A meeting of minds
Art, war, scandal
The long game
Infatuation and (ill-fated) exploration
Joan Sutherland, Robert Helpmann and Raigh Roe
Photographs from internationally acclaimed artists Robert Mapplethorpe, Larry Clark, Nan Goldin, Collier Schorr and Chris Burden along with contemporary Australian artists, Rozalind Drummond and Warwick Baker will call the National Portrait Gallery home during our extraordinary winter exhibition Tough and Tender.
Defiant commitment
Creative kin
The National Portrait Gallery acknowledges and thanks all its supporters.
This 1910 portrait of Elizabeth Sarah (Lillie) Roberts by Tom Roberts was brought into the Gallery's collection with the assistance of the Acquisition Fund in 2013.
The Circle of Friends Acquisition Fund for 2012 was dedicated to purchasing a portrait of David Malouf by Rick Amor.
Finalists have been eagerly awaiting the announcement of the Winner and Highly Commended for the National Photographic Portrait Prize since December. It is our pleasure to announce the Winner for 2018 is Lee Grant for her portrait titled Charlie and Highly Commended has been awarded to Filomena Rizzo for her portrait titled My Olivia.
Segregated from their fellow humans in cellophane prisons, reference points are removed, so it is not certain whether these naked figures could be unwrapped, are about to be subsumed, or will forever be suspended in a plastic stasis.
Kristin Headlam's portrait of Chris Wallace-Crabbe was acquired with the support of the Circle of Friends in 2014.
In 1976, without having been blooded on the Sydney or Melbourne pub circuit, The Saints recorded a single – ‘(I’m) Stranded’ – earning them the distinction of releasing a punk single before The Sex Pistols did.
An interview with the photographer.
Rock’s raw potency made it the ideal medium for fomenting protest. The 1970s, 80s and onwards saw calls for social and environmental justice ring out through song.
An interview with the photographer.
From 2015 to 2017 the Acquisition Fund was focussed on Reg Richardson AM by Mitch Cairns, a finalist in the Archibald Prize 2014, and a great example of minimalist portraiture.
Commissioned in 2018 with funds raised through the 2020 project
The National Portrait Gallery will, next Tuesday, unveil an exciting new acquisition of irrefutable importance to all Australians. Portrait of William Bligh, in master’s uniform c. 1776, attributed to John Webber, is one of the earliest portraits of the contentious, historical figure, and extends the Gallery’s remarkable collection of early colonial portraits.
Images for media use will be available from 8 March 2018.
The Chairman, Board, Director and all the Staff of the National Portrait Gallery mourn the loss of our Founding Patron, who died peacefully in Melbourne this morning. He was 94.
The restrained and cultivated facial hair fashions evident through the first decades of the 1800s were on the wane by the middle of the century, when hirsute faces became mainstream.
Certain European leaders (needless to name) had the effect of making certain styles of facial hair decidedly undesirable in the years immediately after World War 2.
An interview with the photographer.
How the National Portrait Gallery and its unique collection came to be
Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2009 Prize.
An interview with the photographer.
Michael Desmond, National Photographic Portrait Prize judge and curator, introduces the 2007 Prize.
Sarah Engledow writes about Gordon and Marilyn Darling and their support for the National Portrait Gallery throughout its evolution.
Sarah Engledow explores the history of the prime ministers and artists featured in the exhibition.
Dr Anne Sanders NPG Curatorial Researcher investigated the lives of the pioneering psychologists whose portraits are featured in Inner Worlds.
Sarah Engledow looks at three decades of Nicholas Harding's portraiture.
Curator, Penny Grist, reveals how this exhibition came to be
Penny Grist, National Photographic Portrait Prize judge and curator, introduces the 2016 Prize.
Sarah Engledow chronicles Rick Amor's work and accomplishments in this extensive essay in conjunction with the exhibition Rick Amor: 21 Portraits.
