic Portrait Prize curator, Sarah Engledow, finds reward in a difficult task and ultimately uncovers the essence of portraiture.

Sir Joseph Banks, c. 1788 Benjamin West, John Raphael Smith

In a good paddock

Magazine article by Dr Sarah Engledow, 2011

Celebrating a new painted portrait of Joseph Banks, Sarah Engledow spins a yarn of the naturalist, the first kangaroo in France and Don, a Spanish ram.

Miss Alesandra, 2010 by Jacqueline Mitelman

National Photographic Portrait Prize 2011

Previous exhibition, 2011

The NPPP exhibition is selected from a national field of entries. The annual exhibition, now in its fourth year, reflects the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

Portrait of Mary MacKillop c 1873

The Saint and the merchant

Magazine article by Dr Sarah Engledow, 2010

Emanuel Solomon gave shelter to the Sisters of St Joseph upon the excommunication of St Mary MacKillop.

Bon Scott & Angus Young, Atlanta, Georgia, 1978 (printed 2010) Rennie Ellis

No shirt, no service

Magazine article by Dr Sarah Engledow, 2010

Bon Scott and Angus Young photographed by Rennie Ellis are part of a display celebrating summer and images of the shirtless male.

Self portrait 1955

Portrait of the artist as a young man

Magazine article by Dr Sarah Engledow, 2010

Dr Sarah Engledow explores the early life and career of John Brack.

Charles Haddon Chambers, 1921 Ralph Barton

Suave

Magazine article by Dr Sarah Engledow, 2010

Charles Haddon Chambers the Australian-born playboy playwright settled permanently in London in 1880 but never lost his Australian stance when satirising the English.

True Stories - Helen Garner, 2003 Jenny Sages

Jenny Sages Paths to Portraiture

Previous exhibition, 2010

The exhibition Sages examines the process of portrait making through four large-scale portraits of women by Jenny Sages, paired with intimate preparatory drawings.

Each morning when I wake up I put on my mothers face, 2000

Paths to portraiture

Magazine article by Dr Sarah Engledow, 2010

The life and art of Australian artist Jenny Sages is on display in the exhibition Paths to Portraiture.

Robert Drewe (in the swell), 2006 Nicholas Harding

Undercurrent

Magazine article by Dr Sarah Engledow, 2010

Dr Sarah Engledow writes about the portraiture of Australian artist Nicholas Harding.

Portrait sketch of Nellie Melba, 1902 Hugh Ramsay

Doodles of the Diva

Magazine article by Dr Sarah Engledow, 2010

Three tiny sketches of Dame Nellie Melba in the NPG collection were created by the artist who was to go on to paint the most imposing representation of the singer: Rupert Bunny.

General Birdwood, the Idol of Anzac, taking a dip in the sea after a hard days work 1915

In the thick of it

Magazine article by Dr Sarah Engledow, 2010

Projecting the splendour of the empire, and the resolve of its subjects, the bust of William Birdwood keeps a stiff upper lip in the National Portrait Gallery.

Sir Lawrence Wackett, c. 1961 William Dargie

Starry knight

Magazine article by Dr Sarah Engledow, 2010

Aircraft designer, pilot and entrepreneur, Sir Lawrence Wackett rejoins friends and colleagues on the walls of the National Portrait Gallery.

Wendy drunk 11pm, 1983 by Brett Whiteley

Idle Hours

Previous exhibition, 2009

Idle hours is an exhibition of luxurious beauty. Paintings, prints and drawings represent subjects in quiet moods and situations arranged according to the time of day they depict - reading, drawing, snoozing, bathing, sewing, gardening, sitting, looking, making love and spending tranquil time with companions. Works in the exhibition range from the beginning of the twentieth century to the present.

Artist and wife near Arthurs Seat, 1969

Through blue eyes

Magazine article by Dr Sarah Engledow, 2009

Works by Arthur Boyd and Sidney Nolan bring the desert, the misty seashore and the hot Monaro plains to exhibition Open Air: Portraits in the landscape.

My father-in-law watering his garden, 1986 by Davida Allen

Lovingly observed

Magazine article by Dr Sarah Engledow, 2009

Sarah Engledow previews the beguiling summer exhibition, Idle hours.

Portrait of Dr Johann Reinhold Forster and his son George Forster, c.1780 Jean Francois Rigaud

To the end of the earth

Magazine article by Dr Sarah Engledow, 2009

The portrait of Dr. Johann Reinhold Forster and his son George Forster from 1780, is one of the oldest in the NPG's collection.

Sir Charles Lloyd Jones, 1951 William Dobell

Home and away

Magazine article by Dr Sarah Engledow, 2009

Sir William Dobell painted the portraits of Sir Charles Lloyd Jones and Sir Hudson Fysh, who did much to promote the image of Australia in this country and abroad.

Me, 1992 Ken Done

Donated duo

Magazine article by Dr Sarah Engledow, 2009

Dr Sarah Engledow writes about the gift of two striking paintings by the Australian artist Ken Done AM.

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Heartfelt

Magazine article by Dr Sarah Engledow, 2009

The portrait of Janet and Horace Keats with the spirit of the poet Christopher Brennan is brought to life by artist Dora Toovey.

Sir Sidney Kidman, 1932 Samuel Woolf

The fat of the land

Magazine article by Dr Sarah Engledow, 2009

Sir Sidney Kidman (1857-1935) is inscribed in Australian legend as the ‘Cattle King’. 

The National Portrait Gallery

A very Australian place

Magazine article by Dr Sarah Engledow, 2009

The National Portrait Gallery's new building, opened on 3 December 2008, is a beautiful home for the national collection of portraits.

Portrait of Captain James Cook RN, 1782 John Webber

Thrown together

Magazine article by Dr Sarah Engledow, 2009

Shipmates for years, James Cook and Joseph Banks each kept a journal but neither man shed light on their relationship.

Margaret Whitlam, 2005 Sahlan Hayes

Open Air Portraits in the Landscape

Previous exhibition, 2008

Open Air is an exhibition of portraits of Australians in environments of particular significance to them.

Layne Beachley, 2008 Petrina Hicks

Everybody's heard about the bird

Magazine article by Dr Sarah Engledow, 2008

Two professionals; Australian surfer Layne Beachley and photographer Petrina Hicks, combine their strengths to achieve a remarkable portrait.

Practising the Minuet (Miss Hilda Spong), 1893 Tom Roberts

An actress and her fans

Magazine article by Dr Sarah Engledow, 2008

Dr. Sarah Engledow discovers the amazing life of Ms. Hilda Spong, little remembered star of the stage, who was captured in a portrait by Tom Roberts.

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Tracks in the sand

Magazine article by Dr Sarah Engledow, 2008

Dr Sarah Engledow discusses Quentin Jones's photograph of Australian author Tim Winton.

Miss Evelyn Chapman, 1918

Lovers of light

Magazine article by Dr Sarah Engledow, 2008

Dr Sarah Engledow traces the significant links between Antonio Dattilo-Rubbo and Evelyn Chapman through their portraits.

Captain W Kinghorne, 1834 Thomas James Lempriere

The bright-eyed Mariner

Magazine article by Dr Sarah Engledow, 2008
A new colonial portrait brings a zealous captain near.
Sydney city (Patrick White and Tom Uren, Hiroshima Day demonstration), 1984

The activist A-list

Magazine article by Dr Sarah Engledow, 2007

Dr Sarah Engledow examines a number of figures in the collection of the National Portrait Gallery who were pioneers or substantial supporters of the seminal Australian environmental campaigns of the early 1970s and 1980s.

MacKenzie family silhouette, 1846 Samuel Metford

All there in black and white

Magazine article by Dr Sarah Engledow, 2007

The National Portrait Gallery acquired a beguiling silhouette group portrait by Samuel Metford, an English artist who spent periods of his working life in America.

Walter Lindrum OBE, c. 1932 Will Longstaff

Cannonical

Magazine article by Dr Sarah Engledow, 2007

Walter Lindrum, world-famous billiards player, was one of Australia's greatest sporting champions.

Dame Mary Gilmore, c. 1938 Lyall Trindall

Painting writing

Magazine article by Dr Sarah Engledow, 2007

Dr Sarah Engledow explores the portraits of writers held in the National Portrait Gallery's collection.

L. Gordon Darling AC CMG, 2006 Jiawei Shen

Portrait of a patron

Magazine article by Dr Sarah Engledow, 2007

A new painting by Jiawei Shen captures the vision and resolve of the Gallery's founder, L. Gordon Darling AC CMG.

Sir Frank Packer KBE, 1956 Judy Cassab

Vintage Cassab

Magazine article by Dr Sarah Engledow, 2006

The oil portrait of Sir Frank Packer KBE by Judy Cassab was gifted to the National Portrait Gallery in 2006.

Steve Irwin, 2005 Robin Sellick

Crikey!

Magazine article by Dr Sarah Engledow, 2006

Robin Sellick captured a rare moment of quietude from the late conservation star Steve Irwin.

Billy Hughes paperweight an unknown artist

Mugshots

Magazine article by Dr Sarah Engledow, 2006

A toast to the acquisition of an unconventional new portrait of former Prime Minister, Stanley Melbourne Bruce.

Her Excellency Marjorie Jackson-Nelson AC CVO MBE, 2006 Avril Thomas

Spikes: then and now

Magazine article by Dr Sarah Engledow, 2006

As part of its ongoing program of commissions of portraits of prominent Australians, the National Portrait Gallery has unveiled a portrait of Her Excellency Marjorie Jackson-Nelson by South Australian artist Avril Thomas.

Self portrait, 1846 George French Angas

Profile of a marriage

Magazine article by Dr Sarah Engledow, 2006

Dr Sarah Engledow explores the lives of Sir George Grey and his wife Eliza, the subjects of a pair of wax medallions in the National Portrait Gallery's collection.

Sidney Nolan, Western Australia, 1962 (printed 2000) David Moore

Cultural kaleidoscope

Magazine article by Dr Sarah Engledow, 2006

The complex connections between four creative Australians; Patrick White, Sidney Nolan, Robert Helpmann and Peter Sculthorpe.

Leigh Bowery in Fur Coat, c. 1983  (printed 2005) David Gwinnutt

Hyperversity

Magazine article by Dr Sarah Engledow, 2006

Dr Sarah Engledow writes about the larger-than-life Australian performance artist, Leigh Bowery.

Rosaleen Norton, Witch of Kings Cross, 1970-71 Rennie Ellis

Aussies All

Magazine article by Dr Sarah Engledow, 2006

Rennie Ellis photographs the self-proclaimed 'Witch of Kings Cross'.

Sir Edward Holden, 1945 Leslie Bowles

Promise Fulfilled

Magazine article by Dr Sarah Engledow, 2006

The life and achievements of Sir Edward Holden, who is represented in the portrait collection by a bust created by Leslie Bowles.

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The Good Doctor

Magazine article by Dr Sarah Engledow, 2005

Dr Sarah Engledow describes the achievements of internationally renowned burns and trauma surgeon Professor Fiona Wood.

Rock Island Bend. Franklin River, South West Tasmania, 1979 by Peter Dombrovskis

Written in Water

Magazine article by Dr Sarah Engledow, 2005

Olegas Truchanas and Peter Dombrovskis, photographers and conservationists, shared a love of photography and exploring wilderness areas of Tasmania.

Eileen Dunne in The Hospital for Sick Children, 1940

The incomparable Beaton

Magazine article by Dr Sarah Engledow, 2005

To accompany the exhibition Cecil Beaton: Portraits, held at the NPG in 2005, this article is drawn from Hugo Vickers's authorised biography, Cecil Beaton (1985).

Professor Peter Doherty, 2001 Rick Amor

Friends and Acquaintances

Magazine article by Dr Sarah Engledow, 2005

Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.

Sir Lindesay Clark, 1973 Clifton Pugh

The Stories Beneath

Magazine article by Dr Sarah Engledow, 2005
The Alcoa World Alumina Australia gift.
Les Murray, 1995 David Naseby

Poets' Portraits

Magazine article by Dr Sarah Engledow, 2005

The Portrait Gallery's paintings of two poets, Les Murray and Peter Porter, demonstrate two very different artists' responses to the challenge of representing more than usually sensitive and imaginative men.

The rose, 1927

The World of Thea Proctor

Previous exhibition, 2005

The World of Thea Proctor is the Portrait Gallery's second major biographical exhibition - that is, the second exhibition to focus exclusively on the life and work of a single individual

The rose, 1927

The world of Thea Proctor

Magazine article by Dr Sarah Engledow, 2005

The world of Thea Proctor was the National Portrait Gallery's second exhibition to follow the life of a single person, following Rarely Everage: The lives of Barry Humphries.

Pat Mackie, 2004 Nancy Borlase

Blue Collar Icon

Magazine article by Dr Sarah Engledow, 2005

Dr Sarah Engledow delves into the life of union leader Pat Mackie who is depicted in a portrait by Nancy Borlase AM.

Portrait of Ninette Dutton, 2004 Bette Mifsud

In a glance

Magazine article by Dr Sarah Engledow, 2004

Dr Sarah Engledow explores the portrait of Ninette Dutton by Bette Mifsud.

Nancy Wake - The White Mouse, 2001 Melissa Beowulf

Capturing the Mouse

Magazine article by Dr Sarah Engledow, 2004

Nancy Wake AC (b. 1912), one of the most­ decorated women of World War 2, earned the name the 'White Mouse' for her maddening ability to evade the Gestapo.

Portrait of George Selth Coppin, c. 1895-99 Tom Roberts

The Multifarious Career of George Selth Coppin

Magazine article by Dr Sarah Engledow, 2004

George Selth Coppin (1819-1906) comedian, impresario and entrepreneur, was a driving force of the early Australian theatre.

Thomas Sutcliffe Mort and his wife Theresa, c.1847 an unknown artist

Tiny Trace of a Colonial Giant

Magazine article by Dr Sarah Engledow, 2004

At just 7.8 x 6.2 cm, the daguerreotype of Thomas Sutcliffe Mort and his wife Theresa is one of the smallest works in the collection of the National Portrait Gallery.

Professor Peter Doherty, 2001 Rick Amor

Australia and the Nobel Prize

Previous exhibition, 2003

This unique exhibition will give an insight into the private lives, pursuits and work of all the Nobel laureates associated with Australia

Portrait of Captain James Cook RN, 1782 John Webber

Capturing Cook

Magazine article by Dr Sarah Engledow, 2003

In focussing on the importance of gifts in the building of the collection, prominence must be given to the most spectacular of the National Portrait Gallery's acquisitions; the portrait of Captain James Cook RN by John Webber R.A.

Mr Mortimer Lewis, c. 1828 an unknown artist

Little treasures

Magazine article by Dr Sarah Engledow, 2002

The acquisition of the ivory miniatures of Mortimer and Mrs Lewis.

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