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Artist David M Thomas lists some of the ideas and influences behind his video portraits.
The fourth row of paintings interweave Ngarranggarni, memories, relationships and Country.
Emma Batchelor uncovers the compelling contemporary dance made in response to the works in Shakespeare to Winehouse.
Sarah Engledow describes the fall-out once Brett Whiteley stuck Patrick White’s list of his loves and hates onto his great portrait of the writer.
David Ward writes about the exhibition Hide/Seek: Difference and Desire in American Portraiture on display at the National Portrait Gallery, Washington.
Isobel Parker Philip introduces artist Thom Roberts, whose distinctive portraits of people, buildings and personified trains define the world as he experiences it.
Portraits of philanthropists in the collection honour their contributions to Australia and acknowledge their support of the National Portrait Gallery.
Penelope Grist, National Photographic Portrait Prize judge and curator, introduces the 2020 Prize.
It’s a matter beyond dispute that in the entire history of Australian art, it’s Noel McKenna who’s painted the liveliest rendition of the head of a Chihuahua.
To accompany the exhibition Cecil Beaton: Portraits, held at the NPG in 2005, this article is drawn from Hugo Vickers's authorised biography, Cecil Beaton (1985).
Michael Desmond charts the path of portraiture, arriving at Julian Opie’s digital realm.
Dr Anne Sanders previews the works in the new focus exhibition Paul Kelly and The Portraits.
Gael Newton looks at Australian photography, film and the sixties through the novel lens of Mark Strizic.
Joanna Gilmour travels through time to explore the National Portrait Gallery London’s masterpieces in Shakespeare to Winehouse.