Aimee Board reveals method, motivation and mortality in the portraiture of Rod McNicol.
Sarah Engledow trains her exacting lens on the nine photographs from 20/20.
Sarah Engledow describes the fall-out once Brett Whiteley stuck Patrick White’s list of his loves and hates onto his great portrait of the writer.
Traversing paint and pixels, Inga Walton examines portraits of select women in Tudors to Windsors: British Royal Portraits.
How seven portraits within Bare reveal in a public portrait parts of the body and elements of life usually located in the private sphere.
Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.
John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.
Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.
One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.
