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Illuminating history

Joanna Gilmour reflects on 25 years of collecting at the National Portrait Gallery.

See through me

Penelope Grist and Rebecca Ray talk to the artists in Portrait23: Identity about transcending modes of portraiture.

Hard truths

Jennifer Higgie reveals how Alice Neel reinvigorated 20th century portraiture with her honest and perceptive depictions of the human experience.

You, looking at me

Elspeth Pitt chats with Archibald Prize-winning artist Yvette Coppersmith about performance, coincidences and the intersection of art and life.

Paper weight

Joanna Gilmour delves into a collection display that celebrates the immediacy and potency of drawing as an art form in its own right.

Everything, everyqueer, all at once

Bradley Vincent considers Samuel Hodge’s use of the archive to create a queer vernacular of portraiture.

You are who?

Joanna Gilmour reflects on merging collections and challenging traditional assumptions around portraiture in WHO ARE YOU.

Love my way

Inga Walton delves into the bohemian group of artists and writers who used each other as muses and transformed British culture.

Women make history

Jennifer Higgie uncovers the intriguing stories behind portraits of women by women in the National Portrait Gallery’s collection.

Unboxed

Sandra Bruce explores a new acquisition that has within it a story of interconnectivities in the Australian art world.

Space in between

Rebecca Ray goes backstage with Bangarra’s Head of Design and photographer Jacob Nash.

Splendid, many-splendoured

Sandra Bruce gazes on love and the portrait through Australian Love Stories’ multi-faceted prism.

Birds of a feather

Charting a path from cockatiel to finch, Annette Twyman explores her family portraits and stories.

Love in the extreme

Joanna Gilmour reveals love’s more intense manifestations in the tale of Lord Kenelm and Venetia Digby.

Activating the space

Sandra Phillips on portraits of Indigenous activism from Cairns Art Gallery’s 2019 Queen’s Land Blak Portraiture exhibition.

Mother’s muse

Inga Walton traces the poignant path of photographer Polixeni Papapetrou, revealed in the NGV’s summer retrospective.

The elegant thinker

Sarah Engledow pens a fond farewell to acclaimed science historian Ann Moyal.

Little women

Joanna Gilmour looks beyond the ivory face of select portrait miniatures to reveal their sitters’ true grit.

Expect the unexpected

Joanna Gilmour revels in accidental artist Charles Rodius’ nineteenth century renderings of Indigenous peoples.

The art of multiplicity

Meredith Hughes explores a key Portrait Gallery work, emerging into the infinite iterations of identity.

Petal to the mettle

Sarah Engledow lauds the very civil service of Dame Helen Blaxland.

Queen of cartes

Joanna Gilmour discusses the role of the carte de visite in portraiture’s democratisation, and its harnessing by Victoria, the world’s first media monarch.

Study in scarlet

Angus Trumble reflects on the force of nature that was Helena Rubinstein.

Material culture

The Rajah Quilt’s narrative promptings are as intriguing as the textile is intricate.

Presence and absence

The art of Australia’s colonial women painters affords us an invaluable, alternative perspective on the nascent nation-building project.

The life of Bryant

Tenille Hands explores a portrait prize gifted to the National Screen and Sound Archive.

Hope for kindness

Sarah Engledow arrives at the junction of fate and hope in Sarah Ball’s poignant Immigrants series.

Nocturnal animals

Joanna Gilmour explores the enticing urban shadows cast by artists Martin Lewis and Edward Hopper.

Hump days

Jessica Bolton navigates the parallel tracks documenting Robyn Davidson’s astonishing journey.

Heroine knits

‘Dear Kate Just – I’m your feminist fan’. Interview by Sophia Cai.

Demimonde liaisons

Jane Raffan feasts on modernity’s entrée in the Belle Époque theatre of the demimonde.

Progressive pictures

Athol Shmith’s photographs contributed to the emergence of a new vision of Australian womanhood.

Northern exposure

Phil Manning celebrates a century of Brisbane photographic portraiture.

Unknown drawer

Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.

Costantini's convictions

Jo Gilmour uncovers endearing authenticity in the art of a twice-transported Tasmanian.

20 20

Sarah Engledow picks some favourites from a decade of the National Photographic Portrait Prize.

The mind's eye

Christopher Chapman takes a trip through the doors of perception, arriving at the junction of surrealism and psychoanalysis.

Jewelled nights

Anne Sanders celebrates the cinematic union of two pioneering australian women.

Great Scots

Diana O’Neil samples the tartan treats on offer in the Scottish National Portrait Gallery.

Unbuttoning uniforms

Sharon Peoples contemplates costumes and the construction of identity.

Showing character

Joanna Gilmour on Tom Durkin playing with Melbourne's manhood.

Natural born stiller

Penelope Grist speaks to Robert McFarlane about shooting for the stars.

Adam’s Prize Apples

Pamela Gerrish Nunn explores New Zealand’s premium award for portraiture.

Political profiles

Joanna Gilmour examines the prolific output of Charles Balthazar Julien Févret de Saint-Mémin, and discovers the risk of taking a portrait at face value.

The family scene

Traudi Allen discovers sensitivity, humour and fine draughtsmanship in the portraiture of John Perceval.

Shop Talk

Angus and the arbiters talk (photo) shop for the National Photographic Portrait Prize.

Augustus serendipitous

The London-born son of an American painter, Augustus Earle ended up in Australia by accident in January 1825. 

Tribute

Stevie Wright (1947-2015), singer-songwriter, came to Australia from England at the age of nine.

Paper, boy

Peter Wilmoth’s boy-journalist toolkit for antagonising an Australian political giant.

Bill and Ted's excellent portrait.

Sarah Engledow on Messrs Dobell and MacMahon and the art of friendship.

The Dissecting Room

Joanna Gilmour accounts for Australia’s deliciously ghoulish nineteenth century criminal portraiture. 

The portrait writ large

Karen Vickery on Chang the Chinese giant in Australia.

Money for Myth

Australian character on the market by Jane Raffan.

Lauded legacy

Karl James gives short shrift to doubts about the profile of General Sir John Monash.

Sitter still

Jaynie Anderson reflects on her experience as sitter for Reshid Bey’s 1962 portrait.

Secure the shadow ere the substance fade

The tragic tale of Tom Wills, the ‘inventor’ of Australian Rules Football.

Alternative virtue

Joanna Gilmour presents John Kay’s portraits of a more infamous side of Edinburgh.

No small wonder

Joanna Gilmour describes how artist Sam Leach works on a small scale to grand effect.

A real Pratt

The death of a gentlewoman is shrouded in mystery, a well-liked governor finds love after sorrow, and two upright men become entangled in the historical record.

The silent partner

One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.

The real Thea

Long after the portraitist became indifferent to her, and died, a beguiling portrait hung over its subject.

Pen power

Politics and personae in the portraiture of TextaQueen by Jane Raffan.

Pop poet

Dr Anne Sanders previews the works in the new focus exhibition Paul Kelly and The Portraits.

The shipwright's arms

Joanna Gilmour explores the life and times of convict-turned-artist William Buelow Gould.

Observation point

Australian artist and Archibald Prize finalist, Wendy Sharpe reflects on the art of portraiture.

The 'I' in Indigenous art

Jane Raffan examines unique styles of Indigenous portraiture that challenge traditional Western concepts of the artform.

Someone to watch over you

Carrie Kibbler looks at how portraiture fits into the Australian Artbank Collection.

Listomania

Sarah Engledow describes the fall-out once Brett Whiteley stuck Patrick White’s list of his loves and hates onto his great portrait of the writer.

Observation point

Tim Storrier describes the influences on the development of his artistic style.

Generous Janice

Dr Sarah Engledow puts four gifts to the National Portrait Gallery’s Collection in context.

South-bound and down

Joanna Gilmour recounts the story of ill-fated sea voyages in the early stages of the Antipodean colony.

What price self?

Jane Raffan investigates auction sales of self portraits nationally and internationally.

Seeing stars

Joanna Gilmour explores photographic depictions of Aboriginal sportsmen including Lionel Rose, Dave Sands, Jerry Jerome and Douglas Nicholls.

Observation point

Artist Kate Beynon reflects on the place of portraiture in her artistic career.

The numbers man

Dr. Sarah Engledow tells the story of Australia's first Federal statistician, Sir George Knibbs.

More cash than dash

Joanna Gilmour describes how colonial portraitists found the perfect market among social status seeking Sydneysiders.

Observation point

Zhong Chen's paintings of boys on Chinese zodiac animals and kung fu images reflect his identity as a Chinese-Australian artist.

Sea legged frogs

Joanna Gilmour describes some of the stories of the individuals and incidents that define French exploration of Australia and the Pacific.

In a good paddock

Celebrating a new painted portrait of Joseph Banks, Sarah Engledow spins a yarn of the naturalist, the first kangaroo in France and Don, a Spanish ram.

Less than six degrees of separation

Anne Sanders finds connections in Inner Worlds between Hungarian expatriates and the development of psychoanalysis in Australia.

No shirt, no service

Bon Scott and Angus Young photographed by Rennie Ellis are part of a display celebrating summer and images of the shirtless male.

Paths to portraiture

The life and art of Australian artist Jenny Sages is on display in the exhibition Paths to Portraiture.

Feel the music

Dr Christopher Chapman discusses the portrait of Australian composer Paul Grabowsky by photographer Martin Philbey.

Technical terminology

Michael Desmond introduces some of the ideas behind the exhibition Present Tense: An imagined grammar of portraiture in the digital age.

Fine and dandy

Whether the result of misadventure or misdemeanour, many accomplished artists were transported to Australia where they ultimately left a positive mark on the history of art in this country.

In the thick of it

Projecting the splendour of the empire, and the resolve of its subjects, the bust of William Birdwood keeps a stiff upper lip in the National Portrait Gallery.

Private virtues public lives

Family affections are preserved in a fine selection of intimate portraits.

Lovingly observed

Sarah Engledow previews the beguiling summer exhibition, Idle hours.

Home and away

Sir William Dobell painted the portraits of Sir Charles Lloyd Jones and Sir Hudson Fysh, who did much to promote the image of Australia in this country and abroad.

Through blue eyes

Works by Arthur Boyd and Sidney Nolan bring the desert, the misty seashore and the hot Monaro plains to exhibition Open Air: Portraits in the landscape.

Sure thing

Blue Mountain, Owner, Trainer, Jockey, James Scobie 1887 by Frederick Woodhouse Snr. is a portrait of James Scobie, well known jockey and eminent horse trainer.

Chance encounter

Joanna Gilmour explores the life and times of one of Melbourne's early socialites, Jessie Eyre Williams.

Thinking about architecture and portraiture

Dr Christopher Chapman describes the experimental exhibition Portraits + Architecture

Worth her salt

Jerrold Nathan's portrait of Jessie Street shows the elegant side of a many-faceted lady.

Heartfelt

The portrait of Janet and Horace Keats with the spirit of the poet Christopher Brennan is brought to life by artist Dora Toovey.

The fat of the land

Sir Sidney Kidman (1857-1935) is inscribed in Australian legend as the ‘Cattle King’. 

Being Cate

A moving portrait of Cate Blanchett unfolds as an inspired pairing of medium and subject.

Naked ambition

Joanna Gilmour dives into the life of Australian swimming legend Annette Kellerman.

Everybody's heard about the bird

Two professionals; Australian surfer Layne Beachley and photographer Petrina Hicks, combine their strengths to achieve a remarkable portrait.

Tracks in the sand

Dr Sarah Engledow discusses Quentin Jones's photograph of Australian author Tim Winton.

Axe Me Biggie

Australian photojournalist Stephen Dupont's Afghanistan project captures the human experience of a country in reconstruction.

Conflicting images

Michael Desmond reveals the origins of composite portraits and their evolution in the pursuit of the ideal.

The activist A-list

Dr Sarah Engledow examines a number of figures in the collection of the National Portrait Gallery who were pioneers or substantial supporters of the seminal Australian environmental campaigns of the early 1970s and 1980s.

All there in black and white

The National Portrait Gallery acquired a beguiling silhouette group portrait by Samuel Metford, an English artist who spent periods of his working life in America.

Be bold

The name of Florence Broadhurst, one of Australia’s most significant wallpaper and textile designers, is now firmly cemented in the canon of Australian art and design.

Shifting pixels

In 2007 the National Portrait Gallery produced its first online exhibition featuring the animated self portraits created by some of Australia’s most innovative visual artists and animators.

Cannonical

Walter Lindrum, world-famous billiards player, was one of Australia's greatest sporting champions.

Painting writing

Dr Sarah Engledow explores the portraits of writers held in the National Portrait Gallery's collection.

Virtual lives

A brief introduction to the Weird, Wired World of Internet Portraiture.

On active service

The National Portrait Gallery has acquired an evocative depiction of soldier Peter Cosgrove by the Victorian-based painter, printmaker and sculptor Rick Amor.

Oz and beyond

Martin Sharp fulfils the Pop art idiom of merging art and life.

Pigeon coup

Glenn McGrath makes a strong impact on the English batsmen and the walls of the National Portrait Gallery.

Mugshots

A toast to the acquisition of an unconventional new portrait of former Prime Minister, Stanley Melbourne Bruce.

Cultural kaleidoscope

The complex connections between four creative Australians; Patrick White, Sidney Nolan, Robert Helpmann and Peter Sculthorpe.

The news from Washington

Australia's former Cultural Attache to the USA, Ron Ramsey, describes the mood at the opening week of the revitalised American National Portrait Gallery.

Hyperversity

Dr Sarah Engledow writes about the larger-than-life Australian performance artist, Leigh Bowery.

Ready , set... shoot

The exhibition Flash: Australian Athletes in Focus offers various interpretations of sporting men and women by five Australian photographers.

Promise Fulfilled

The life and achievements of Sir Edward Holden, who is represented in the portrait collection by a bust created by Leslie Bowles.

Glossy too

The Glossy 2 exhibition highlights the integral role magazine photography plays in illustrating and shaping our contemporary culture.

A sketch for some portraits

Judith Pugh reflects on Clifton Pugh's approach to portrait making.

Washington preview

Ron Ramsey, former Director of Cultural Relations at the Embassy of Australia interviewed NPG Washington Director, Marc Pachter, about their building renovations.

Written in Water

Olegas Truchanas and Peter Dombrovskis, photographers and conservationists, shared a love of photography and exploring wilderness areas of Tasmania.

Friends and Acquaintances

Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.

The Stories Beneath

True Stories

The story behind the creation of the portrait of Helen Garner by Jenny Sages.

A bond of friendship

Australia's major abstract painter Yvonne Audette discusses her portrait of sculptor Robert Kippel.

Clay, water, fire

Ah Xian's porcelain portrait of paediatrician Dr. John Yu reflects Yu's heritage and interests.

In a glance

Dr Sarah Engledow explores the portrait of Ninette Dutton by Bette Mifsud.

Reflections on portraiture

An extract from the 2004 Nuala O'Flaaherty Memorial Lecture at the Queen Victoria Musuem and Art Gallery in Launceston in which Andrew Sayers reflects on the unique qualities of a portrait gallery.

Bloodlines

Michelle Fracaro describes Lionel Lindsay's woodcut The Jester (self-portrait).

Tiny Trace of a Colonial Giant

At just 7.8 x 6.2 cm, the daguerreotype of Thomas Sutcliffe Mort and his wife Theresa is one of the smallest works in the collection of the National Portrait Gallery.

Me Myself I

Andrew Sayers explores the self-portraits created by Australian artist Sidney Nolan.