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Peter Jeffrey trips the hound nostalgic.
Sarah Engledow on a foundational gallery figure who was quick on the draw.
Christopher Chapman immerses himself in Larry Clark’s field of vision.
How the National Portrait Gallery and its unique collection came to be
Sarah Engledow likes the manifold mediums of Nicholas Harding’s portraiture.
Andrew Sayers outlines the highlights of the National Portrait Gallery's display of portrait sculpture.
Joanna Gilmour accounts for Australia’s deliciously ghoulish nineteenth century criminal portraiture.
David Ward writes about the exhibition Hide/Seek: Difference and Desire in American Portraiture on display at the National Portrait Gallery, Washington.
Close encounters are the genesis for Graeme Drendel’s enticing portraiture.
Blue Mountain, Owner, Trainer, Jockey, James Scobie 1887 by Frederick Woodhouse Snr. is a portrait of James Scobie, well known jockey and eminent horse trainer.
Joanna Gilmour on Tom Durkin playing with Melbourne's manhood.
Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.
Collection: National Portrait Gallery
Purchased 2018
To celebrate his family bicentenary, Malcolm Robertson looks at the portraiture legacy left by his ancestors.
A toast to the acquisition of an unconventional new portrait of former Prime Minister, Stanley Melbourne Bruce.