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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Portrait Donors

Listed by year
Honour board
Gordon and Marilyn Darling

Honour board

Support your Portrait Gallery

The National Portrait Gallery acknowledges and thanks all its supporters.

David Malouf

2012-13 Acquisition Fund

Annual Appeal

The Circle of Friends Acquisition Fund for 2012 was dedicated to purchasing a portrait of David Malouf by Rick Amor.

Charlie, 2017 by Lee Grant

National Photographic Portrait Prize 2018 winner announced

23 March 2018
Archived media releases 2018

Finalists have been eagerly awaiting the announcement of the Winner and Highly Commended for the National Photographic Portrait Prize since December. It is our pleasure to announce the Winner for 2018 is Lee Grant for her portrait titled Charlie and Highly Commended has been awarded to Filomena Rizzo for her portrait titled My Olivia.

Adams Apple, 2013 by Petrina Hicks

Alienation

More about In the flesh

Segregated from their fellow humans in cellophane prisons, reference points are removed, so it is not certain whether these naked figures could be unwrapped, are about to be subsumed, or will forever be suspended in a plastic stasis.

The Boys Next Door

Oz Punk

Sends a permanent shiver down my spine
General content

In 1976, without having been blooded on the Sydney or Melbourne pub circuit, The Saints recorded a single – ‘(I’m) Stranded’ – earning them the distinction of releasing a punk single before The Sex Pistols did.

Paul Kelly, 1992 by Wendy McDougall

Paul Kelly and The Portraits media information

18 June 2013
Archived media releases 2013

Paul Kelly & The Portraits presents a multifaceted image of the performer over the course of his career.

Tim Winton

2020 Annual Appeal

Annual Appeal

In 2020 the Annual Appeal was focussed on Sally Robinson's remarkable portrait of author Tim Winton.

The 70 year old jetty jumper, 2011 by Alex Frayne

Alex Frayne

NPPP 2012 learning resource

An interview with the photographer.

Hugo Weaving as Horatio Farrat by Ben King Film: The Dressmaker, 2015

If you love movies, you’ll love Starstruck!

8 August 2017
Archived media releases 2017

In an unprecedented partnership, the National Portrait Gallery and National Film and Sound Archive of Australia (NFSA) present a new star-studded exhibition, Starstruck: Australian Movie Portraits.

Songman, portrait of Kev Carmody

Protest!

How can we dance when our earth is turning?
General content

Rock’s raw potency made it the ideal medium for fomenting protest. The 1970s, 80s and onwards saw calls for social and environmental justice ring out through song.

At the bus stop, 2011 by Brenton McGeachie

Brenton McGeachie

NPPP 2012 learning resource

An interview with the photographer.

Reg Richardson AM

2015-17 Acquisition Fund

Annual Appeal

From 2015 to 2017 the Acquisition Fund was focussed on Reg Richardson AM by Mitch Cairns, a finalist in the Archibald Prize 2014, and a great example of minimalist portraiture.

Ben Roberts-Smith

Ben Roberts-Smith, 2018

by Julian Kingma
General content

Commissioned in 2018 with funds raised through the 2020 project

The uncertain recovery, 2012 by Arianne McNaught

Arianne McNaught

Finalist interviews

I think the most important thing in capturing candid shots is to never take the photo when people are expecting you to press the shutter. The more poignant moments are not the stock standard images of people looking at the camera smiling but after or before when they are really interacting with each other.

William Bligh

Welcome home, Captain Bligh

27 March 2015
Archived media releases 2015

The National Portrait Gallery will, next Tuesday, unveil an exciting new acquisition of irrefutable importance to all Australians. Portrait of William Bligh, in master’s uniform c. 1776, attributed to John Webber, is one of the earliest portraits of the contentious, historical figure, and extends the Gallery’s remarkable collection of early colonial portraits.

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Canberra, ACT 2600, Australia

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Fax +61 2 6102 7001
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency