Skip to main content

Ticketed entry is in place to safely manage visits to the Gallery, so please book ahead.

Menu

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The elegant thinker

by Dr Sarah Engledow, 20 January 2020

Ann Moyal, 1957 Pamela Thalben-Ball
Ann Moyal, 1957 Pamela Thalben-Ball

With the death of the historian Ann Moyal, there probably remains no Australian who knew Winston Churchill personally.

In 1949, as Ann Hurley, she left Sydney for a scholarship at the Institute of Historical Research at the University of London. Away for a decade, she made two marriages that didn’t stick and became a research assistant first at Chatham House, then, for four years, to the newspaper owner, Lord Beaverbrook, who was writing the history of clashes between key politicians and generals of late World War I. Having invited surviving players in the 1917-1918 drama to dinner, Ann’s boss found her wardrobe inadequate to the occasion. In Mayfair, he bought her a suitable ensemble. Recalling Beaverbrook’s generosity and the beauty of the lace and taffeta garments, she described Pamela Thalben-Ball’s 1957 portrait as an ‘emblem of those glittering days.’

Frequently, over the 1950s, the enfeebled Churchill went to stay at Beaverbrook’s villa in the South of France. In 1958 he was there for a month, and sometimes the sparky amanuensis was detailed to lighten his mood. Famously, one night she diverted him by swimming the ‘Australian crawl’ in the villa’s illuminated pool. At the time she died in August 2019, by the bed in her sunny Belconnen apartment stood pictures of her parents, and of Churchill, in a snap she took of him brooding on ‘the Beaver’’s yacht off Monaco.

Beaverbrook offered her a marriage, of sorts; but instead she came as Ann Mozely to Canberra, a city she took to heart. From 1959 to 1962 she worked as a research fellow with Sir Keith Hancock in the Research School of Social Sciences (RSSS), founding the Australian Dictionary of Biography. In 1962 she was appointed to the post of research associate jointly at the RSSS and the Australian Academy of Science. Her prodigious Guide to the Manuscript Records of Australian Science was published in 1966.

While she lived at University House, a mathematician, Joe Moyal, ‘emerged from the revolving circle of swains’. She took her fourth and final surname when she married Moyal in 1963, and later travelled with him as he took up various academic posts. (Widowed in 1998, she wrote a book about him.) She was a science editor with the University of Chicago Press from 1967 to 1970, and for five years lectured at the New South Wales Institute of Technology, publishing Scientists in Nineteenth Century Australia in 1976.

In the USA she wrote an influential article about the Argonne atomic research laboratory, published in Science in 1971. A power-packed counterpart, ‘The Australian Atomic Energy Commission: A Case Study in Australian Science and Government’, appeared in 1975. It demonstrates her distinctive ability smoothly to switch perspectives from the technical to the social. At an energy conference in 1978 she advocated public participation in science policy formulation and explored the social implications of future energy use and policy. In the decade up to her death she lobbied hard for a Chief Social Scientist to foster just such advocacy and exploration.

Having directed the Centre for Science Policy at Griffith University from 1977 to 1979, Ann left academia in 1980. Much later, she received honorary doctorates from Sydney and the Australian National University for her copious historical writing on Australian science. In the early 1980s she wrote the definitive history of telecommunications Clear across Australia. Rather more diverting was Breakfast with Beaverbrook, published in 1995, the year she established the Independent Scholars’ Association of Australia. Of the elegant, erudite and sweeping Platypus (2001, 2010) she made a gripping history of phases in the classification of biological species, but still shaped her prose with a warm womanly hand – as when she called her subject a ‘little animal with a passion for privacy’. The web of science: The scientific correspondence of the Rev WB Clarke, geological pioneer (2003) was perhaps her defining labour of scholarly love. In A Woman of Influence: Science, Men and History (2014) she tells of uncoupling from her final real-life partner at the age of 80. She who had written Women and the Telephone in Australia reflected ‘at last, I could not see myself cursed by expectancy, waiting for a desultory phone call tailored to M’s need’.

One of Ann’s last essays, published in 2018, considered William Woolls’ annotations to his copy of Darwin’s On the Origin of Species. With distinctive clarity, she concluded that it ‘presents a rare documentary prelude to the long philosophical, teleological and scientific debate in Australia.’ Questioning, laughing, polishing her opinions and arguments unto her brave demise, who but our beloved Ann could have seen that so clearly, or stated it with such authority?

Related people

Ann Moyal AM

Related information

Portrait 64, Summer 2019/20

Magazine

Marian Anderson, emerging photographer Charles Dennington, piscatorial portraits, and the poignant path of photographer Polixeni Papapetrou. and more.

The National Portrait Gallery
The National Portrait Gallery
The National Portrait Gallery

The Gallery

Explore portraiture and come face to face with Australian identity, history, culture, creativity and diversity.

Plan your visit

Timed ticketing, location, accessibility and amenities

Support your Portrait Gallery

We depend on your support to keep creating our programs, exhibitions, publications and building the amazing portrait collection!

We would like to thank our partners.
© National Portrait Gallery 2020
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.