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Michael Desmond discusses the iconic picture of two Rugby League players which became known as 'The Gladiators'.
British novelist and poet, Michael Rosen, weaves a tale about his early encounters with creativity and the self-portrait of a childhood friend.
Michael Zavros on when a portrait is not really a portrait.
Michael Desmond explores the portraiture of Francis Bacon and Lucian Freud.
Michael Wardell samples the fare in the University of Queensland National Self-portrait Prize.
Michael Desmond profiles a handful of the entrants in first National Photographic Portrait Prize and notes emerging themes and categories.
Michael Desmond charts the path of portraiture, arriving at Julian Opie’s digital realm.
Curator Michael Desmond introduces the exhibition Truth and Likeness, an investigation of the importance of likeness to portraiture.
Michael Desmond reveals the origins of composite portraits and their evolution in the pursuit of the ideal.
Michael Wardell’s personal insight into Jacques van der Merwe’s New Arrivals.
Michael Desmond looks at the history of the Vanity Fair magazine in conjunction with the exhibition Vanity Fair Portraits: Photographs 1913-2008
Michael Desmond in conversation with University of Houston professor of philosophy Cynthia Freeland.
Michael Desmond introduces some of the ideas behind the exhibition Present Tense: An imagined grammar of portraiture in the digital age.
Michael Wardell on Chrys Zantis’ Ora.
The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.
Michael Riley’s early portraits by Amanda Rowell.
Cartoonist Michael Leunig's insights into the human condition and current affairs have become famous Australia-wide.
Michael Desmond examines the daguerreotype portraits created by American artist Chuck Close.
Michael Desmond investigates the street art of Shepard Fairey, who was catapulted to fame during the 2008 presidential election with his resonant image of Barack Obama.
Exploring the photographs of Martin Schoeller, Michael Desmond delves into the uneasy pact that exists between celebrity and the camera.
English artist Benjamin Duterrau took up the cause of the Indigenous peoples of Tasmania with his detailed and sympathetic renderings.
The first collaborative commission has arrived. It's a self portrait, it's ceramic and it's from Hermannsburg.
Bruce Petty's animated self portrait captures a life's journey compressed into a few minutes.
An extensive selection of portraits by John Brack were on display at the National Portrait Gallery in late 2007.
As a convict Thomas Bock was required to sketch executed murders for science; as a free man, fashionable society portraits.
George Foxhill's self portraits were the subject of a small focus display at the National Portrait Gallery in 2006.
Michael Desmond profiles the Australian songwriter and performer Neil Murray and his contribution to Australian music.
Michael Desmond explores the complex portrait of Dr Bob Brown by Harold 'The Kangaroo' Thornton.
Michael Desmond examines the career of the eighteenth-century suspected poisoner and portrait artist Thomas Griffiths Wainewright.
Michael Desmond discusses Irving Penn's photographic portrait of Nicole Kidman.
Michael Desmond explores the life of ballerina Irina Baranova through the portrait by Australian artist Jenny Sages.
Michael Desmond discusses the portrait of Senator Neville Bonner by Robert Campbell Jnr.
Blue Mountain, Owner, Trainer, Jockey, James Scobie 1887 by Frederick Woodhouse Snr. is a portrait of James Scobie, well known jockey and eminent horse trainer.
Bringing eminent scientist Frank Fenner and artist Jude Rae together for the National Portrait Gallery commission was like matchmaking.
In 2006 the National Portrait Gallery acquired a splendid portrait of Victoria's first governor, Lieutenant Governor Charles Joseph La Trobe by Thomas Woolner.
Michael Desmond interviews Ralph Heimans about his portrait of Crown Princess Mary of Denmark.
Michael Desmond explores what makes a portrait subject significant.
Leslie Moran investigates the portraits of judges in the National Portrait Gallery's collection.
Michael Desmond discusses Fred Williams' portraits of friends, artist Clifton Pugh, David Aspden and writer Stephen Murray-Smith, and the stylistic connections between his portraits and landscapes.
Michael Kimmelman, Chief Art Critic of The New York Times and author of Portraits: Talking with Artists at the Met, the Modern, the Louvre and Elsewhere, presented the National Portrait Gallery Third Anniversary Lecture on 2 March 2002. He was generously brought to Australia by the Gordon Darling Foundation and Qantas.
This issue features Michael Riley, TextaQueen, Thea Proctor, Jean Appleton, In the flesh, digital identity and more.
This issue of Portrait Magazine features conservationists Olegas Truchanas and Peter Dombrovskis, Michael Leunig, legendary photographer Cecil Beaton and more.
This issue features The Queen’s Diamond Jubilee portrait, Nicholas Harding, Ingvar Kenne, Laura Moore, Michael Rosen and more.
Explore an Indian treasure trove, photography by Robert McFarlane and Nan Goldin, Michael Taylor's expressionist paintings, the Great War portraits, and more!
Browse the history of the National Photographic Portrait Prize, Cayce Zavaglia's embroidered portraiture, and modern wedding photography!
Gillian Raymond ponders landscapes as self-portraiture in Michael Taylor’s intimate expressionism.
Louise Cummins reveals the rich symbolism in Michael Peck’s photorealistic portrait of AFL legend and MND ambassador Neale Daniher.
Bob Ellis (1942–2016) was a journalist, columnist, screenwriter, film director, playwright, speechwriter and critic.
William Yang on his autobiographical self portraits, David Parker's 1970s and 80s Melbourne music photographs, seven-time NPPP finalist Chris Budgeon, and Benjamin Warlngundu Ellis.
Bon Scott and Angus Young photographed by Rennie Ellis are part of a display celebrating summer and images of the shirtless male.
