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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Self-portrait in black jumper, 2017 Graeme Drendel

Be frank

Magazine article by Dr Sarah Engledow, 2020

Close encounters are the genesis for Graeme Drendel’s enticing portraiture.

Ann Moyal

The elegant thinker

Magazine article by Dr Sarah Engledow, 2020

Sarah Engledow pens a fond farewell to acclaimed science historian Ann Moyal.

George Reid paperweight

Some prime ministers

General content

Sarah Engledow explores the history of the prime ministers and artists featured in the exhibition.

Bryan Brown

The Look

Previous exhibition, 2019

Featuring striking photographic portraits of contemporary figures from the National Portrait Gallery collection, The Look is an aesthetic treat with a lashing of je ne sais quoi.

Bob Hawke

Primed

Some Prime Ministers
Previous exhibition, 2019

Seventeen of Australia’s thirty prime ministers to date are represented in the contrasting sizes, moods and mediums of these portraits.

The Right Honourable Sir Ninian Stephen KGAK GCMG GCVO KBE QC, 2006 by Rick Amor

Prima facie

Magazine article by Dr Sarah Engledow, 2019

Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.

Helen Blaxland judging flower arrangements, c. 1940s photographer unknown

Petal to the mettle

Magazine article by Dr Sarah Engledow, 2019

Sarah Engledow lauds the very civil service of Dame Helen Blaxland.

Jacki Weaver

Flash mob

Magazine article by Dr Sarah Engledow, 2019

Sarah Engledow trains her exacting lens on the nine photographs from 20/20.

Self portrait

A guy from Paris

Magazine article by Dr Sarah Engledow, 2018

Sarah Engledow on a foundational gallery figure who was quick on the draw.

Marilyn Ball, Albatross, 2018 (detail) by Linde Ivimey

So Fine

Contemporary women artists make Australian history
Previous exhibition, 2018

This exhibition features new works from ten women artists reinterpreting and reimagining elements of Australian history, enriching the contemporary narrative around Australia’s history and biography, reflecting the tradition of storytelling in our country.

Greek Orthodox Priest, 2015 by Sarah Ball

Hope for kindness

Magazine article by Dr Sarah Engledow, 2018

Sarah Engledow arrives at the junction of fate and hope in Sarah Ball’s poignant Immigrants series.

The blue of the dawn, 2009 by Vittoria Dussoni

NPPP 2011 exhibition essay

General content

Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2011 Prize.

David Marr, 2011 by Nicholas Harding

Through thick and thin

Magazine article by Dr Sarah Engledow, 2017

Sarah Engledow likes the manifold mediums of Nicholas Harding’s portraiture.

Hugo at home (Hugo Weaving)

Nicholas Harding

28 Portraits
Previous exhibition, 2017

Nicholas Harding: 28 portraits features paintings of Robert Drewe, John Bell and Hugo Weaving alongside gorgeously coloured recent oil portraits, delicate gouaches and bold ink and charcoal drawings.

David Marr, 2011 by Nicholas Harding

Nicholas Harding: 28 Portraits

Exhibition essay
General content

Sarah Engledow looks at three decades of Nicholas Harding's portraiture.

Richard Morecroft & Alison Mackay

National Photographic Portrait Prize 2017

Previous exhibition, 2017

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency