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Sarah Engledow reflects on the shared life and writing of Dorothy Porter and Andrea Goldsmith.
A new painting by Jiawei Shen captures the vision and resolve of the Gallery's founder, L. Gordon Darling AC CMG.
This issue feature articles on Andrew Sayers, Gordon Darling, our summer exhibition Sideshow Alley and more.
Angus Trumble gazes at the once bright star of photographer Ruth Hollick.
Former NPG Director, Andrew Sayers celebrates the support given to the Gallery by Gordon and Marilyn Darling.
Michael Riley’s early portraits by Amanda Rowell.
Michael Kimmelman, Chief Art Critic of The New York Times and author of Portraits: Talking with Artists at the Met, the Modern, the Louvre and Elsewhere, presented the National Portrait Gallery Third Anniversary Lecture on 2 March 2002. He was generously brought to Australia by the Gordon Darling Foundation and Qantas.
The acquisition of David Moore's archive of portrait photographs for the National Portrait Gallery's collection.
Robert Oatley talks about the repatriation of the John Webber portrait of Captain James Cook.
I think the truest representation of someone is a portrait.
A newly acquired work by Stella Bowen adds to the National Portrait Gallery's growing collection of important Australian self-portraits.
Olegas Truchanas and Peter Dombrovskis, photographers and conservationists, shared a love of photography and exploring wilderness areas of Tasmania.
In February 2003 the National Portrait Gallery Circle of Friends brought Sir Robert Strong to Australia to present a series of lectures entitled The Artists & The Banquet- A History of Dining, which focused on the links between gardens and table decoration from the Renaissance to the Victorian Era.
A design diary retrospective.
The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.
Celebrates the centenary of the first national art collection, the Historic Memorials Collection, housed at Australia's Parliament House.
Michael Desmond explores the complex portrait of Dr Bob Brown by Harold 'The Kangaroo' Thornton.
Penelope Grist finds inspiration in pioneering New Zealand artist, Frances Hodgkins.
The bronze sculpture by Julie Edgar reflects through both the material and representation the determined and straight-forward nature of Brabham.
Michael Desmond discusses the iconic picture of two Rugby League players which became known as 'The Gladiators'.
Sandra Phillips on portraits of Indigenous activism from Cairns Art Gallery’s 2019 Queen’s Land Blak Portraiture exhibition.
Michael Desmond profiles the Australian songwriter and performer Neil Murray and his contribution to Australian music.
Michael Desmond looks at the history of the Vanity Fair magazine in conjunction with the exhibition Vanity Fair Portraits: Photographs 1913-2008
Walter Lindrum, world-famous billiards player, was one of Australia's greatest sporting champions.
Inga Walton delves into the bohemian group of artists and writers who used each other as muses and transformed British culture.
Phil Manning celebrates a century of Brisbane photographic portraiture.
The life and achievements of Sir Edward Holden, who is represented in the portrait collection by a bust created by Leslie Bowles.
Exhibition curator Christine Clark introduces the work by Indonesian artist Agus Suwage created for Beyond the self: Contemporary portraiture from Asia.
A moving portrait of Cate Blanchett unfolds as an inspired pairing of medium and subject.
Portraits of philanthropists in the collection honour their contributions to Australia and acknowledge their support of the National Portrait Gallery.
The National Portrait Gallery's acquisition of the portrait of Edward John Eyre by pioneering English photographer Julia Margaret Cameron.
Sarah Engledow bristles at the biographers’ neglect of Kitchener’s antipodean intervention.
Archie 100 curator (and detective) Natalie Wilson’s nationwide search for Archibald portraits unearthed the fascinating stories behind some long-lost treasures.
Jean Appleton’s 1965 self portrait makes a fine addition to the National Portrait Gallery’s collection writes Joanna Gilmour.
Professor Stephen Fitzgerald, Australia’s first Ambassador to China, traces the historical course from sino-australian cultural engagement to a maturing Australian identity.
This edited version of a speech by Andrew Sayers examines some of the antecedents of the National Portrait Gallery and set out the ideas behind the modern Gallery and its collection.
Joanna Gilmour discusses the role of the carte de visite in portraiture’s democratisation, and its harnessing by Victoria, the world’s first media monarch.
Sarah Engledow previews the beguiling summer exhibition, Idle hours.
Australian character on the market by Jane Raffan.
Sir William Dobell painted the portraits of Sir Charles Lloyd Jones and Sir Hudson Fysh, who did much to promote the image of Australia in this country and abroad.
Alexandra Roginski reveals a forceful feminist figure in the colonial period’s slippery science, phrenology.
Athol Shmith’s photographs contributed to the emergence of a new vision of Australian womanhood.
Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.
Anne Sanders celebrates the cinematic union of two pioneering australian women.
Joanna Gilmour reflects on merging collections and challenging traditional assumptions around portraiture in WHO ARE YOU.