Collection: National Portrait Gallery
Purchased with funds provided by Marilyn Darling AC 2001
Kate Gollings describes an encounter between three generations of Australian photographers; David Moore, Max Dupain and John Gollings.
Photographer Kate Gollings embarked in the late 1990s on a project to take a 'national snapshot', photographing 100 people who had made a distinctive contribution to Australian society and culture.
11 portraits in the collection
Collection: National Portrait Gallery
Purchased 2005
Collection: National Portrait Gallery
Purchased 2005
Collection: National Portrait Gallery
Purchased with funds provided by Marilyn Darling AC 2001
Collection: National Portrait Gallery
Purchased with funds provided by Marilyn Darling AC 2001
Collection: National Portrait Gallery
Purchased with funds provided by Marilyn Darling AC 2001
Collection: National Portrait Gallery
Purchased 2004
Collection: National Portrait Gallery
Purchased 2004
Collection: National Portrait Gallery
Purchased with funds provided by Marilyn Darling AC 2001
Collection: National Portrait Gallery
Purchased with funds provided by Marilyn Darling AC 2001
Collection: National Portrait Gallery
Purchased with funds provided by Marilyn Darling AC 2001
John Gollings made his first photographs and received darkroom tuition at age eleven; he later studied Arts/Architecture at Melbourne University, supporting himself through architectural and wedding photography.
3 portraits in the collection
Collection: National Portrait Gallery
Gift of the artist 2017
Donated through the Australian Government's Cultural Gifts Program
Katherine 'Kate' Hattam (1923-2004), stylesetter and art collector, was a WRAF in World War 2, stationed in radar at Beachey Head before beginning her career in the advertising department of Harrods in her native London.
1 portrait in the collection
Kate Grenville completed an arts degree at the University of Sydney and worked as a film editor before spending several years in the UK and Europe, where she began to write.
2 portraits in the collection
A focus on Indigenous-European relationships underpins Facing New Worlds. By Kate Fullagar.
Kate Grenville reads a passage from her novel The secret river and describes its creation.
Collection: National Portrait Gallery
Purchased 2008
Collection: National Portrait Gallery
Gift of the artist, Kate Rae and Mosman Art Gallery with the encouragement of the Hetherington family 2015
Purchased 2006
Collection: National Portrait Gallery
Gift of the artist 2014
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Purchased 2017
Collection: National Portrait Gallery
Purchased 2003
Collection: National Portrait Gallery
Purchased with funds provided by Graham Smith 2009
Australian writer Kate Grenville discusses her career and portrait by Jenny Sages.
Collection: National Portrait Gallery
Purchased 2010
Kate Murphy's video installation shows the artist listening to predictions made by a clairvoyant.
Denton Corker Marshall is based in Melbourne with offices in London and Jakarta.
Paul Cézanne, Bill Henson and Simone Young, Australian cinema’s iconic women, and feminist portraits by Kate Just.
Collection: National Portrait Gallery
Gift of the Hattam family in memory of Hal and Kate Hattam 2006
Donated through the Australian Government's Cultural Gifts Program
This issue features Kate Beynon, Philosopher Cynthia Freeland, Geoffrey Gurrumul Yunupingu, John Tsiavis & Chris Lilley, UK's BP Portrait Award, Purchasing power in colonial Sydney and more.
The black and white portrait of an elderly woman with sidelong glance and irreverent, contemplative smile has taken out the people’s choice award in this year’s National Photographic Portrait Prize.
The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
A reflection on the National Portrait Gallery's first four years.
Max Dupain's unknown portrait subjects, phrenologist Madame Sibly, Indigenous-European relationships, Thomas Gainsborough and more.
Harold 'Hal' Hattam (1913-1994), doctor, artist and art collector, came to Australia from his native Scotland at the age of seven.
1 portrait in the collection
Diana Warnes explores the lives of Hal and Katherine 'Kate' Hattam through their portraits painted by Fred Williams and Clifton Pugh.
Gai Waterhouse AO, thoroughbred racehorse trainer, is the daughter of legendary trainer Tommy Smith.
1 portrait in the collection
Haskins is known for his poetic combinations of images and this exhibition of 'extended' portraits builds on this approach.
A list of books our Friends nominated as their favourite
Margaret Fink (b. 1933), film producer, was a key figure in the renaissance of Australian cinema in the 1970s.
2 portraits in the collection
Bryan Brown AM (b. 1947), actor and producer, worked as an insurance salesman before doing theatre in Australia and London.
2 portraits in the collection
Lisa McCune (b. 1971) actor, made her stage debut at fifteen in a production of The Wizard of Oz in Perth.
1 portrait in the collection
Intimate Portraits is an exhibition of paintings, drawings and prints that explore the less public side of portraiture
Collection: National Portrait Gallery
Purchased 2012
Collection: National Portrait Gallery
Gift of the artist 2003
Donated through the Australian Government's Cultural Gifts Program
Jane Campion (b. 1954) gained degrees in anthropology and arts (painting) before attending the Australian Film Television and Radio School in the early 1980s.
1 portrait in the collection
Michele Aboud, commercial, fashion and portrait photographer, is a graduate of the Photographic College of London and UCLA.
1 portrait in the collection
Artist Kate Beynon reflects on the place of portraiture in her artistic career.
Collection: National Portrait Gallery
Purchased 2005
Ria Murch (1918-2014), writer and muse, was brought up in King’s Cross and attended the Thosophist school in Mosman before acquiring secretarial skills at Miss Hales Business College.
1 portrait in the collection
Celebrated Sydney-based photographer and performer William Yang was commissioned by the National Portrait Gallery to produce a new performance work that premiered at the opening of the Gallery's new building.
Jenny Sages (b. 1933), born to Russian Jewish parents in Shanghai, came to Australia with her family in 1948.
33 portraits in the collection
Born: 1965, Sydney
Works: Sydney
Ben Mendelsohn (b. 1969), actor, spent much of his early childhood abroad as his father, a leading medical researcher, worked in Europe and the USA.
2 portraits in the collection
Collection: National Portrait Gallery
Purchased 2013
Collection: National Portrait Gallery
Gift of Mrs Kate Hodgkinson
Donated through the Australian Government's Cultural Gifts Program
The winner of the Digital Portraiture Award 2016 has been announced. Congratulations to Amiel Courtin-Wilson for his submission titled Charles.
This exhibition offers a comprehensive display of Clifton Pugh's portraits revealing his development and growth from tonal paintings to a unique style that was in demand from politicians, artists, academics and Australian personalities.
Masters of fare: chefs, winemakers, providores celebrates men and women who have championed the unique culinary characteristics and produce of Australia, enriching our lives with new ideas and new flavours over the past forty years.
Animated is the National Portrait Gallery's first online exhibition.
This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.
Dr Christopher Chapman describes the experimental exhibition Portraits + Architecture
Over the last five years the National Portrait Gallery has developed a collection of portrait photographs that reflects both the strength and diversity of Australian achievement as well as the talents of our photographers.
The Darling Prize is a new annual prize for Australian portrait painters, painting Australian sitters. The winner receives a cash prize of $75,000.
Collection: National Portrait Gallery
Purchased 2018
Collection: National Portrait Gallery
Purchased with funds provided by Graham Smith 2009
Collection: National Portrait Gallery
Gift of the artist 1999
Donated through the Australian Government's Cultural Gifts Program
The National Portrait Gallery would like to congratulate the forty finalists for the National Photographic Portrait Prize 2019.
The Australian of the Year Awards have often provoked controversy about who is selected and whether their achievements are remarkable.
Collection: National Portrait Gallery
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018
Donated through the Australian Government's Cultural Gifts Program
Vanity Fair Portraits traces the birth and evolution of photographic portraiture through the archives of Vanity Fair magazine.
Collection: National Portrait Gallery
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Purchased with funds provided by Graham Smith 2009
In its second year at the National Portrait Gallery, and for the first time touring to other venues, the National Photographic Portrait Prize 2009 continues to present surprising perspectives on the nature of contemporary portrait photography.
Peter Wilmoth’s boy-journalist toolkit for antagonising an Australian political giant.
This exhibition features new works from ten women artists reinterpreting and reimagining elements of Australian history, enriching the contemporary narrative around Australia’s history and biography, reflecting the tradition of storytelling in our country.
Michael Desmond examines the daguerreotype portraits created by American artist Chuck Close.
‘Dear Kate Just – I’m your feminist fan’. Interview by Sophia Cai.
Drawn from some of the many donations made to the Gallery's collection, the exhibition Portraits for Posterity pays homage both to the remarkable (and varied) group of Australians who are portrayed in the portraits and the generosity of the many donors who have presented them to the Gallery.
Death masks, post-mortem drawings and other spooky and disquieting portraits... Come and see how portraits of infamous Australians were used in the 19th century.
The National Portrait Gallery today announced finalists for the inaugural Darling Portrait Prize, a national new $75,000 prize for Australian portrait painting, and released selected images from the final prize pool for the popular National Photography Portrait Prize.
Angus Trumble treats the gallery’s collection with a dab hand.
Penelope Grist finds photographer Matt Nettheim re-visiting a formative and fulfilling career tram stop.
Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2017 Prize.
Former National Portrait Gallery Curator Magda Keaney was a member of the selection panel of the Schwepes Photographic Portrait Prize 2004 at the National Portrait Gallery London.
Basil grew into a speckled beauty – a long-legged leaper and an exceptionally vocal dog, with a great register of sounds, ascending in shock value from a whimper to a growl to a bark to a yelp that’s a violation of the ears.
As the National Portrait Gallery opens its exhibition of portrait and figurative work by veteran photographer Sam Haskins, the artist reflects on the highlights of his fifty-year career so far.
Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.
Gael Newton looks at Australian photography, film and the sixties through the novel lens of Mark Strizic.
Penelope Grist speaks to Robert McFarlane about shooting for the stars.
Dr Sarah Engledow puts four gifts to the National Portrait Gallery’s Collection in context.
Alexandra Roginski gets a feel for phrenology’s fundamentals.
Vanity Fair Editor David Friend describes how the rebirth of the magazine sated our desire for access into the lives of celebrities and set the standard for the new era of portrait photography.
Judith Pugh reflects on Clifton Pugh's approach to portrait making.
Joanna Gilmour examines the prolific output of Charles Balthazar Julien Févret de Saint-Mémin, and discovers the risk of taking a portrait at face value.
