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National Photographic Portrait Prize 2020

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.

Observation point

Zhong Chen's paintings of boys on Chinese zodiac animals and kung fu images reflect his identity as a Chinese-Australian artist.

2022 Annual Appeal

In 2022 the Annual Appeal was focussed on Mayatjara by Robert Fielding, a series of 24 photographs of Elders of the Anangu Pitjantjatjara Yankunytjatjara community.

Glossy too

The Glossy 2 exhibition highlights the integral role magazine photography plays in illustrating and shaping our contemporary culture.

Uncommon Australians

This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.

Lovers of light

Dr Sarah Engledow traces the significant links between Antonio Dattilo-Rubbo and Evelyn Chapman through their portraits.

The intellectual larrikin

Barrie Cassidy pays textured tribute to the inimitable Bob Hawke.

Annual Appeal

The art of Inner Worlds

Dr Christopher Chapman NPG Curator of Inner Worlds explains the development of an exhibition that spans from Surrealism to contemporary art.

Someone to watch over you

Carrie Kibbler looks at how portraiture fits into the Australian Artbank Collection.

Look who's coming to dinner

Michael Wardell’s personal insight into Jacques van der Merwe’s New Arrivals.

Top shot that

Gideon Haigh discusses portraits of Australian cricketers from the early 20th century

Inner Worlds and psychoanalysis

Inner Worlds evokes a broad view of psychology as a discipline. However, the specific interests of the practitioners whose portraits are included in the exhibition incorporate specialist areas including psychoanalysis.

Portrait Donors

Drawing inspiration

Christopher Chapman absorbs the gentle touch of Don Bachardy’s portraiture.

Anna Culliton

Anna Culliton never had a colouring-in book when she was little. Her parents –Tony, a filmmaker, and Stephanie, a painter – wouldn’t let her have one. Instead, they insisted on her drawing her own pictures to colour-in.