- About us
- Support the Gallery
- Venue hire
- Publications
- Research library
- Organisation chart
- Employment
- Contact us
- Make a booking
- Onsite programs
- Online programs
- School visit information
- Learning resources
- Little Darlings
- Professional learning
Collection: National Portrait Gallery
Gift of the Mordant Family 2013
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Gift of Mordant Family Collection 2016. Donated through the Australian Government's Cultural Gifts Program.
Angus Young (b. 1955), guitarist and songwriter, was a founding member of Australia's most successful ever band, AC/DC.
3 portraits in the collection
James Angus, born in Perth, Western Australia, has consistently explored the complexities inherent in traditions of Western sculpture.
1 portrait in the collection
Angus Trumble (1964-2022) was born and raised in Melbourne. He studied Fine Arts and History at the University of Melbourne, graduating in 1986.
Commissioned with funds donated by L Gordon Darling AC CMG 2009
In this ten-part series on Australian portraits, Angus Trumble and Fiona Gruber hold a wide-ranging, thought-provoking and often unexpected face-off with history and culture.
Angus Trumble ponders the many faces of William Bligh.
Angus Trumble treats the gallery’s collection with a dab hand.
Angus Trumble grabs his life jacket and rides the Pokémon GO tsunami.
In honour of the launch of the Popular Pet Show, Angus recalls a diplomatic incident with an over-excited golden retriever.
Angus Trumble explores the creative manifestations of radiance.
The Chairman, Board, Director and all the staff of the National Portrait Gallery mourn the loss of our Benefactor, Mary Isabel Murphy.
Angus's latest Trumbology is accompanied by the following caveat: 'This one is reeeeeeally geeky.'
Angus Trumble gazes at the once bright star of photographer Ruth Hollick.
Just in time for Christmas, Angus reflects on the most special present he has ever received.
Angus delves into the biographies of two ambitious characters; Sir Stamford Raffles and Sir John Pope-Hennessy.
Angus Trumble provides poignant context for Aña Wojak’s portrait of Tony Carden.
Angus Trumble salutes the glorious portraiture of Sir Thomas Lawrence.
Angus' initial perception of Uluru shifts, as he comes to see it as central to the entire order of Anangu life.
Some years ago my colleague Andrea Wolk Rager and I spent several days in the darkened basement of a Rothschild Bank, inspecting every one of the nearly 700 autochromes created immediately before World War I by the youthful Lionel de Rothschild.
The immediate chain of events that led to the outbreak of the First World War began 100 years ago on June 28.
In shock it fluctuates and with age, accelerates. Remembering the First World War and the Easter Rising.
It is now a little more than 178 years since the French Academy of Sciences was made aware of the invention of the daguerreotype process.
This is my last Trumbology before, in a little more than a week from now, I pass to my successor Karen Quinlan the precious baton of the Directorship of the National Portrait Gallery.
The first index I created was for my first book, and, to my astonishment, that was almost twenty-five years ago.
Beyond the centenary of the ANZAC landings at Gallipoli, a number of other notable anniversaries converge this year. Waterloo deserves a little focussed consideration, for in the decades following 1815 numerous Waterloo and Peninsular War veterans came to Australia.
It may seem an odd thing to do at one’s leisure on a beautiful tropical island, but I spent much of my midwinter break a few weeks ago re-reading Bleak House.
Where do we draw a line between the personal and the historical? Although she died in Melbourne in 1975, when I was not quite eleven years old, I have the vividest memories of my maternal grandmother Helen Borthwick.
European painters always enjoyed a good deal of latitude in the representation of angels, those asexual, bodiless, celestial regiments of God, so long as they were young and beautiful.
I keep going back to Cartier: The Exhibition at the National Gallery of Australia next door, and, within the exhibition, to Princess Marie Louise’s diamond, pearl and sapphire Indian tiara (1923), surely one of the most superb head ornaments ever conceived.
On this day eight hundred years ago at Runnymede near Windsor, King John signed Magna Carta.
In the earliest stages of the Great War, the Royal Pavilion in Brighton was turned into a military hospital, and arrangements made there to accommodate the different dietary and other requirements of Hindu, Sikh and Muslim patients.
Last Sunday I had the privilege of appearing at the Canberra Writers’ Festival in conversation with Julia Baird. The subject of our session was Julia’s recent biography, Victoria the Queen: An Intimate Biography of the Woman who Ruled an Empire.
"Coo-ey, Coo-ey, Coo-ey, Coo-ey—Love has caught the strain, Coo-ey, Coo-ey, Coo-ey, Coo-ey—it whispers back again." The “Australian lady” who composed these fruity lyrics was none other than Desda— Jane Davies, sometime Messiter (née Price) of Leddicott, Lavender Bay.
The long life and few words of a vice-regal cockatoo
Tennyson's Enoch Arden was inspired by a story that Thomas Woolner passed on to him – but whose story and of whom?
I agonized over the choice of four songs to take with me to the ABC Studios for Alex Sloan’s Canberra 666 afternoon program, a sort of iteration of the old BBC Desert Island Discs.
Last week ABC Television came to interview me about selfie sticks. The story was prompted by the announcement that the Metropolitan Museum of Art in New York has lately prohibited the use of these inside their galleries. So far as I am aware we have not yet encountered the phenomenon, but no doubt we will before too long.
Helena Rubinstein (1872‒1965) was the first self-made millionairess of modern times, and created the first publicly-listed global cosmetics corporation.
When did notions of very fine and very like become separate qualities of a portrait? And what happens to 'very like' in the age of photographic portraiture?
That principle of equity of access has ever since been a noble aspiration for all public art museums, as it is for us here at the National Portrait Gallery.
At a meeting by teleconference of the National Portrait Gallery Foundation last week, I found myself reporting that our forthcoming exhibition So Fine is going to be “a humdinger,” whereupon Tim Fairfax chuckled and said that he hadn’t heard that expression for years.
It is a painful truth, but one which must be faced up to, that the pavlova, that iconic Australian dessert, a staple since the 1930s, was actually invented in New Zealand.
Fortunately, perhaps, there is no instruction manual for newly appointed art museum directors.
Eminent doctors and scientists have for more than a century consistently caused our nation to punch far above her weight.
Last month we marked the twentieth anniversary of the formal establishment of the National Portrait Gallery, the tenth of the opening of our signature building, and the fifth of our having become a statutory authority under Commonwealth legislation.
The best horror stories are real. A flea sinks its proboscis into the skin of a sick black rat, feeds on its blood, and ingests lethally multiplying bacteria.
There is in the collection of the Yale Center for British Art in New Haven, Connecticut, an English painting, datable on the basis of costume to about 1745, that has for many years exercised my imagination.
The southern winter has arrived. For people in the northern hemisphere (the majority of humanity) the idea of snow and ice, freezing mist and fog in June, potentially continuing through to August and beyond, encapsulates the topsy-turvidom of our southern continent.
Portraits can render honour to remarkable men and women, but there are other ways.
This month I turn fifty, soI am just now looking rather more closely than usual at Fiona Foley, Steven Heathcote, Brenda Croft, Russell Crowe, Jeff Fenech, Akira Isogawa, Lee Kernaghan, My Le Thi, Shona Wilson and Mark Taylor AO, mindful that they too were 1964 arrivals.
Just now we pause to mark the centenary of ANZAC, the day when, together with British, other imperial and allied forces, the Australian and New Zealand Army Corps landed at Gallipoli at the start of the ill-starred Dardanelles campaign.
I first knew Dr. Hoff when in 1986, long after retiring from the National Gallery of Victoria, she taught a graduate seminar on Rembrandt.
Once central to military strategy and venerated in patriotic households, Lord Kitchener is now largely forgotten.
Several years ago I came across this curious painting on the racks in a distant, dusty corner of the store room in the basement of the Johannesburg Art Gallery in South Africa. Since then the mystery surrounding it has never been far from my mind.
I spent much of my summer holiday at D’Omah, on the outskirts of Yogyakarta. Lotus and waterlilies sprout in extraordinary profusion in artful ponds amid palms and deep scarlet ginger flowers.
Those of you who are active in social media circles may be aware that through the past week I have unleashed a blitz on Facebook and Instagram in connection with our new winter exhibition Dempsey’s People: A Folio of British Street Portraits, 1824−1844.
In 1904, the Dowager Empress Marie Feodorovna of Russia purchased as a gift for her sister, Queen Alexandra, a fan composed of two-color gold, guilloché enamel, mother-of-pearl, blond tortoiseshell, gold sequins, silk, cabochon rubies, and rose diamonds from the House of Fabergé in Saint Petersburg.
At the end of a summer break one is tempted to say that there is nothing much to report. Isn’t one restful holiday very much like another?
This week it is impossible not to contemplate the ways in which France has touched many Australian lives.
One of the chief aims of George Stubbs, 1724–1806, the late Judy Egerton’s great 1984–85 exhibition at the Tate Gallery was to provide an eloquent rebuttal to Josiah Wedgwood’s famous remark of 1780: “Noboby suspects Mr Stubs [sic] of painting anything but horses & lions, or dogs & tigers.”
A remarkable undated drawing by Edward Lear (1812–88) blends natural history and whimsy.
Nothing quite prepares the first-time visitor to Cambodia for the scale and grandeur of the monuments of the ancient Khmer civilisation of Angkor.
Books seldom make me angry but this one did. At first, I was powerfully struck by the uncanny parallels that existed between the Mellons of Pittsburgh and the Thyssens of the Ruhr through the same period, essentially the last quarter of the nineteenth century.
Gift of the artist 2017. Donated through the Australian Government's Cultural Gifts Program.
Collection: National Portrait Gallery
Purchased 2006
David Hansen’s tribute to his close friend, prince of words and former National Portrait Gallery director, the late Angus Trumble.
The National Photographic Portrait Prize exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
James Angus discusses his major sculpture commission Geo Face Distributor with Christopher Chapman.
Angus Trumble pays tribute to John Clarke.
Angus Trumble’s tribute to the late Right Honourable Malcolm Fraser.
Desperately seeking Woolner medallions
Angus Trumble reveals the complex technical mastery behind a striking recent acquisition, Henry Bone’s enamel portrait of William Manning.
Angus Trumble reflects on the force of nature that was Helena Rubinstein.
Esther Erlich’s portrait of Lady McMahon.
The life of William Bligh offers up a handful of the most remarkable episodes in the history of Britain’s eighteenth and early nineteenth-century maritime empire.
On the day before the Hon. E. G. Whitlam, AC, QC, died last month, at the great age of 98, there were seven former prime ministers of Australia still living, plus the incumbent Mr. Abbott – eight in all.
At first glance, this small watercolour group portrait of her two sons and four daughters by Maria Caroline Brownrigg (d. 1880) may seem prosaic, even hesitant
From Cicero through St. Augustine and Coluccio Salutati right up to the present day, we have regularly weighed the significance, respective merits and competing priorities of the “active” versus the “contemplative” life. Can they coexist?
Queen Elizabeth II is now the longest-reigning British sovereign
In Persuasion (1818), a long walk on a fine autumn day affords Anne Elliot an opportunity to ruminate wistfully and at great length upon declining happiness, youth and hope.
The National Portrait Gallery mourns the loss of our colleague and friend Betty Churcher, AO.
The Right Honourable Malcolm Fraser, AC, CH, who died in Melbourne on 20 March, was the last surviving prime minister of Australia to have been sworn of H.M. Privy Council (in 1976)—hence the “Right Honourable”.
Purchased 2010
Twice rebelled against, and twice vindicated, William Bligh occupies an ambivalent space in Australian history. Angus Trumble, former Director of the National Portrait Gallery, explains.
A question lately cropped up in connection with Madame Melba as to whether fame and celebrity are not essentially the same thing. My feeling is that they are different.
I have been reading systematically through the ads in the earliest issues of the Sydney Gazette and New South Wales Advertiser, such a rich vein of information about certain aspects of daily life in Regency Sydney.
The caricaturist and engraver James Gillray's biting satires about Sir Joseph Banks.
In recent years I have become fascinated by the so-called Sydney Cove Medallion (1789), a work of art that bridges the 10,000-mile gap between the newly established penal settlement at Port Jackson and the beating heart of Enlightenment England.
Bon Scott and Angus Young photographed by Rennie Ellis are part of a display celebrating summer and images of the shirtless male.
Angus and the arbiters talk (photo) shop for the National Photographic Portrait Prize.
Members of the Board, Foundation and staff of the National Portrait Gallery are deeply saddened by the sudden passing of Angus Trumble.
Today, Mr Angus Trumble, Director of the National Portrait Gallery, expanded on his reasons for removing the photographic portrait of Indonesian President Joko Widodo from exhibition.
National Portrait Gallery Director Angus Trumble invites media to the announcement of the winner and exhibition preview for the 2015 National Photographic Portrait Prize.
Angus' blog posts from 2015–2018
Angus stars in the Gallery's 2016 entry to the international Museum Dance Off.
This issue features Australian cricketers, surfing legend Isabel Letham, Christos Tsiolkas, Bob Brown's portrait by Harold 'The Kangaroo' Thornton, James Angus, virtual portraits and more.
Living for the moment
Each year staff from cultural institutions strut their stuff on the international stage for a chance to win fame, glory and a trophy. But this year our Director, Angus Trumble had other things on his mind...
Save the date: National Portrait Gallery Director Angus Trumble invites media to the announcement of the winner and exhibition preview for the 2017 National Photographic Portrait Prize on 31 March.
National Portrait Gallery Director Angus Trumble is ending his five-year tenure with a flourish, after announcing that Gallery publication Dempsey’s People: A Folio of British Street Portraits 1824-1844 has been awarded the 2018 William MB Berger Prize for British Art History.
Gift of the artist 2006
The Portrait Gallery is calling for contributions to support in the acquisition of superb portraits for the national collection.
We have a new partnership with Canberra-based leading mobile application development consultancy, Stripy Sock.
The National Portrait Gallery welcomes Angus Trumble
A new portrait commission of Australian Rugby great, Ken Catchpole OAM by Gary Grealy will be officially unveiled on 3 December.
Reginald Henry Jerrold-Nathan (1889-1979) arrived in Australia from London in 1924, having studied under John Singer Sargent and William Orpen at the Royal Academy, where he was awarded a medal for portrait painting.
2 portraits in the collection
Two of the music industry’s highest-selling performers originated in suburban Australia. The Bee Gees started out in Brisbane, for instance, and AC/DC played their first gigs at a nightclub in inner Sydney.
Celebrate the people, places and sounds of Australian pub rock and its enduring impact on our nation’s identity.
A new commissioned portrait funded by the Gallery’s Foundation will be launched at Murdoch University in Perth tonight, Wednesday 2 September.
Explore convict art, photography by Ruth Hollick and Collier Schorr, an interview with neurosurgeon Charlie Teo, portraiture on money, and more!
Francis Edward de Groot (1888-1969) was born in Dublin and came to Australia in 1910.
1 portrait in the collection
With contributions from Julia Gillard, Fiona Gruber, and Dr Karl James, the National Portrait Gallery’s 50th edition of Portrait has something for everyone.
Last night in Sydney, the National Portrait Gallery unveiled a newly commissioned portrait of Australian sporting legend Mark Ella AM.
Ralph Heimans on his portraits, and features on Louis Kahan, Helena Rubinstein, Judy Cassab and Tasmanian convicts.
Press releases and image downloads for media.
Digital media artist, George Khut, is creating a spectacular form of digital portraiture involving public participants.
Tom Thompson (b. 1953) is a publisher and writer. During the 1980s he worked as a journalist at the Sydney Morning Herald and as publishing coordinator of the Encyclopedia of the Australian People (for the Australian Bicentennial Authority) before moving to Collins, for which he developed the Imprint label in 1988.
2 portraits in the collection
Directors of the National Portrait Gallery from 1998 to today.
Collection: National Portrait Gallery
Gift of Rex Dupain 2003
Donated through the Australian Government's Cultural Gifts Program
A magnanimous portrait of Helena Rubinstein has been acquired for the National Portrait Gallery’s collection.
Ronald 'Bon' Scott (1946-1980) had come to Australia with his family in 1952, aged six, had lived in Melbourne and Fremantle, where he joined a pipe band; had dropped out of school at fifteen; and had spent some time in custody.
1 portrait in the collection
Commissioned with funds provided by Tim Fairfax AC 2010
The National Portrait Gallery will, next Tuesday, unveil an exciting new acquisition of irrefutable importance to all Australians. Portrait of William Bligh, in master’s uniform c. 1776, attributed to John Webber, is one of the earliest portraits of the contentious, historical figure, and extends the Gallery’s remarkable collection of early colonial portraits.
Canberran and modernist art collector Alan Boxer has generously bequeathed two works by artists Arthur Boyd and Jenny Sages to the National Portrait Gallery.
The National Portrait Gallery unveiled its most recent portrait commission for the collection on Thursday 30 November 2017.
Sydney-born Richard Walsh (b. 1941) is an Australian publisher, journalist, broadcaster, editor, lecturer and company director.
1 portrait in the collection
Purchased with funds provided by Tim Bednall 2021
The National Portrait Gallery, has welcomed the newest portrait commission of Emeritus Professor Derek Denton AC by Evert Ploeg.
The National Portrait Gallery is delighted to announce the Gallery’s Touring Exhibitions Program has welcomed its one millionth visitor.
Mrs Lucy Hughes Turnbull AO has accepted an invitation to become the new Chief Patron of the National Portrait Gallery.
Rebecca Ray on Robert Fielding’s Mayatjara series, Jennifer Higgie on Alice Neel, Elspeth Pitt chats with Yvette Coppersmith, Vincent Fantauzzo on virtual sittings with Hugh Jackman and more.
Outsiders tend to give Canberra a bad rap: sterile, plagued by politicians, a comatose capital for professionals and academics. Nick Cave once said he didn’t like the city because there were too many punks.
It is with deep regret, but great pride, that the National Portrait Gallery acknowledges the decision of its Deputy Chairman to resign from the Gallery’s Board, to focus on a new international role as co-Chair of the Tate Asia Pacific Acquisitions Committee.
Press releases for media
The National Portrait Gallery’s National Photographic Portrait Prize 2015 will close Monday 8 June 2015, this is the last week to visit the exhibition in Canberra and vote for your favourite portrait in the People’s Choice.
Press releases and image downloads for media.
The National Portrait Gallery have selected the finalists for the Macquarie Digital Portraiture Award 2015.
Olegas Truchanas (1923-1972) was born in 1923 in Siauliai, Lithuania.
1 portrait in the collection
The National Portrait Gallery will undergo renovation works in 2019 to maintain the integrity of its building and the Gallery’s collection of prized artworks.
Artistic Director of The Australian Ballet, David McAllister AM will join the Portrait Gallery’s national collection in a newly-commissioned portrait taken by illustrious Australian photographer, Peter Brew-Bevan.
The National Portrait Gallery mourns the loss of one our most generous benefactors, Robert Oatley AO.
The National Portrait Gallery is thrilled to announce that the People’s Choice award for this year’s National Photographic Portrait Prize goes to Natalie Grono from Byron Bay for her photograph Feather and the Goddess Pool 2014.
Visitors will be left in awe with the National Portrait Gallery and National Film and Sound Archive of Australia’s (NFSA) new star-studded exhibition, Starstruck: Australian Movie Portraits.
Ensconced and meditative in crisp Tasmania, Joanna Gilmour pays tribute to passionate green advocate and photographer Olegas Truchanas.
To celebrate the National Portrait Gallery’s twentieth anniversary as an institution, twenty portraits of outstanding Australian individuals have been commissioned for the permanent collection. This is the largest undertaking for the Gallery’s commissioning program in its twenty-year existence.
The National Portrait Gallery has unveiled twenty new portrait commissions of Australian leaders and individualists as part of its twentieth birthday celebrations in a new exhibition, 20/20: Celebrating twenty years with twenty new portrait commissions.
During his long and distinguished career Max Dupain took thousands of photographs of people
Entries are now open for the National Photographic Portrait Prize 2019, with the winner set to receive $52,000 in cash and prizes, including superb contributions from new sponsor, Canon Australia.
The National Portrait Gallery has unveiled a newly commissioned portrait of Australian domestic violence campaigner and 2015 Australian of the Year Rosie Batty.
The Board of the National Portrait Gallery of Australia is delighted to announce the appointment of Ms Karen Quinlan as its incoming Director.
The Chairman, Board, Director and all the Staff of the National Portrait Gallery mourn the loss of our Founding Patron, who died peacefully in Melbourne this morning. He was 94.
Deborah Hill talks figures with character, as the National Portrait Gallery touring exhibitions program welcomes its millionth visitor.
A design diary retrospective.
National Photographic Portrait Prize judge Christopher Chapman connects this year’s entries to iconic contemporary american photographers.
The Glossy 2 exhibition highlights the integral role magazine photography plays in illustrating and shaping our contemporary culture.
Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2015 Prize.
The Chairman, Board, Director and staff mourn the loss of the National Portrait Gallery's inaugural director.
A portrait of Australian rugby great, Dr Mark Loane AM MBBS FRANZO FRACS, is the latest addition to the National Portrait Gallery’s permanent collection. The work is the final in a series of three commissioned portraits of Australian rugby luminaries funded by Gallery benefactor, Mr Patrick Corrigan AM.
Andrew Sayers outlines the highlights of the National Portrait Gallery's display of portrait sculpture.
Chairman Sid Myer AM, Hayley Baillie, Tim Bednall, Jillian Broadbent AC, Patrick Corrigan AM, Marilyn Darling AC, Tim Fairfax AC, Sam Meers AO, John Liangis, Dr Helen Nugent AC and Nigel Satterley AM.
Penny Grist on motivation, method and melancholy in the portraiture of Darren McDonald.
April Thompson explores an exhibition of Ingvar Kenne’s global portrait project.
The Portrait Gallery's paintings of two poets, Les Murray and Peter Porter, demonstrate two very different artists' responses to the challenge of representing more than usually sensitive and imaginative men.
Join The Saturday Paper’s chief political correspondent, Karen Middleton, for A Month of Saturdays – afternoon conversations bringing current affairs experts to the Gallery for engaging, real-time discussions about the topics that matter.
Inga Walton sheds light on a portraiture collection usually only seen by students and teachers at Melbourne University.
The exhibition Australians in Hollywood celebrated the achievements of Australians in the highly competitive American film industry.
Fiona Gruber investigates the work of Australian painter Kristin Headlam.
Curator, Penny Grist, reveals how this exhibition came to be
Dr Helen Nugent AO, Chairman, National Portrait Gallery at the opening of 20/20: Celebrating twenty years with twenty new portrait commissions.
Joanna Gilmour reflects on merging collections and challenging traditional assumptions around portraiture in WHO ARE YOU.
Sarah Engledow writes about Gordon and Marilyn Darling and their support for the National Portrait Gallery throughout its evolution.