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Take a close look at a portrait with a hidden message in its hands. For Year 7 – 9 students.
Brothers in harms
John is a very unique character so I really wanted to capture that uniqueness.
Learn about artist John Brack, who said that portraits involve three people: the painter, the sitter and the viewer. For Year 6 – 8 students.
Commissioned with funds provided by Marilyn Darling AC 2018
Commissioned with funds provided by the Sid and Fiona Myer Family Foundation 2018
Stand by your man
An interview with the photographer.
View the full collection of portraits in the exhibition.
The Zammitt Family is part of a massive series of mine that I've been doing since early 2020, documenting COVID in and around Sydney.
The Seekers, John Farnham and Lee Kernaghan
The perfect match
The two portraits that I've chosen to compare and contrast and to bring together a self portrait by John Brack in 1955, and William Yang, Self Portrait #2.
Defiant commitment
The eight photographers represent diverse styles, specialities and career paths. Abigail Varney, Peter Brew-Bevan, Martin Philbey, John Tsiavis, Michelle Day, Julian Kingma, and Giovanni Lovisetto.
This 1910 portrait of Elizabeth Sarah (Lillie) Roberts by Tom Roberts was brought into the Gallery's collection with the assistance of the Acquisition Fund in 2013.
Tiny token, big love
Denton Corker Marshall is based in Melbourne with offices in London and Jakarta.
The National Portrait Gallery will, next Tuesday, unveil an exciting new acquisition of irrefutable importance to all Australians. Portrait of William Bligh, in master’s uniform c. 1776, attributed to John Webber, is one of the earliest portraits of the contentious, historical figure, and extends the Gallery’s remarkable collection of early colonial portraits.
A penny for their thoughts
Domesticity’s creative maelstrom
Fiona Stanley, Fiona Wood, Fred Hollows, Patrick McGorry and John Yu
The newly-established National Portrait Gallery Foundation met for its inaugural meeting last Friday 15 May in Canberra.
Macfarlane Burnet and Patrick White
Press releases and image downloads for media.
Kristin Headlam's portrait of Chris Wallace-Crabbe was acquired with the support of the Circle of Friends in 2014.
One of the versions of thick, macho moustache strongly associated in the Australian visual lexicon with sportsmen of the 1970s and 80s.
In 2020 the Annual Appeal was focussed on Sally Robinson's remarkable portrait of author Tim Winton.
A great addition to themes such as Australian History, Sport, Australian Studies, Cultural Studies, English and Visual Arts. For Year 9 – 12 students.
Right-hound man
These full-length figures in watercolour, gouache and pencil date mostly from the 1820s, and almost all come from the collection of the Tasmanian Museum and Art Gallery, Hobart.
In 2021 the Annual Appeal was focussed on Peter Brew-Bevan's portraits of athletes Turia Pitt, Leisel Jones OAM and Ellie Cole OAM.
A bromance in banter
The photographers reveal the technical side of their work and reflect on changes in their profession. Now everyone has a camera in their pocket, is everyone a photographer? What is it like to sustain a career as a photographer in the entertainment industry? How do you work with celebrity subjects, negotiate the complex logistics of big shoots, and create captivating portraits under pressure?
A one-in-a-thousand woman
Commissioned with funds provided by Tim Bednall, Jillian Broadbent AO, John Kaldor AO and Naomi Milgrom AO 2018
The National Portrait Gallery has unveiled twenty new portrait commissions of Australian leaders and individualists as part of its twentieth birthday celebrations in a new exhibition, 20/20: Celebrating twenty years with twenty new portrait commissions.
In 2022 the Annual Appeal was focussed on Mayatjara by Robert Fielding, a series of 24 photographs of Elders of the Anangu Pitjantjatjara Yankunytjatjara community.
If music be the food of love
In this major new exhibition marking the National Portrait Gallery’s third decade, 23 Australian artists and collectives have been invited to create portraits without constraints or boundaries.
Jan Nelson was born in Melbourne. She graduated from the Victorian College of the Arts in 1983 and has been exhibited her work in both solo and group exhibitions throughout Australia since that time including at the MCA, Sydney, National Gallery of Victoria, Gallery of Modern Art, Brisbane and the Experimental Art Foundation, Adelaide.
From 2015 to 2017 the Acquisition Fund was focussed on Reg Richardson AM by Mitch Cairns, a finalist in the Archibald Prize 2014, and a great example of minimalist portraiture.
National Portrait Gallery Director Angus Trumble is ending his five-year tenure with a flourish, after announcing that Gallery publication Dempsey’s People: A Folio of British Street Portraits 1824-1844 has been awarded the 2018 William MB Berger Prize for British Art History.
Barrels, bliss and brotherhood
Inspiring Australians tell their own stories in a unique new gallery audio tour, developed in collaboration with the National Library of Australia.
A major new exhibition celebrating love in all its guises. Opening 20 March 2021.
The National Portrait Gallery acknowledges and thanks all its supporters.
In 2023 the Annual Appeal was focussed on a work by one of Australia's best loved and most successful portrait painters, Judy Cassab AO CBE, depicting model, entrepreneur and deportment icon, June Dally-Watkins OAM.
Happiness to heartache
Road closures for the Canberra Marathon will block vehicle access to our building and carpark on Sunday 13 April until 3:00pm.
After months of anticipation, the winner for the National Photographic Portrait Prize 2017 has been announced with renowned Sydney portrait photographer Gary Grealy taking out the award. George Fetting, guest judge for the 2017 Prize, was entranced with the evocative nature of the winning portrait Richard Morecroft and Alison Mackay.
TERROIR directors Gerard Reinmuth, Scott Balmforth and Richard Blythe believe that the practice of architecture is the production of knowledge.
The Circle of Friends Acquisition Fund for 2012 was dedicated to purchasing a portrait of David Malouf by Rick Amor.
The Chairman, Board, Director and all the Staff of the National Portrait Gallery mourn the loss of our Founding Patron, who died peacefully in Melbourne this morning. He was 94.
Parking is available in our underground car park every day of the week. Fees apply.
Commissioned with funds provided by Dr Helen Nugent AO 2018
Alexander (Jock) Sturrock and Alan Bond
Born: 1961, Melbourne
Works: Melbourne
While the blues-inspired hard guitar riffs of Australian pub rock were shaping tastes, a number of artists were developing music primed for success on the international stage.
The National Portrait Gallery is calling on family history enthusiasts and amateur historians to tell it more about the people in its new show, Dempsey’s People: A folio of British street portraits from 1824-1844.
The votes are in and the National Portrait Gallery is pleased to announce The Honourable Bob Hawke savouring a strawberry milkshake by Harold David is the people’s choice for the National Photographic Portrait Prize 2018.
With contributions from Julia Gillard, Fiona Gruber, and Dr Karl James, the National Portrait Gallery’s 50th edition of Portrait has something for everyone.
Last night in Sydney, the National Portrait Gallery unveiled a newly commissioned portrait of Australian sporting legend Mark Ella AM.
The winner of the Digital Portraiture Award 2016 has been announced. Congratulations to Amiel Courtin-Wilson for his submission titled Charles.
The Board oversees the Gallery's strategic directions, objectives and governance.
A rare and enchanting collection of 52 portraits of British street people will be on display for the first time in the National Portrait Gallery’s winter show, Dempsey’s People: a folio of British street portraits 1824-1844.
The second annual brand-awareness snapshot of the National Portrait Gallery is again positive, with indicators moving in the right direction – for the Gallery and for Australia’s cultural engagement.
Members of the Board, Foundation and staff of the National Portrait Gallery are deeply saddened by the sudden passing of Angus Trumble.
The votes have been counted, and the winners of the National Portrait Gallery’s People’s Choice Awards for the Prize exhibitions are...
One night in the spring of 1970 in an old house in Whale Beach, north of Sydney, John Witzig, Albe Falzon and David Elfick put together the first issue of Tracks, playing Neil Young’s album Harvest over and over again as they pasted up galleys of type.
Commissioned with funds provided by The Calvert-Jones Foundation 2018
How the National Portrait Gallery and its unique collection came to be
Chairman Sid Myer AM, Hayley Baillie, Tim Bednall, Jillian Broadbent AC, Patrick Corrigan AM, Marilyn Darling AC, Tim Fairfax AC, Sam Meers AO, John Liangis, Dr Helen Nugent AC and Nigel Satterley AM.
Commissioned with funds provided by Westpac Group and Optus 2018
Commissioned with funds provided by Trent Birkett 2018
Commissioned with funds provided by the Sid and Fiona Myer Family Foundation 2018
To celebrate the new exhibition Australian Love Stories, renowned Australian glass artist Harriet Schwarzrock has been commissioned to make a large-scale installation reflecting on the role the heart plays as our emotional centre.
Certain European leaders (needless to name) had the effect of making certain styles of facial hair decidedly undesirable in the years immediately after World War 2.
The National Portrait Gallery, has welcomed the newest portrait commission of Emeritus Professor Derek Denton AC by Evert Ploeg.
When soulmates Janet Dawson and Michael Boddy moved from Sydney to a property, Boddy was clear about why: ‘Our marriage is one long conversation - we moved to the bush so we could talk to each other without so many interruptions.’
Although the tough, weathered, hard-drinking bushmen of the kind mythologised by writers like Banjo Paterson and Henry Lawson are popularly associated with the character of late nineteenth century Australia, it was also a time when alternative ideas about identity began to come into play.
Take a peek at a selection of the portraits you can see in the exhibition.
The National Portrait Gallery today announced finalists for the inaugural Darling Portrait Prize, a national new $75,000 prize for Australian portrait painting, and released selected images from the final prize pool for the popular National Photography Portrait Prize.
Directors of the National Portrait Gallery from 1998 to today.
Inner Worlds evokes a broad view of psychology as a discipline. However, the specific interests of the practitioners whose portraits are included in the exhibition incorporate specialist areas including psychoanalysis.
The Chairman, Board, Director and staff mourn the loss of the National Portrait Gallery's inaugural director.
Sarah Engledow writes about Gordon and Marilyn Darling and their support for the National Portrait Gallery throughout its evolution.
Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2017 Prize.
Penny Grist, National Photographic Portrait Prize judge and curator, introduces the 2016 Prize.
Exploring select works from the NPPP 2012. For secondary students.
Joanna Gilmour, National Photographic Portrait Prize judge and curator, introduces the 2013 Prize.
Robyn's parents had two terriers, Wuff and Snuff. In spite of Snuff’s ominous name and a couple of close shaves – once, he jumped out of a moving car, and another time, on a long road trip, he was accidentally left behind at a petrol station – he outlived Wuff.
All that fall: Sacrifice, life and loss in the First World War exhibition co-curators Dr Anne Sanders and Dr Christopher Chapman reflect on the evolution of the Gallery’s Anzac Centenary exhibition.
Sarah Engledow explores the history of the prime ministers and artists featured in the exhibition.
Penelope Grist, National Photographic Portrait Prize judge and curator, introduces the 2020 Prize.
Lesley Harding, Curator, Heide Museum of Modern Art, Melbourne explores Albert Tucker’s experience of World War II, his interests in the intersection between psychology and creativity, and their influence on his portrait making.
Dr Christopher Chapman NPG Curator of Inner Worlds explains the development of an exhibition that spans from Surrealism to contemporary art.
Editor Stephen Phillips looks at the finalists' photographs through a judge's lens.
Dr Anne Sanders NPG Curatorial Researcher investigated the lives of the pioneering psychologists whose portraits are featured in Inner Worlds.
Sarah Engledow looks at three decades of Nicholas Harding's portraiture.
Sarah Engledow chronicles Rick Amor's work and accomplishments in this extensive essay in conjunction with the exhibition Rick Amor: 21 Portraits.
Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2014 Prize.
Basil grew into a speckled beauty – a long-legged leaper and an exceptionally vocal dog, with a great register of sounds, ascending in shock value from a whimper to a growl to a bark to a yelp that’s a violation of the ears.
Over the years the young Nicholas Harding got his hands on various mice and guinea pigs, but they served mainly to illustrate the concept of mortality.