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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Terrace Room 2

Terrace Room Two

Spaces

The eastern side of the Terrace Room is perfect for a breakfast or lunch, workshop or planning day.

Terrace Room One

Spaces

The western side of the Terrace Room is perfect for a breakfast or lunch, a workshop or planning day.

Terrace Room

Spaces

The Terrace Room opens onto a north facing, outdoor heated terrace with lovely views.

Phrenology video: 3 minutes 25 seconds

The Dissecting Room

General content

Though initially developed by physicians, phrenology was taken up by certain non-medical practitioners who applied the theory to social questions such as education and criminal reform. 

Lucy Escott

An international troupe of two

It's Complicated

Office romance

Blue Wolf, 2014

by Imogen Henry
General content

Finalist, MDPA 2014

Conference or seminar

Options

We can tailor our spaces to suit your conference, seminar or forum.

Our only concern is the void, 2013 by Nik Lee, video: 12 minutes

Our only concern is the void, 2013

by Nik Lee
General content

Winner, MDPA 2013

Renata Pari-Lewis and Jess Hill

Renata Pari-Lewis and Jess Hill

Vox pops

It's really strange to see myself portrayed like that, because when you have those private moments it's only you having that private moment to yourself.

Lunch or dinner

Options

Along with a meal in an elegant space, your guests may also enjoy portraits of notable Australians.

Luther Cora

Luther Cora

Vox pops

Yeah, so it's my daughter. So, I shot this last year, I think on the Gold Coast, we had a little lockdown period, couple of lockdown period.

Jay Hynes

Jay Hynes

Vox pops

Dave has a brother Gavin and they live in the 'burbs and they went to school with a friend of mine.

Kate

Favourite portraits

General content

National Portrait Gallery staff introduce their favourite portraits from the exhibition.

The Lawson

The Lawson

Moustaches

It’s curious that one of the writers most associated with the toughness of Australian bush life was himself not an exponent of the matted, rugged bushman sort of beard.

Breakfast

Options

Begin your day in an elegant, convivial, award-winning building.

The Living Room, 2012 by Janet Tavener

Janet Tavener

Finalist interviews

Mikala is the eldest of my three daughters. I have photographed her on many an occasion. Needless to say we are both extremely at home with the practice.

The Hubert

The Hubert

Beards

A facial hair style suggesting something of the boys’-own type of chap who seems to have had much currency in the early years of the twentieth century.

The Parkes

The Parkes

Beards

It wasn’t uncommon for the pro-beard fraternity of the mid nineteenth century to cite beards as a sign of wisdom on the grounds that Socrates and other ancient philosophers had worn them.

Elliot Brown

Elliot Brown

Vox pops

This portrait is called Jaye and it's a photo of my friend. She's a member of the Multicultural Society in Geraldton.

Untitled #1, 2012 by Ahmad Sabra

Ahmad Sabra

Finalist interviews

We were in Gaza shooting a documentary and we had heard about the orphanages and wanted to visit and document some of the children who had lost parents during the wars in Gaza.

John Newcombe and family

Dream date delivers destiny

Passion

The perfect match

Cocktail reception

Options

We can provide a stunning, sophisticated space for your cocktail reception.

Arthur Streeton

The 1890s to the 1940s

Mo and beard timeline

Although the tough, weathered, hard-drinking bushmen of the kind mythologised by writers like Banjo Paterson and Henry Lawson are popularly associated with the character of late nineteenth century Australia, it was also a time when alternative ideas about identity began to come into play.

Marianne Egan and her children Gertrude Evans Cahuac and Henry William Cahuac

Maritime disaster leaves poignant picture

Devotion

Absence rends the heart asunder

George and Jemima Billet with family

In the most correct style

Nearest & Dearest

Desirable outcomes, undesirable origins

Thomas Archbold, Durham, 1826 by John Dempsey

Street fare

General content

The late Georgian and early Victorian working classes often bought their food in ale-houses, chop-houses and ‘penny pie shops’, or purchased their meals day after day in the streets.

Portrait of Ingvar Kenne, 2012 by Simon Harsent

Simon Harsent

Finalist interviews

I like to think I'm an artist who uses photography as my medium, but I work commercially as a photographer and it's my full time occupation so I guess that defines me as a photographer or maybe a commercial artist?

Wedding

Options

Allow us to paint the possibilities of your wedding reception.

Self portrait

Meet the Artist

General content

In its uniting of artist and sitter, the self-portrait is an intriguing facet of portraiture. The self-reflection is a format that appears to grant the viewer the assurance of revelation and intimate access to the artist’s psyche.

Ned Kelly death mask

The Waxworks

General content

Waxworks were among the various types of entertainment venue to emerge in Australian cities in the mid-nineteenth century. 

Gordon Darling Hall

Relaxed mornings

Visual Stories

Access support for a visiting the Gallery before the general 10:00am opening time.

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Supporters

$5,000 - $9,999
Honour board

New partnership with Stripy Sock

5 July 2016
Archived media releases 2016

We have a new partnership with Canberra-based leading mobile application development consultancy, Stripy Sock.

Macquarie Digital Portraiture Award 2014

22 August 2014
Archived media releases 2014

Press releases for media.

Students in the Gallery

Visiting with a school group

Visual Stories

Access support for students.

Four paintings on the wall of Gallery 1

Visiting the National Portrait Gallery

Visual Stories

Access support for a general visit to the Gallery.

Granny's 90th, 2012 by Katherine Bennett

Katherine Bennett

Finalist interviews

The lady in the centre of this photograph is my partner's Granny. So we are almost directly related, and here, as with all photographic work. I am in a state of exchange though I think only directly, with one of the women!

Turia Pitt

2021 Annual Appeal

Annual Appeal

In 2021 the Annual Appeal was focussed on Peter Brew-Bevan's portraits of athletes Turia Pitt, Leisel Jones OAM and Ellie Cole OAM.

A floorplan of the Gallery showing the location of the entrance, cafe, shop and toilets

Access

Plan your visit

The National Portrait Gallery welcomes everyone. We have a variety of inclusive programs.

Charlie, 2017 by Lee Grant

National Photographic Portrait Prize 2018

8 March 2018
Archived media releases 2018

Images for media use will be available from 8 March 2018.

Equation of a life - a portrait of Professor Derek Denton

Equation of a life – a portrait of Derek Denton

9 September 2016
Archived media releases 2016

The National Portrait Gallery, has welcomed the newest portrait commission of Emeritus Professor Derek Denton AC by Evert Ploeg.

The Writer, Peter Goldsworthy

The Writer: Peter Goldsworthy, 2018

by Deidre But-Husaim
General content

Commissioned with funds provided by Jillian Broadbent AO and Dr Helen Nugent AO 2018.

Portrait of Margaret Olley in her Paddington studio, 2011 by John McRae

John McRae

NPPP 2012 learning resource

An interview with the photographer.

Risk Assessment for groups of students

For your peace of mind
School visit information

Find out about our environment, security checks, potential hazards and more.

Fred Hilmer

Fred Hilmer, 2018

by Evert Ploeg
General content

Commissioned with funds provided by Dr Helen Nugent AO 2018

Noel McKenna, 2016 by Mark Mohell

Noel McKenna

Explore The Popular Pet Show

It’s a matter beyond dispute that in the entire history of Australian art, it’s Noel McKenna who’s painted the liveliest rendition of the head of a Chihuahua.

Shakespeare to Winehouse: Icons from the National Portrait Gallery, London

Announcing Shakespeare to Winehouse

24 November 2021
Archived media releases 2021

More than eighty treasures from the National Portrait Gallery London will travel to Canberra for a once-in-a-lifetime exhibition at the National Portrait Gallery from March 2022.

Mark Loane

Rugby great a fine addition to Portrait Gallery Collection

21 March 2017
Archived media releases 2017

A portrait of Australian rugby great, Dr Mark Loane AM MBBS FRANZO FRACS, is the latest addition to the National Portrait Gallery’s permanent collection. The work is the final in a series of three commissioned portraits of Australian rugby luminaries funded by Gallery benefactor, Mr Patrick Corrigan AM.

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Annual Appeal

Listed by year
Honour board
Untitled, 2010 by Jose Legaspi

Jose Legaspi

by Patrick D. Flores
Artist essays

Jose Legaspi was born in 1959 in Manila. He achieved degrees in zoology and biology before turning to fine arts in the mid-1980s.

Leo Schofield

Exhibition opening speech

General content

Leo Schofield introduces the exhibition, Masters of fare: chefs, winemakers, providores.

Nick Mourtzakis

A non-material and non-physical portrait

Lecture, 21 May 2011
General content

Inner Worlds features the recently commissioned portrait of world-renowned philosopher of consciousness David Chalmers by Melbourne-based artist Nick Mourtzakis.

Abduction/The Forest, 2009  © Pushpamala N.

Pushpamala N

by Ajay Sinha
Artist essays

Pushpamala N. was born in 1956 in Bangalore. Her early training was in sculpture, but as her practice progressed she brought an early enthusiasm for narrative figuration into her photographic work.

Trevor Jamieson, 2016 by Brett Canet-Gibson

The more things change...

NPPP 2017 exhibition essay
General content

Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2017 Prize.

Lucy Culliton, 2016 by Mark Mohell

Lucy Culliton

Explore The Popular Pet Show

Most well-regarded pictures of chickens show them dead. A reliable way to tell if a chicken in a painting is dead is to check if it’s hanging upside down, because unlike, say, cockatoos, chickens don’t practise inversion for enjoyment in life.

Life Dancers, 2015 by Elizabeth Looker

NPPP 2016 exhibition essay

General content

Penny Grist, National Photographic Portrait Prize judge and curator, introduces the 2016 Prize.

Self portrait

Rick Amor: 21 Portraits

General content

Sarah Engledow chronicles Rick Amor's work and accomplishments in this extensive essay in conjunction with the exhibition Rick Amor: 21 Portraits.

Some women you may not know, 2022-2023 Alison Alder

Some women you may not know

Alison Alder

‘Everybody’s lives are built by so many influences, and for me, it is writers, artists and activists who have influenced how I think about the world.’

Graeme Drendel, 2016 by Mark Mohell

Graeme Drendel

Explore The Popular Pet Show

I like talking about Drendel’s pictures as if they expressed dreams of my own.

George Reid paperweight

Some prime ministers

General content

Sarah Engledow explores the history of the prime ministers and artists featured in the exhibition.

Robyn Sweaney, 2016 by Mark Mohell

Robyn Sweaney

Explore The Popular Pet Show

Robyn's parents had two terriers, Wuff and Snuff. In spite of Snuff’s ominous name and a couple of close shaves – once, he jumped out of a moving car, and another time, on a long road trip, he was accidentally left behind at a petrol station – he outlived Wuff.

Dr Christopher Chapman

The art of Inner Worlds

Lecture, 7 May 2011
General content

Dr Christopher Chapman NPG Curator of Inner Worlds explains the development of an exhibition that spans from Surrealism to contemporary art.

Dr Anne Sanders

Less than six degrees of separation

Lecture, 28 May 2011
General content

Dr Anne Sanders NPG Curatorial Researcher investigated the lives of the pioneering psychologists whose portraits are featured in Inner Worlds.

David Marr, 2011 by Nicholas Harding

Nicholas Harding: 28 Portraits

Exhibition essay
General content

Sarah Engledow looks at three decades of Nicholas Harding's portraiture.

Anna Culliton, 2016 by Mark Mohell

Anna Culliton

Explore The Popular Pet Show

Anna Culliton never had a colouring-in book when she was little. Her parents –Tony, a filmmaker, and Stephanie, a painter – wouldn’t let her have one. Instead, they insisted on her drawing her own pictures to colour-in. 

National Portrait Gallery

History

About us

How the National Portrait Gallery and its unique collection came to be

Dr Reg Hook

Inner Worlds and psychoanalysis

Lecture, 4 June 2011
General content

Inner Worlds evokes a broad view of psychology as a discipline. However, the specific interests of the practitioners whose portraits are included in the exhibition incorporate specialist areas including psychoanalysis.

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Portrait Donors

Listed by year
Honour board
The Art Lovers - Megan, 2013 by Gary Grealy

Everybody, look serious

NPPP 2014 exhibition essay
General content

Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2014 Prize.

Lesley Harding

Faces of war

Lecture, 14 May 2011
General content

Lesley Harding, Curator, Heide Museum of Modern Art, Melbourne explores Albert Tucker’s experience of World War II, his interests in the intersection between psychology and creativity, and their influence on his portrait making.

© National Portrait Gallery 2024
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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency