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Alice Simpson, née Want was one of nine children of Randolph and Harriette Want, who married in Sydney in 1839.
1 portrait in the collection
Alfred Simpson (1805–1891), manufacturer, started his professional life as a tinsmith in his native London and also worked as a hatter before financial difficulties caused him to emigrate to Australia in 1849.
1 portrait in the collection
David Simpson, photographer, is represented in the Art Gallery of South Australia, his subjects including HM Queen Elizabeth II, Don Bradman, David Gulpilil and Sir Mark and Lady Oliphant.
1 portrait in the collection
Edward Telford Simpson (1889-1965), Alice's grandson, was born the only son of Edward Percy Simpson and his wife Anne.
1 portrait in the collection
Collection: National Portrait Gallery
Purchased 2014
Collection: National Portrait Gallery
Purchased with funds provided by L Gordon Darling AC CMG 2014
Collection: National Portrait Gallery
Purchased with funds provided by L Gordon Darling AC CMG 2014
Gift of the Simpson family in memory of Caroline Simpson OAM 2008. Donated through the Australian Government's Cultural Gifts Program.
Gift of the Simpson family in memory of Caroline Simpson OAM 2008. Donated through the Australian Government's Cultural Gifts Program.
Emily Ross (née Fairfax) (1832-1871) was the eldest child of newspaper publisher John Fairfax - who founded the Fairfax news dynasty in Sydney in 1841 - and his wife Sarah.
1 portrait in the collection
Emily Spencer Wills (1842–1925), Cedric Spencer Wills (1844–1914), Horace Spencer Wills (1847–1928), and Egbert Spencer Wills (1849–1931) the second, third, fourth, and fifth children of Horatio Wills and his wife Elizabeth, were all born at Lexington, spending their childhoods there and at Bellevue, the property acquired by Horatio Wills near Geelong in 1852.
1 portrait in the collection
Emily Kame Kngwarreye (c. 1910–1996) is one of Australia's most significant artists.
21 portraits in the collection
Collection: National Portrait Gallery
Gift of John Fairfax Holdings Ltd 2002
Donated through the Australian Government's Cultural Gifts Program
Gift of T S Wills Cooke 2014. Donated through the Australian Government's Cultural Gifts Program.
Emily Casey takes in Shirley Purdie’s remarkable self-portrait, Ngalim-Ngalimbooroo Ngagenybe.
Purchased 2024
Gift of the artist 2025. Donated through the Australian Government's Cultural Gifts Program.
Gift of the artist 2025. Donated through the Australian Government's Cultural Gifts Program.
Gift of the artist 2002. Donated through the Australian Government's Cultural Gifts Program.
Gift of the artist 2002. Donated through the Australian Government's Cultural Gifts Program.
Gift of the artist 2002. Donated through the Australian Government's Cultural Gifts Program.
Gift of the artist 2002. Donated through the Australian Government's Cultural Gifts Program.
Gift of the artist 2002. Donated through the Australian Government's Cultural Gifts Program.
Gift of the artist 2002. Donated through the Australian Government's Cultural Gifts Program.
Gift of the artist 2002. Donated through the Australian Government's Cultural Gifts Program.
Gift of the artist 2002. Donated through the Australian Government's Cultural Gifts Program.
Gift of the artist 2002. Donated through the Australian Government's Cultural Gifts Program.
Gift of the artist 2002. Donated through the Australian Government's Cultural Gifts Program.
Gift of the artist 2002. Donated through the Australian Government's Cultural Gifts Program.
Gift of the artist 2002. Donated through the Australian Government's Cultural Gifts Program.
Gift of the artist 2002. Donated through the Australian Government's Cultural Gifts Program.
Gift of the artist 2002. Donated through the Australian Government's Cultural Gifts Program.
Gift of the artist 2002. Donated through the Australian Government's Cultural Gifts Program.
Gift of Patrick Corrigan AM 2004. Donated through the Australian Government's Cultural Gifts Program.
Gift of Patrick Corrigan AM 2004. Donated through the Australian Government's Cultural Gifts Program.
Purchased 1998
Collection: National Portrait Gallery
Gift of Dr. Morris Low 2000
Gift of Patrick Corrigan AM 2004. Donated through the Australian Government's Cultural Gifts Program.
Collection: National Portrait Gallery
Bequest of Alan Boxer 2014
The exhibition Sages examines the process of portrait making through four large-scale portraits of women by Jenny Sages, paired with intimate preparatory drawings.
Purchased 2024
Joanna Gilmour writes about the portraiture of the colonial artist William Nicholas.
Gift of the Simpson family in memory of Caroline Simpson OAM 2008. Donated through the Australian Government's Cultural Gifts Program.
Gift of the Simpson Family in memory of Caroline Simpson OAM 2008. Donated through the Australian Government's Cultural Gifts Program.
Chicago’s Daguerre Studios began operation in the early 20th century and appears to have specialised in portraits of actors, dancers, and other performers.
1 portrait in the collection
Emily Spencer Wills (1842–1925), Cedric Spencer Wills (1844–1914), Horace Spencer Wills (1847–1928), and Egbert Spencer Wills (1849–1931) the second, third, fourth, and fifth children of Horatio Wills and his wife Elizabeth, were all born at Lexington, spending their childhoods there and at Bellevue, the property acquired by Horatio Wills near Geelong in 1852.
1 portrait in the collection
Emily Spencer Wills (1842–1925), Cedric Spencer Wills (1844–1914), Horace Spencer Wills (1847–1928), and Egbert Spencer Wills (1849–1931) the second, third, fourth, and fifth children of Horatio Wills and his wife Elizabeth, were all born at Lexington, spending their childhoods there and at Bellevue, the property acquired by Horatio Wills near Geelong in 1852.
1 portrait in the collection
Emily Spencer Wills (1842–1925), Cedric Spencer Wills (1844–1914), Horace Spencer Wills (1847–1928), and Egbert Spencer Wills (1849–1931) the second, third, fourth, and fifth children of Horatio Wills and his wife Elizabeth, were all born at Lexington, spending their childhoods there and at Bellevue, the property acquired by Horatio Wills near Geelong in 1852.
1 portrait in the collection
Gift of the Simpson family in memory of Caroline Simpson OAM 2008. Donated through the Australian Government's Cultural Gifts Program.
Jenny Sages (b. 1933), artist, was born to Russian Jewish parents in Shanghai and came to Australia with her family in 1948.
34 portraits in the collection
The king and the showgirl
Gift of the Simpson family in memory of Caroline Simpson OAM 2008. Donated through the Australian Government's Cultural Gifts Program.
Diana Pockley (née Longridge, 1913–2011), gardener, fundraiser and amateur historian, was born in Exeter, Devon, England and completed her secondary education in Brighton.
1 portrait in the collection
Her Majesty Queen Elizabeth, The Queen Mother (1900–2002) was born the Honourable Elizabeth Angela Marguerite Bowes-Lyon.
2 portraits in the collection
Gift of Patrick Corrigan AM 2004. Donated through the Australian Government's Cultural Gifts Program.
After successfully exploring the art scenes of London, France and Morocco, Hilda Rix Nicholas settled at Knockalong, a property near Delegate, on the Monaro plain in the 1920s.
Gloria Tamerre Petyarre (c. 1938-1945), an Anmatyerre woman from Aknangkere Country, near Alice Springs, is one of Australia's most acclaimed Aboriginal painters.
2 portraits in the collection
Linda Mary Jackson (b. 1950) is a fashion designer and artist. Having studied fashion design at Emily McPherson College and photography at Prahran Technical College, she travelled to New Guinea, through Asia and Europe, and worked for Parisian couture house Mia-Vicky.
1 portrait in the collection
Little Darlings is for primary and secondary students, with four separate categories across Kindergarten to Year 12. Responding to the theme ‘Me and my place’, students painted, drew, photographed, printed or combined all of these to make their portrait.
Gift of Leo Christie 2003. Donated through the Australian Government's Cultural Gifts Program.
June Oscar AO lauds three iconic Aboriginal figures in the Portrait Gallery collection who have inspired and influenced her.
Purchased 2019
See the Gallery through a different lens and experience the portraits with a unique sensorial performance of movement, voice and live sound.
Gift of Dr Mary Newlinds and Sheena Simpson in memory of their father, D.A.S. Campbell, 2014
Sir William Deane AC KBE KC (b. 1931), High Court judge, was governor-general of Australia from early 1996 to mid-2001.
1 portrait in the collection
Collection: National Portrait Gallery
Purchased with funds provided by Andrew Cannon and L. Gordon Darling AC CMG 2006
Ada Bird Petyarre (c. 1930–2009), painter and printmaker, was an Anmatyerre woman from the Northern Territory, and one of seven sisters who all became notable artists.
1 portrait in the collection
Purchased 2014
Art by Warwick Baker, Chris Burden, Larry Clark, Rozalind Drummond, Nan Goldin, Robert Mapplethorpe and Collier Schorr explores personal relations, individual expression and fluid identity.
Isobel Parker Philip introduces artist Thom Roberts, whose distinctive portraits of people, buildings and personified trains define the world as he experiences it.
Gift of Bronwyn Wright 2013. Donated through the Australian Government's Cultural Gifts Program.
Gift of Patrick Corrigan AM 2004. Donated through the Australian Government's Cultural Gifts Program.
Hetti Perkins (b. 1965), Arrernte and Kalkadoon curator, cultural adviser, writer and activist, began her career at the Sydney gallery of Aboriginal Arts Australia before joining the Boomalli Aboriginal Artists Cooperative as a curator.
1 portrait in the collection
Nigel Butterley AM (1935-2022) was one of the foremost Australian composers and pianists of his generation.
1 portrait in the collection
Canberran and modernist art collector Alan Boxer has generously bequeathed two works by artists Arthur Boyd and Jenny Sages to the National Portrait Gallery.
Purchased 2002
Gift of the artist 2010. Donated through the Australian Government's Cultural Gifts Program.
Emily Hilda Rix left Australia in March 1907, having trained for three years at the National Gallery School.
1 portrait in the collection
Sisters Bronte Campbell (b. 1994) and Cate Campbell (b. 1992), champion swimmers, were born in Malawi to South African parents, and took up competitive swimming after the family settled in Brisbane in 2001.
1 portrait in the collection
Sisters Bronte Campbell (b. 1994) and Cate Campbell (b. 1992), champion swimmers, were born in Malawi to South African parents, and took up competitive swimming after the family settled in Brisbane in 2001.
1 portrait in the collection
Anne Levy AO (b. 1934), politician, was the first woman to preside in an Australian parliament.
1 portrait in the collection
Purchased 2022
Drawn from some of the many donations made to the Gallery's collection, the exhibition Portraits for Posterity pays homage both to the remarkable (and varied) group of Australians who are portrayed in the portraits and the generosity of the many donors who have presented them to the Gallery.
The life and art of Australian artist Jenny Sages is on display in the exhibition Paths to Portraiture.
Headspace 7: Me and My Place, the seventh in the National Portrait Gallery's series of student exhibitions, will be presented at Commonwealth Place. Me and My Place is the curatorial theme for the 2006 exhibition.
Purchased 2011
Ada Emily Evans (1872–1947) was the first Australian woman to attain a law degree and the first woman admitted to the Bar in New South Wales.
1 portrait in the collection
Rick Amor, noblest yet most unaffected of contemporary Australian portraitists, is also a painter of enigmatic, ominous landscapes, seascapes and cityscapes that haunt the viewer like dreams, dimly-recalled.
Collection: National Portrait Gallery
Purchased with funds provided by Graham Smith 2009
In 2021 the Annual Appeal was focussed on Peter Brew-Bevan's portraits of athletes Turia Pitt, Leisel Jones OAM and Ellie Cole OAM.
Chandler Phillip Coventry AM (1924–1999), grazier, gallerist, art collector and arts patron, was born in Armidale, New South Wales to an established New England grazing family.
1 portrait in the collection
Originally conceived as an anthropological record, Percy Leason’s powerful 1934 portraits of Victorian Aboriginal people are today considered to be a highlight of 20th century Australian portraiture
Open Air is an exhibition of portraits of Australians in environments of particular significance to them.
Collection: National Portrait Gallery
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018
Donated through the Australian Government's Cultural Gifts Program
The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
The National Portrait Gallery has acquired an evocative depiction of soldier Peter Cosgrove by the Victorian-based painter, printmaker and sculptor Rick Amor.
Collection: National Portrait Gallery
Gift of Malcolm Robertson in memory of William Thomas Robertson 2018
Donated through the Australian Government's Cultural Gifts Program
This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.
The story behind the creation of the portrait of Helen Garner by Jenny Sages.
Collection: National Portrait Gallery
Purchased with funds provided by Graham Smith 2009
In this major new exhibition marking the National Portrait Gallery’s third decade, 23 Australian artists and collectives have been invited to create portraits without constraints or boundaries.
Purchased 2008. The original frame for this work was donated to the National Portrait Gallery of Australia by the National Gallery of Victoria 2009.
Purchased 2008. The original frame for this work was donated to the National Portrait Gallery of Australia by the National Gallery of Victoria 2009.
'I have just been to my dressing case to take a peep at you.
Michelle Fracaro examines the life of World War II nurse Margaret Anderson, whose portrait by Napier Waller is in the NPG collection.
Joanna Gilmour explores the life of Chinese-Australian businessman and philanthropist Quong Tart.
The National Portrait Gallery today announced finalists for the inaugural Darling Portrait Prize, a national new $75,000 prize for Australian portrait painting, and released selected images from the final prize pool for the popular National Photography Portrait Prize.
In 2023 the Annual Appeal was focussed on a work by one of Australia's best loved and most successful portrait painters, Judy Cassab AO CBE, depicting model, entrepreneur and deportment icon, June Dally-Watkins OAM.
In 2022 the Annual Appeal was focussed on Mayatjara by Robert Fielding, a series of 24 photographs of Elders of the Anangu Pitjantjatjara Yankunytjatjara community.
The exhibition will include works of art from the NPG Canberra's permanent collection with some inward loans and aims to highlight the achievements of notable Australians.
Talma Studios opened in Sydney in March 1899 in a George Street premises next door to the GPO.
1 portrait in the collection
This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.
First Ladies profiles women who have achieved noteworthy firsts over the past 100 years.
Death masks, post-mortem drawings and other spooky and disquieting portraits... Come and see how portraits of infamous Australians were used in the 19th century.
Julia Gillard pays poignant tribute to her friend and mentor, the late Joan Kirner, Victoria’s first and only female premier.
I met Kaloti Parmjit the day I took the photo. I first visited the Sikh temple in the suburb of Glenwood to take photos as part of a social documentary project I'm undertaking for the State Library of NSW.
Mark Haworth-Booth explains why Bill Brandt is one of the most important British photographers of the Twentieth Century.
Sir William Dobell painted the portraits of Sir Charles Lloyd Jones and Sir Hudson Fysh, who did much to promote the image of Australia in this country and abroad.
The photographs from Matthew Sleeth's tour of duty series look more like advertisements than images of war.
The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.
Joanna Gilmour reflects on 25 years of collecting at the National Portrait Gallery.
Ron Ramsey, former Director of Cultural Relations at the Embassy of Australia interviewed NPG Washington Director, Marc Pachter, about their building renovations.
Dr Sarah Engledow traces the significant links between Antonio Dattilo-Rubbo and Evelyn Chapman through their portraits.
The death of a gentlewoman is shrouded in mystery, a well-liked governor finds love after sorrow, and two upright men become entangled in the historical record.
Sarah Engledow lauds the very civil service of Dame Helen Blaxland.
National Portrait Gallery director Karen Quinlan AM nominates her quintet of favourites from the collection, with early twentieth-century ‘selfies’ filling the roster.
Joanna Gilmour travels through time to explore the National Portrait Gallery London’s masterpieces in Shakespeare to Winehouse.
To accompany the exhibition Cecil Beaton: Portraits, held at the NPG in 2005, this article is drawn from Hugo Vickers's authorised biography, Cecil Beaton (1985).
Jennifer Higgie uncovers the intriguing stories behind portraits of women by women in the National Portrait Gallery’s collection.
Jane Raffan examines unique styles of Indigenous portraiture that challenge traditional Western concepts of the artform.
Sarah Engledow previews the beguiling summer exhibition, Idle hours.
A toast to the acquisition of an unconventional new portrait of former Prime Minister, Stanley Melbourne Bruce.
John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.
Joanna Gilmour reflects on merging collections and challenging traditional assumptions around portraiture in WHO ARE YOU.
Sarah Engledow chronicles Rick Amor's work and accomplishments in this extensive essay in conjunction with the exhibition Rick Amor: 21 Portraits.