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The Rajah Quilt’s narrative promptings are as intriguing as the textile is intricate.
Joanna Gilmour profiles Violet Teague, whose sophisticated works hid her originality and non-conformity in plain sight.
The exhibition Aussies all features the ecclectic portrait photography of Rennie Ellis which captures Australian life during the 70s and 80s.
James Angus discusses his major sculpture commission Geo Face Distributor with Christopher Chapman.
Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.
At just 7.8 x 6.2 cm, the daguerreotype of Thomas Sutcliffe Mort and his wife Theresa is one of the smallest works in the collection of the National Portrait Gallery.
Anne Sanders finds connections in Inner Worlds between Hungarian expatriates and the development of psychoanalysis in Australia.
Nathan Faiman delves into the rich life story and legacy of Alan Goldberg.
Joanna Gilmour explores the life of a colonial portrait artist, writer and rogue Thomas Griffiths Wainewright.
Charting a path from cockatiel to finch, Annette Twyman explores her family portraits and stories.
Penelope Grist finds inspiration in pioneering New Zealand artist, Frances Hodgkins.
Grace Carroll on the gendered world of the Wentworths.
An extract from the 2004 Nuala O'Flaaherty Memorial Lecture at the Queen Victoria Musuem and Art Gallery in Launceston in which Andrew Sayers reflects on the unique qualities of a portrait gallery.
Krysia Kitch reviews black chronicles at the National Portrait Gallery, London.
‘Everybody’s lives are built by so many influences, and for me, it is writers, artists and activists who have influenced how I think about the world.’
Christopher Chapman takes a trip through the doors of perception, arriving at the junction of surrealism and psychoanalysis.