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Commissioned with funds provided by Jillian Broadbent AO and Dr Helen Nugent AO 2018.
Commissioned with funds provided by Maliganis Edwards Johnson and Alan Dodge AM 2018
Love versus the law
With author and media identity Peter FitzSimons.
The works I chose are Quong Tart by Pamela See, and Monga Khan by Peter Drew.
The photograph was a brief, candid moment, which unfolded into a portrait. Peter and I were in Silverton, NSW, chatting as our students explored the town. The weak afternoon light suddenly became dramatic and defined, so I asked Peter if I could take his portrait.
The eight photographers represent diverse styles, specialities and career paths. Abigail Varney, Peter Brew-Bevan, Martin Philbey, John Tsiavis, Michelle Day, Julian Kingma, and Giovanni Lovisetto.
This 1910 portrait of Elizabeth Sarah (Lillie) Roberts by Tom Roberts was brought into the Gallery's collection with the assistance of the Acquisition Fund in 2013.
Artistic Director of The Australian Ballet, David McAllister AM will join the Portrait Gallery’s national collection in a newly-commissioned portrait taken by illustrious Australian photographer, Peter Brew-Bevan.
In Western religious art a Pietà, also called a ‘lamentation’, is an image of the Virgin Mary cradling the dead body of Christ.
The Circle of Friends Acquisition Fund for 2012 was dedicated to purchasing a portrait of David Malouf by Rick Amor.
From 2015 to 2017 the Acquisition Fund was focussed on Reg Richardson AM by Mitch Cairns, a finalist in the Archibald Prize 2014, and a great example of minimalist portraiture.
Kristin Headlam's portrait of Chris Wallace-Crabbe was acquired with the support of the Circle of Friends in 2014.
Commissioned with funds provided by Peter Weiss AO 2018
In 2021 the Annual Appeal was focussed on Peter Brew-Bevan's portraits of athletes Turia Pitt, Leisel Jones OAM and Ellie Cole OAM.
The photographers reveal the technical side of their work and reflect on changes in their profession. Now everyone has a camera in their pocket, is everyone a photographer? What is it like to sustain a career as a photographer in the entertainment industry? How do you work with celebrity subjects, negotiate the complex logistics of big shoots, and create captivating portraits under pressure?
When the stars align
The National Portrait Gallery has unveiled twenty new portrait commissions of Australian leaders and individualists as part of its twentieth birthday celebrations in a new exhibition, 20/20: Celebrating twenty years with twenty new portrait commissions.
Paul Kelly & The Portraits presents a multifaceted image of the performer over the course of his career.
In 2020 the Annual Appeal was focussed on Sally Robinson's remarkable portrait of author Tim Winton.
I think the most important thing in capturing candid shots is to never take the photo when people are expecting you to press the shutter. The more poignant moments are not the stock standard images of people looking at the camera smiling but after or before when they are really interacting with each other.
The National Portrait Gallery acknowledges and thanks all its supporters.
Macfarlane Burnet and Patrick White
Outsiders tend to give Canberra a bad rap: sterile, plagued by politicians, a comatose capital for professionals and academics. Nick Cave once said he didn’t like the city because there were too many punks.
More than eighty treasures from the National Portrait Gallery London will travel to Canberra for a once-in-a-lifetime exhibition at the National Portrait Gallery from March 2022.
Rock’s raw potency made it the ideal medium for fomenting protest. The 1970s, 80s and onwards saw calls for social and environmental justice ring out through song.
To celebrate the National Portrait Gallery’s twentieth anniversary as an institution, twenty portraits of outstanding Australian individuals have been commissioned for the permanent collection. This is the largest undertaking for the Gallery’s commissioning program in its twenty-year existence.
It was definitely a candid encounter as was the expression on the face. It was constructed insofar as the image was deliberately taken from a distance so as to minimize intrusion and to magnify the effect of the image.
Commissioned with funds provided by the Sid and Fiona Myer Family Foundation 2018
The National Portrait Gallery, has welcomed the newest portrait commission of Emeritus Professor Derek Denton AC by Evert Ploeg.
An interview with the photographer.
We were in Gaza shooting a documentary and we had heard about the orphanages and wanted to visit and document some of the children who had lost parents during the wars in Gaza.
In 2023 the Annual Appeal was focussed on a work by one of Australia's best loved and most successful portrait painters, Judy Cassab AO CBE, depicting model, entrepreneur and deportment icon, June Dally-Watkins OAM.
We encourage you to look, to feel, to think, to question and most importantly, to identify and connect.
The following on-line and physical exhibitions are planned to open at the National Portrait Gallery in coming months. For those who can’t travel at present, selected works from all exhibitions will be included online
Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2017 Prize.
Robyn's parents had two terriers, Wuff and Snuff. In spite of Snuff’s ominous name and a couple of close shaves – once, he jumped out of a moving car, and another time, on a long road trip, he was accidentally left behind at a petrol station – he outlived Wuff.
Sarah Engledow chronicles Rick Amor's work and accomplishments in this extensive essay in conjunction with the exhibition Rick Amor: 21 Portraits.
Sarah Engledow writes about Gordon and Marilyn Darling and their support for the National Portrait Gallery throughout its evolution.
Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2014 Prize.
Sarah Engledow looks at three decades of Nicholas Harding's portraiture.
Anna Culliton never had a colouring-in book when she was little. Her parents –Tony, a filmmaker, and Stephanie, a painter – wouldn’t let her have one. Instead, they insisted on her drawing her own pictures to colour-in.
Sarah Engledow explores the history of the prime ministers and artists featured in the exhibition.
Dr Christopher Chapman NPG Curator of Inner Worlds explains the development of an exhibition that spans from Surrealism to contemporary art.