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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

L. Gordon Darling AC CMG

Portrait of a patron

Magazine article by Dr Sarah Engledow, 2007

A new painting by Jiawei Shen captures the vision and resolve of the Gallery's founder, L. Gordon Darling AC CMG.

Portrait 51

Summer 2015–16
Magazine

This issue feature articles on Andrew Sayers, Gordon Darling, our summer exhibition Sideshow Alley and more.

Portrait of Dame Elisabeth Murdoch

The spirit of the gift

Magazine article by Andrew Sayers AM, 2003

Former NPG Director, Andrew Sayers celebrates the support given to the Gallery by Gordon and Marilyn Darling.

Michael Kimmelman

Magazine article by Pamela Gray, 2002

Michael Kimmelman, Chief Art Critic of The New York Times and author of Portraits: Talking with Artists at the Met, the Modern, the Louvre and Elsewhere, presented the National Portrait Gallery Third Anniversary Lecture on 2 March 2002. He was generously brought to Australia by the Gordon Darling Foundation and Qantas.

Harry Seidler, Killara, Sydney

A Captured Moment

Magazine article by Simon Elliott, 2001

The acquisition of David Moore's archive of portrait photographs for the National Portrait Gallery's collection.

Portrait of Captain James Cook RN

The Quiet Australian

Magazine article by Brian Dale, 2001

Robert Oatley talks about the repatriation of the John Webber portrait of Captain James Cook.

Tony Albert (after Brownie Downing), 2016 by Tony Albert

Observation point

Magazine article by Tony Albert, 2017

I think the truest representation of someone is a portrait.

Rock Island Bend. Franklin River, South West Tasmania, 1979 by Peter Dombrovskis

Written in Water

Magazine article by Dr Sarah Engledow, 2005

Olegas Truchanas and Peter Dombrovskis, photographers and conservationists, shared a love of photography and exploring wilderness areas of Tasmania.

Sir Robert Strong

All you can eat

Magazine article by Lauren Dalla, 2003

In February 2003 the National Portrait Gallery Circle of Friends brought Sir Robert Strong to Australia to present a series of lectures entitled The Artists & The Banquet- A History of Dining, which focused on the links between gardens and table decoration from the Renaissance to the Victorian Era.

Gordon Darling Hall

Portrait of the Gallery

Magazine article by Graeme Dix, 2016

A design diary retrospective.

Dr Peter Farrell

Giving and getting

Magazine article by Michael Desmond, 2006

The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.

Dr Brown and Green Old Time Waltz

Where the wild things are

Magazine article by Michael Desmond, 2009

Michael Desmond explores the complex portrait of Dr Bob Brown by Harold 'The Kangaroo' Thornton.

Jack Brabham

Start Your Engines...

Magazine article by Catherine McDonough, 2006

The bronze sculpture by Julie Edgar reflects through both the material and representation the determined and straight-forward nature of Brabham. 

The Gladiators (Norm Provan and Arthur Summons)

Who's that?

Magazine article by Michael Desmond, 2009

Michael Desmond discusses the iconic picture of two Rugby League players which became known as 'The Gladiators'.

Vincent Brady leading anti Bicentenary Protest, Brisbane, 1987 Michael Aird

Activating the space

Magazine article by Sandra Phillips, 2020

Sandra Phillips on portraits of Indigenous activism from Cairns Art Gallery’s 2019 Queen’s Land Blak Portraiture exhibition.

 

Neil Murray

True fella

Magazine article by Michael Desmond, 2011

Michael Desmond profiles the Australian songwriter and performer Neil Murray and his contribution to Australian music.

Mrs NR Mackintosh (Anne) by Ruth Hollick

Natural, artistic and unselfconscious

Magazine article by Angus Trumble, 2016

Angus Trumble gazes at the once bright star of photographer Ruth Hollick.

Walter Lindrum OBE

Cannonical

Magazine article by Dr Sarah Engledow, 2007

Walter Lindrum, world-famous billiards player, was one of Australia's greatest sporting champions.

Sir Lindesay Clark

The Stories Beneath

Magazine article by Dr Sarah Engledow, 2005
The Alcoa World Alumina Australia gift.
Sir Edward Holden

Promise Fulfilled

Magazine article by Dr Sarah Engledow, 2006

The life and achievements of Sir Edward Holden, who is represented in the portrait collection by a bust created by Leslie Bowles.

Asuceleng (Dog-boar), 2010

Man of the year

Magazine article by Christine Clark, 2011

Exhibition curator Christine Clark introduces the work by Indonesian artist Agus Suwage created for Beyond the self: Contemporary portraiture from Asia.

Portrait of Cate Blanchett

Being Cate

Magazine article by Dr Christopher Chapman, 2009

A moving portrait of Cate Blanchett unfolds as an inspired pairing of medium and subject.

Marilyn Darling AC

Support Crew

Magazine article by Dr Christopher Chapman, 2011

Portraits of philanthropists in the collection honour their contributions to Australia and acknowledge their support of the National Portrait Gallery.

Edward John Eyre

Hearts of Darkness

Magazine article by Magda Keaney, 2006

The National Portrait Gallery's acquisition of the portrait of Edward John Eyre by pioneering English photographer Julia Margaret Cameron.

Studio portrait of Lord Kitchener, British Secretary of State for War, 1914 by J Russell & Sons

All the way with K of K

Magazine article by Dr Sarah Engledow, 2016

Sarah Engledow bristles at the biographers’ neglect of Kitchener’s antipodean intervention.

Recollections of a sinologist sitter

Magazine article by Professor Stephen FitzGerald AO, 2016

Professor Stephen Fitzgerald, Australia’s first Ambassador to China, traces the historical course from sino-australian cultural engagement to a maturing Australian identity.

Sir Macfarlane Burnet

Picture this...

Magazine article by Andrew Sayers AM, 2003

This edited version of a speech by Andrew Sayers examines some of the antecedents of the National Portrait Gallery and set out the ideas behind the modern Gallery and its collection.

My father-in-law watering his garden, 1986 by Davida Allen

Lovingly observed

Magazine article by Dr Sarah Engledow, 2009

Sarah Engledow previews the beguiling summer exhibition, Idle hours.

First-Class Marksman, 1946 by Sidney Nolan

Money for Myth

Magazine article by Jane Raffan, 2015

Australian character on the market by Jane Raffan.

Sir Charles Lloyd Jones

Home and away

Magazine article by Dr Sarah Engledow, 2009

Sir William Dobell painted the portraits of Sir Charles Lloyd Jones and Sir Hudson Fysh, who did much to promote the image of Australia in this country and abroad.

Madame Sibly, Phrenologist and Mesmerist

Sibly irresistible

Magazine article by Alexandra Roginski, 2019

Alexandra Roginski reveals a forceful feminist figure in the colonial period’s slippery science, phrenology.

Margot Rhys, 1935 by Athol Shmith

Progressive pictures

Magazine article by Aimee Board, 2017

Athol Shmith’s photographs contributed to the emergence of a new vision of Australian womanhood.

Mary (or Diana) Croker, mat woman, Colchester, 1823 by John Dempsey

Unknown drawer

Magazine article by Dr David Hansen, 2017

Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.

Louise Lovely feeding gulls in a park, 1969 Unknown photographer

Jewelled nights

Magazine article by Dr Anne Sanders, 2017

Anne Sanders celebrates the cinematic union of two pioneering australian women.

© National Portrait Gallery 2021
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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency