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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Observation point

by Zhong Chen, 1 July 2011

Zhong Chen's paintings of boys on Chinese zodiac animals and kung fu images reflect his identity as a Chinese-Australian artist.

Boy on the dragon, 2010
Boy on the dragon, 2010

Animals and mythical creatures also appear, some closely resembling our dog, Tudo. To me all these faces and figures represent the importance of family connections and exploring crosscultural issues with the influences of travel and an interest in auspicious imagery.

The cartoon heroine Li Ji: Warrior girl (adapted from a forth-century fable) who appeared in animated video works and prints of 2000–02 and later paintings, has been a significant figure recognised as a kind of avatar expressing issues of concern. On her journey to visit Melbourne’s Chinatown, Li Ji contemplated aspects of migration, racial discrimination and a sense of belonging, while experiencing flashbacks to a past life in ancient China. Other fictional or ‘imagined’ female portraits have been inspired by travels to Amsterdam, New York and Rio de Janeiro. These figures represent and embrace being transcultural with their mixed appearances and positions as global citizens.

In 2002, I depicted Mike as the Door God in a version of the armour-clad guardian figures painted at the entrance to the Chan ancestral temple (Chan is my maternal family name). I was interested in the idea of these fierce dark-complexioned figures as positive images. Rali has featured in portraits at various ages, including Lucky fish boy 2002 as a chubby toddler in a work that blends traditional Chinese print imagery with contemporary styling and his distinctive afro. His heritage – Chinese, Welsh, African-American, Native American Pima, Mexican, Jamaican and Irish – reflects the multicultural Australian child. In Self portrait with guardian spirits 2010 my figure sits in half lotus position surrounded by a large swirling gold-scaled dragon and two green ‘lion-dog’ companions that bear some resemblance to our crazy Staffy cross, Tudo. In other works he also appears as guardian creature sporting multi-coloured wings. Painting shirt (Self Portrait) focuses on my favourite art-making shirt. A gift from my parents, the image is Frida Kahlo’s 1939 double self portrait The two Fridas. Now covered in psychedelic paint marks from a brush-wiping habit, I associate this shirt with being in the studio and creative zone. The two Fridas peer out: one in Victorian era dress; one in Mexican Tehuana dress, representing in part Kahlo's mixed heritage.

I am struck with how some of the faces in my work have transformed over the years. From sword wielding Li Ji with her severe frown, trying to reconcile the past with contemporary urban life (she did have to battle a giant python to save her village), to the more serene hybrid guardian goddesses, to the recent self portrait with the ‘up late in the studio’ face and weary eyes. Serious but not looking quite so irritated, the recent figures look for some kind of balance between art and family life; creative expression and dealing with the world. The spirit of Li Ji lives on, but she’s older and calmer, aspiring to assert positive energy with her transcultural vibes.

Related information

Portrait 40, July - August 2011

Magazine

This issue features Claudia Karvan & Jimmy Pozarik, Agus Suwage & Contemporary Portraiture from Asia, Fred Williams, Zhong Chen, John Bell, The French Antipodes and more.

Dorothy Porter, 2001-02 Rick Amor
Dorothy Porter, 2001-02 Rick Amor
Dorothy Porter, 2001-02 Rick Amor

Beautiful bones

Magazine article by Dr Sarah Engledow

Sarah Engledow reflects on the shared life and writing of Dorothy Porter and Andrea Goldsmith.

Asuceleng (Dog-boar), 2010
Asuceleng (Dog-boar), 2010
Asuceleng (Dog-boar), 2010

Man of the year

Magazine article by Christine Clark

Exhibition curator Christine Clark introduces the work by Indonesian artist Agus Suwage created for Beyond the self: Contemporary portraiture from Asia.

Clifton Pugh painting in the studio, 1974 Fred Williams
Clifton Pugh painting in the studio, 1974 Fred Williams
Clifton Pugh painting in the studio, 1974 Fred Williams

Painting mates

Magazine article by Michael Desmond

Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.