Photographed 35 years apart, these two portraits offer both a timeline of, and thematic thread for, Maria (Polly) Cutmore’s life – from a young woman to a respected Gomeroi Elder.
Spanning 30 years, these portraits capture a life in music. Violinist, conductor and composer Richard Tognetti AO is Artistic Director of the Australian Chamber Orchestra.
Dr Sarah Engledow explores the early life and career of John Brack.
Alistair McGhie discusses Andrew MacColl's portrait photograph of Australian comedian Mick Molloy.
Lauren Dalla examines the life of Basil Bressler, the art patron responsible for one of the NPG's most important bequests.
Polly Borland's photograph of The Queen was commissioned by Buckingham Palace as part of a series of high profile celebrations to mark the Golden Jubilee.
As I prepared for my recent retrospective at Frederiksborg Castle, Denmark’s National Portrait Gallery, I was struck with the feeling of looking back at a visual diary of the past 30 years.
Two professionals; Australian surfer Layne Beachley and photographer Petrina Hicks, combine their strengths to achieve a remarkable portrait.
Dr Chistopher Chapman discusses the portrait of Australian author Christos Tsiolkas taken by John Tsiavis.
Nancy Wake AC (b. 1912), one of the most decorated women of World War 2, earned the name the 'White Mouse' for her maddening ability to evade the Gestapo.
Giles Auty introduces British painter John Wonnacott who will talk at the National Portrait Gallery on 2 November 2002.
Christopher Chapman describes the art and life of Australian artist Richard Larter.
Christopher Chapman talks with Scott Redford about his character Reinhardt Dammn.
Susi Muddiman delights in Michael Zavros’ stunning portrait of the honourable Dame Quentin Bryce AD CVO.
Joanna Gilmour explores the life and art of the Australian artist Janet Dawson.
Drawn from the Gallery's collection, the exhibition Face the Music explores the remarkable talents and achievements of Australian musicians, composers, conductors and celebrities associated with the music industry.
The National Portrait Gallery acquired a beguiling silhouette group portrait by Samuel Metford, an English artist who spent periods of his working life in America.
The current exhibition of portraits at the National Gallery of Ireland Print Gallery investigates just how paper-thin ideas of likeness are.
Djon Mundine OAM brings poignant memory and context to Martin van der Wal’s 1986 portrait photographs of storied Aboriginal artists.
Dr Sarah Engledow tells the story of The Queen’s Diamond Jubilee portrait by Australian artist Ralph Heimans.
Australian photographer Karin Catt has shot across the spectrum of celebrity, her subjects including rock stars, world leaders and actors.
Emma Batchelor uncovers the compelling contemporary dance made in response to the works in Shakespeare to Winehouse.
How seven portraits within Bare reveal in a public portrait parts of the body and elements of life usually located in the private sphere.
Sean Davey captures the portrait of a nation renewed.
Tara James chats with award-winning artist Tamara Dean about portraiture prizes, the environment and the strength of women.
An exhibition of humanness in ten themes by Penelope Grist.
Tenille Hands explores a portrait prize gifted to the National Screen and Sound Archive.
Glynis Jones on the Powerhouse’s retrospective of one of Australia’s foremost fashion reportage and social photographers.
Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.
John Elliott talks about his photographic portrait practice, including his iconic image of Slim Dusty arm-in-arm with Dame Edna Everage.
The exhibition Reveries: Photography and mortality is a powerful display which brings together images that depict the last phase of people's lives.
Dr Sarah Engledow writes about the larger-than-life Australian performance artist, Leigh Bowery.
Penelope Grist unpacks photographs by David Parker, who captured the phenomenal emergence of the 1970s and 80s Melbourne music scene.
Sarah Engledow reflects on the shared life and writing of Dorothy Porter and Andrea Goldsmith.
Sandra Phillips on portraits of Indigenous activism from Cairns Art Gallery’s 2019 Queen’s Land Blak Portraiture exhibition.
Sir Sidney Kidman (1857-1935) is inscribed in Australian legend as the ‘Cattle King’.
Barry York charts the course from childhood request to autographed celebrity portrait anthology.
Joanna Gilmour reflects on merging collections and challenging traditional assumptions around portraiture in WHO ARE YOU.
Dr Sarah Engledow writes about the gift of two striking paintings by the Australian artist Ken Done AM.
Penelope Grist speaks to Robert McFarlane about shooting for the stars.
Joanna Gilmour takes us behind the scenes of some of Ralph Heimans’ best-known portraits of royalty, heads of state and cultural icons.
Select extracts from Mirka Mora's autobiography, Wicked but Virtuous, provide rich accompaniment to recent Gallery acquisitions.
Joanna Gilmour reflects on 25 years of collecting at the National Portrait Gallery.
Penelope Grist talks to photographer Benjamin Warlngundu Ellis about capturing moments, telling stories and keeping Culture strong.
Penelope Grist explores the United Nations stories in the Gallery’s collection.
Christopher Chapman absorbs the gentle touch of Don Bachardy’s portraiture.
The portrait of Dr. Johann Reinhold Forster and his son George Forster from 1780, is one of the oldest in the NPG's collection.
Joanna Gilmour explores the fact and fictions surrounding the legendary life of Irish-born dancer Lola Montez.
Despite once expressing a limited interest in the self portrait, the idea of it has figured strongly in much of Tracey Moffatt's work and has done so in some of her most distinctive and compelling images.
Rebecca Harkins-Cross considers Carol Jerrems’ portraiture against the backdrop of social change in the 1970s.
Vanity Fair Editor David Friend describes how the rebirth of the magazine sated our desire for access into the lives of celebrities and set the standard for the new era of portrait photography.
Stephen Valambras Graham traverses the intriguing socio-political terrain behind two iconic First Nations portraits of the 1850s.
Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.