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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Murray Bail
Murray Bail
Murray Bail

Murray Bail, 1980-1981

Fred Williams
Portrait, oil on canvas

Gift of an anonymous donor 1999. Donated through the Australian Government's Cultural Gifts Program.

Waiting for Zipporah (Christine Anu)
Waiting for Zipporah (Christine Anu)
Waiting for Zipporah (Christine Anu)

Waiting for Zipporah (Christine Anu), 2002

Elizabeth Barden
Portrait, synthetic polymer paint on canvas

Collection: National Portrait Gallery
Gift of the artist 2004

Dr Brown and Green Old Time Waltz

Where the wild things are

Magazine article by Michael Desmond, 2009

Michael Desmond explores the complex portrait of Dr Bob Brown by Harold 'The Kangaroo' Thornton.

Henry Chamberlain Russell and family at Sydney Observatory
Henry Chamberlain Russell and family at Sydney Observatory
Henry Chamberlain Russell and family at Sydney Observatory

Henry Chamberlain Russell and family at Sydney Observatory, c. 1895

Charles Bayliss
Portrait, albumen silver photograph

Gift of Joanna Russell Maher (née Windeyer) 2018

Professor Peter Doherty

Rick Amor

21 Portraits
Previous exhibition, 2014

Rick Amor, noblest yet most unaffected of contemporary Australian portraitists, is also a painter of enigmatic, ominous landscapes, seascapes and cityscapes that haunt the viewer like dreams, dimly-recalled.

Rock Island Bend. Franklin River, South West Tasmania, 1979 by Peter Dombrovskis

Written in Water

Magazine article by Dr Sarah Engledow, 2005

Olegas Truchanas and Peter Dombrovskis, photographers and conservationists, shared a love of photography and exploring wilderness areas of Tasmania.

The Rajah quilt, 1841 by Kezia Hayter

Material culture

Magazine article by Joanna Gilmour, 2018

The Rajah Quilt’s narrative promptings are as intriguing as the textile is intricate.

A G Stephens
A G Stephens
A G Stephens

A G Stephens, c. 1910 (printed later)

an unknown artist
Portrait, gelatin silver photograph on paper

Collection: National Portrait Gallery
Purchased 2012

Annette Kellerman

Indecent exposure

Annette Kellerman
Previous exhibition, 2011

'Diving Venus' and 'the perfect woman' are two of the numerous descriptions applied to Annette Kellerman, who achieved international fame during the early decades of the twentieth century.

© National Portrait Gallery 2025
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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency