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Regarding Henrys

Sarah Engledow ponders the divergent legacies of Messrs Kendall and Lawson.

Private practice

The considered life

Andrew Sayers asks whether a portrait can truly be the examination of a life.

Fits of delicacy and despair

Henry Mundy's portraits flesh out notions of propriety and good taste in a convict colony.

Portrait 27

This issue of Portrait Magazine feature Lucian Frued, John Witzig, colonial death portraits, William Kinghorne, Henry Crock, and more.

A new perspective

An exhibition devoted to Hans Holbein's English commissions shows the portraitist bringing across the Channel new technical developments in art - with a dazzling facility.

Mrs Cameron and the V&A

In March 2003 Magda Keaney travelled to London to join the photography section of the Victoria & Albert Museum for three months.

Icons and imagery

Alison Weir explores the National Portrait Gallery, London and the BP Portrait Award to find what makes a good painted portrait - past and present.

Of beef in burgundy

Angus Trumble reveals the complex technical mastery behind a striking recent acquisition, Henry Bone’s enamel portrait of William Manning.

The fat of the land

Sir Sidney Kidman (1857-1935) is inscribed in Australian legend as the ‘Cattle King’. 

Someone to watch over you

Carrie Kibbler looks at how portraiture fits into the Australian Artbank Collection.

String of Pearls

Andrew Sayers discusses the portrait of Dr Joan Croll AO by the Australian artist John Brack.

Bloodlines

Michelle Fracaro describes Lionel Lindsay's woodcut The Jester (self-portrait).

Hop, skip, shoot

Former NPG Deputy Director, Simon Elliott talks with Ern McQuillan about his life and career as a sports photographer.

The Royal she

Traversing paint and pixels, Inga Walton examines portraits of select women in Tudors to Windsors: British Royal Portraits.

Costantini's convictions

Jo Gilmour uncovers endearing authenticity in the art of a twice-transported Tasmanian.

A real Pratt

The death of a gentlewoman is shrouded in mystery, a well-liked governor finds love after sorrow, and two upright men become entangled in the historical record.

A guy from Paris

Sarah Engledow on a foundational gallery figure who was quick on the draw.

Promise Fulfilled

The life and achievements of Sir Edward Holden, who is represented in the portrait collection by a bust created by Leslie Bowles.

City boys

Christopher Chapman immerses himself in Larry Clark’s field of vision.

Empire records

Celebrates the centenary of the first national art collection, the Historic Memorials Collection, housed at Australia's Parliament House.

Pre-Raphaelite Profile

In 2006 the National Portrait Gallery acquired a splendid portrait of Victoria's first governor, Lieutenant Governor Charles Joseph La Trobe by Thomas Woolner.

Shadows of light

Mark Haworth-Booth explains why Bill Brandt is one of the most important British photographers of the Twentieth Century.

Giving and getting

The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.

Heartfelt

The portrait of Janet and Horace Keats with the spirit of the poet Christopher Brennan is brought to life by artist Dora Toovey.

Presence and absence

The art of Australia’s colonial women painters affords us an invaluable, alternative perspective on the nascent nation-building project.

A feast of friends

John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.

In a good paddock

Celebrating a new painted portrait of Joseph Banks, Sarah Engledow spins a yarn of the naturalist, the first kangaroo in France and Don, a Spanish ram.

Black and white history

English artist Benjamin Duterrau took up the cause of the Indigenous peoples of Tasmania with his detailed and sympathetic renderings.

Sibly irresistible

Alexandra Roginski reveals a forceful feminist figure in the colonial period’s slippery science, phrenology.

Oz and beyond

Martin Sharp fulfils the Pop art idiom of merging art and life.

Listening to form

National Gallery of Australia curator Jane Kinsman discusses the portraiture of Henri Matisse.

Meeting by Murder

The story behind two colonial portraits; a lithograph of captain and convict John Knatchbull and newspaper illustration of Robert Lowe, Viscount Sherbrooke.

Poison pen

Michael Desmond examines the career of the eighteenth-century suspected poisoner and portrait artist Thomas Griffiths Wainewright.

Material culture

The Rajah Quilt’s narrative promptings are as intriguing as the textile is intricate.

Aussies all

The exhibition Aussies all features the ecclectic portrait photography of Rennie Ellis which captures Australian life during the 70s and 80s.

Abstraction and figuration

James Angus discusses his major sculpture commission Geo Face Distributor with Christopher Chapman.

In the galleries

Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.

Tiny Trace of a Colonial Giant

At just 7.8 x 6.2 cm, the daguerreotype of Thomas Sutcliffe Mort and his wife Theresa is one of the smallest works in the collection of the National Portrait Gallery.

Less than six degrees of separation

Anne Sanders finds connections in Inner Worlds between Hungarian expatriates and the development of psychoanalysis in Australia.

A man of superior attainments

Joanna Gilmour explores the life of a colonial portrait artist, writer and rogue Thomas Griffiths Wainewright.

Private virtues public lives

Family affections are preserved in a fine selection of intimate portraits.

Birds of a feather

Charting a path from cockatiel to finch, Annette Twyman explores her family portraits and stories.

Kiwi magpie

Penelope Grist finds inspiration in pioneering New Zealand artist, Frances Hodgkins.

The Wentworths – Hidden in Plain Sight

Grace Carroll on the gendered world of the Wentworths.

Reflections on portraiture

An extract from the 2004 Nuala O'Flaaherty Memorial Lecture at the Queen Victoria Musuem and Art Gallery in Launceston in which Andrew Sayers reflects on the unique qualities of a portrait gallery.

Back in black

Krysia Kitch reviews black chronicles at the National Portrait Gallery, London.

The mind's eye

Christopher Chapman takes a trip through the doors of perception, arriving at the junction of surrealism and psychoanalysis.

Great Scots

Diana O’Neil samples the tartan treats on offer in the Scottish National Portrait Gallery.

The importance of being bearded

Joanna Gilmour discovers that the beards of the ill-fated explorers Burke and Wills were as epic as their expedition to traverse Australia from south to north.

Home truths

Despite once expressing a limited interest in the self portrait, the idea of it has figured strongly in much of Tracey Moffatt's work and has done so in some of her most distinctive and compelling images.

Home and away

Sir William Dobell painted the portraits of Sir Charles Lloyd Jones and Sir Hudson Fysh, who did much to promote the image of Australia in this country and abroad.

Getting a head

Alexandra Roginski gets a feel for phrenology’s fundamentals.

Augustus serendipitous

The London-born son of an American painter, Augustus Earle ended up in Australia by accident in January 1825. 

Generous Janice

Dr Sarah Engledow puts four gifts to the National Portrait Gallery’s Collection in context.

Petal to the mettle

Sarah Engledow lauds the very civil service of Dame Helen Blaxland.