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Beautiful bones

Sarah Engledow reflects on the shared life and writing of Dorothy Porter and Andrea Goldsmith.

Portrait of a patron

A new painting by Jiawei Shen captures the vision and resolve of the Gallery's founder, L. Gordon Darling AC CMG.

Portrait 51

This issue feature articles on Andrew Sayers, Gordon Darling, our summer exhibition Sideshow Alley and more.

Natural, artistic and unselfconscious

Angus Trumble gazes at the once bright star of photographer Ruth Hollick.

The spirit of the gift

Former NPG Director, Andrew Sayers celebrates the support given to the Gallery by Gordon and Marilyn Darling.

Sophisticated and glamorous

Michael Riley’s early portraits by Amanda Rowell.

Michael Kimmelman

Michael Kimmelman, Chief Art Critic of The New York Times and author of Portraits: Talking with Artists at the Met, the Modern, the Louvre and Elsewhere, presented the National Portrait Gallery Third Anniversary Lecture on 2 March 2002. He was generously brought to Australia by the Gordon Darling Foundation and Qantas.

A Captured Moment

The acquisition of David Moore's archive of portrait photographs for the National Portrait Gallery's collection.

The Quiet Australian

Robert Oatley talks about the repatriation of the John Webber portrait of Captain James Cook.

Observation point

I think the truest representation of someone is a portrait.

A Singular Line

A newly acquired work by Stella Bowen adds to the National Portrait Gallery's growing collection of important Australian self-portraits.

Written in Water

Olegas Truchanas and Peter Dombrovskis, photographers and conservationists, shared a love of photography and exploring wilderness areas of Tasmania.

All you can eat

In February 2003 the National Portrait Gallery Circle of Friends brought Sir Robert Strong to Australia to present a series of lectures entitled The Artists & The Banquet- A History of Dining, which focused on the links between gardens and table decoration from the Renaissance to the Victorian Era.

Portrait of the Gallery

A design diary retrospective.

Giving and getting

The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.

Empire records

Celebrates the centenary of the first national art collection, the Historic Memorials Collection, housed at Australia's Parliament House.

Where the wild things are

Michael Desmond explores the complex portrait of Dr Bob Brown by Harold 'The Kangaroo' Thornton.

Kiwi magpie

Penelope Grist finds inspiration in pioneering New Zealand artist, Frances Hodgkins.

Start Your Engines...

The bronze sculpture by Julie Edgar reflects through both the material and representation the determined and straight-forward nature of Brabham. 

Who's that?

Michael Desmond discusses the iconic picture of two Rugby League players which became known as 'The Gladiators'.

Activating the space

Sandra Phillips on portraits of Indigenous activism from Cairns Art Gallery’s 2019 Queen’s Land Blak Portraiture exhibition.

True fella

Michael Desmond profiles the Australian songwriter and performer Neil Murray and his contribution to Australian music.

International issue

Michael Desmond looks at the history of the Vanity Fair magazine in conjunction with the exhibition Vanity Fair Portraits: Photographs 1913-2008

Cannonical

Walter Lindrum, world-famous billiards player, was one of Australia's greatest sporting champions.

The Stories Beneath

Northern exposure

Phil Manning celebrates a century of Brisbane photographic portraiture.

Promise Fulfilled

The life and achievements of Sir Edward Holden, who is represented in the portrait collection by a bust created by Leslie Bowles.

Man of the year

Exhibition curator Christine Clark introduces the work by Indonesian artist Agus Suwage created for Beyond the self: Contemporary portraiture from Asia.

Being Cate

A moving portrait of Cate Blanchett unfolds as an inspired pairing of medium and subject.

Support Crew

Portraits of philanthropists in the collection honour their contributions to Australia and acknowledge their support of the National Portrait Gallery.

Hearts of Darkness

The National Portrait Gallery's acquisition of the portrait of Edward John Eyre by pioneering English photographer Julia Margaret Cameron.

All the way with K of K

Sarah Engledow bristles at the biographers’ neglect of Kitchener’s antipodean intervention.

In good company

Jean Appleton’s 1965 self portrait makes a fine addition to the National Portrait Gallery’s collection writes Joanna Gilmour.

Recollections of a sinologist sitter

Professor Stephen Fitzgerald, Australia’s first Ambassador to China, traces the historical course from sino-australian cultural engagement to a maturing Australian identity.

Picture this...

This edited version of a speech by Andrew Sayers examines some of the antecedents of the National Portrait Gallery and set out the ideas behind the modern Gallery and its collection.

Queen of cartes

Joanna Gilmour discusses the role of the carte de visite in portraiture’s democratisation, and its harnessing by Victoria, the world’s first media monarch.

Lovingly observed

Sarah Engledow previews the beguiling summer exhibition, Idle hours.

Money for Myth

Australian character on the market by Jane Raffan.

Home and away

Sir William Dobell painted the portraits of Sir Charles Lloyd Jones and Sir Hudson Fysh, who did much to promote the image of Australia in this country and abroad.

Sibly irresistible

Alexandra Roginski reveals a forceful feminist figure in the colonial period’s slippery science, phrenology.

Progressive pictures

Athol Shmith’s photographs contributed to the emergence of a new vision of Australian womanhood.

Unknown drawer

Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.

Jewelled nights

Anne Sanders celebrates the cinematic union of two pioneering australian women.