Traudi Allen discovers sensitivity, humour and fine draughtsmanship in the portraiture of John Perceval.
Sarah Engledow trains her exacting lens on the nine photographs from 20/20.
The London-born son of an American painter, Augustus Earle ended up in Australia by accident in January 1825.
Sarah Engledow describes the fall-out once Brett Whiteley stuck Patrick White’s list of his loves and hates onto his great portrait of the writer.
How seven portraits within Bare reveal in a public portrait parts of the body and elements of life usually located in the private sphere.
Joanna Gilmour looks beyond the ivory face of select portrait miniatures to reveal their sitters’ true grit.
Dr. Sarah Engledow discovers the amazing life of Ms. Hilda Spong, little remembered star of the stage, who was captured in a portrait by Tom Roberts.
John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.
Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.
Sarah Engledow bristles at the biographers’ neglect of Kitchener’s antipodean intervention.
