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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Light and shadow

Explore how artists use light and shadow to emphasise the sitter and communicate meaning.

Bri, 2025 Saskia Wilson
Uncle Mervyn Bishop - Australia’s first Aboriginal press photographer, 2025 Dean Saffron
Star I, 2025 Meng-Yu Yan
1 Bri, 2025 Saskia Wilson. 2 Uncle Mervyn Bishop - Australia’s first Aboriginal press photographer, 2025 Dean Saffron. 3 Star I, 2025 Meng-Yu Yan.

Look

  • Invite students to use drawing as a way of closely observing portraits.
  • Ask students to choose one portrait and use white pencil on black paper to block in the main areas of light and dark that they can see.
  • Encourage them to focus on general shapes and lines rather than fine details. Remind students that this is about capturing the portrait’s light and dark values, not to create an exact copy.

Discuss

  • Invite students to discuss their observations in small groups and view the three portraits side-by-side.
  • Ask students to consider how the three artists have used light and shadow in the portrait.

Discussion prompts:

  • What mood does the lighting create? What can you see that makes you say that?
  • How do the light and shadows guide your eye through the portrait?
  • What aspects of the composition are revealed by the light? What aspects are hidden in shadow?
  • Do shadows conceal information or encourage us to imagine what might be hidden?

Connect

  • Invite students to continue investigating one of the portraits through research.
  • Ask students to consider how the use of light and shadow communicate the meaning behind the portrait.
  • Encourage students to start by reading the artist’s statement before conducting broader research.

Inquiry prompts:

  • How do you think the use of light and shadow emphasises the sitter’s story?
  • How has the artist used light and shadow to communicate personal, social or cultural ideas?
  • How does understanding the artist’s intentions change your interpretation of the portrait?
  • What role does light and shadow play in the artist’s broader practice?
  • How does light and shadow affect how someone is perceived?

Create

  • Invite students to experiment with light and shadow to photograph a friend, family or community member.
  • Ask students to take multiple photographs of the person and explore different techniques and effects.
  • Encourage students to consider how light and shadow can communicate the subject’s identity and story and reflect on which approach achieved their intentions.

Creative prompts:

  • Photograph the subject using five different lighting directions: front, side, back, above and below. How does the position of the light source in relation to the subject change the mood of the portrait?
  • Project shadows onto the subject or use patterns and objects to cast shadows. What meaning do the shadows add to the portrait?
  • Photograph the subject’s silhouette. What information about the subject can be hidden or revealed?
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ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency