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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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MacKenzie family silhouette

All there in black and white

Magazine article by Dr Sarah Engledow, 2007

The National Portrait Gallery acquired a beguiling silhouette group portrait by Samuel Metford, an English artist who spent periods of his working life in America.

Portrait 73

Magazine

Glynis Traill-Nash explores a new Romance Was Born commission, Emma Kindred looks at Vincent Namatjira, and Rebecca Blake profiles NPPP finalist Gerwyn Davies.

Portrait 68

Summer 2022/23
Magazine

Rebecca Ray on Robert Fielding’s Mayatjara series, Jennifer Higgie on Alice Neel, Elspeth Pitt chats with Yvette Coppersmith, Vincent Fantauzzo on virtual sittings with Hugh Jackman and more.
Layla 2020 Veronica Watson, pencil on paper. Layla 2020 Sarah McEwan, fabric, acrylic on MDF. Self portrait 2020 Layla Bacayo, drypoint on paper. Image: Sarah McEwan

Mash-up

Magazine article by Penelope Grist, 2022

Penelope Grist delves into an insightful portraiture exhibition that asks: How do three artists see the same sitter?
Men In This Town 04

Why portraiture?

Magazine article by Atong Atem, 2025

Atong Atem reflects on her experiences, process and motivation for making portraits.
dumb & dumber from The Imponderable Archive, 2013 Samuel Hodge

Everything, everyqueer, all at once

Magazine article by Bradley Vincent, 2022

Bradley Vincent considers Samuel Hodge’s use of the archive to create a queer vernacular of portraiture.
Romance Was Born, Regional Australia, 2006, with Del Kathryn Barton

Portrait x Romance Was Born

Magazine article by Glynis Traill-Nash, 2025

Glynis Traill-Nash on Samuel Hodge’s portrait of Romance Was Born.
Barry Humphries

No Laughing Matter

Magazine article by Simon Elliott, 2002

The biographical exhibition of Barry Humphries was the first display of its kind at the National Portrait Gallery.
Ann Moyal

The elegant thinker

Magazine article by Dr Sarah Engledow, 2020

Sarah Engledow pens a fond farewell to acclaimed science historian Ann Moyal.
Mirror II, 2022 Gerwyn Davies

Hidden in Plain Sight

Magazine article by Rebecca Blake, 2025

Rebecca Blake looks at the whimsical and flamboyant art of Gerwyn Davies, a two-time National Photographic Portrait Prize finalist.
Miss Frances Samuel

The art of dress

Magazine article by Dr Emma Kindred, 2023

Emma Kindred examines fashion as a representation of self and social ritual in 19th-century portraiture.
Nannultera, a young cricketer of the Natives' Training Institution, Poonindie , 1854 John Michael Crossland

The catechist and the cricketer

Magazine article by Stephen Valambras Graham, 2021

Stephen Valambras Graham traverses the intriguing socio-political terrain behind two iconic First Nations portraits of the 1850s.
A woman of New South Wales, c. 1840

More cash than dash

Magazine article by Joanna Gilmour, 2011

Joanna Gilmour describes how colonial portraitists found the perfect market among social status seeking Sydneysiders.
Sir Sidney Kidman

The fat of the land

Magazine article by Dr Sarah Engledow, 2009

Sir Sidney Kidman (1857-1935) is inscribed in Australian legend as the ‘Cattle King’. 
Staffordshire bull terrier belonging to the Rev. John Gower, 1851

Essential portraiture

Magazine article by Michael Desmond, 2011

Michael Desmond in conversation with University of Houston professor of philosophy Cynthia Freeland.
Ryan Presley in front of his artwork Paradise won

Ryan Presley

In conversation
Magazine article by April Phillips, 2024

April Phillips (Wiradjuri-Scottish, kalari/galari) yarns with Marri Ngarr artist Ryan Presley about portraiture, resilience and the spirit held within fire.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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