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Sarah Engledow describes the fall-out once Brett Whiteley stuck Patrick White’s list of his loves and hates onto his great portrait of the writer.
Sarah Engledow ponders the divergent legacies of Messrs Kendall and Lawson.
Sarah Engledow chronicles Rick Amor's work and accomplishments in this extensive essay in conjunction with the exhibition Rick Amor: 21 Portraits.
Krysia Kitch celebrates Oodgeroo Noonuccal.
Grace Carroll on the gendered world of the Wentworths.
An extract from the 2004 Nuala O'Flaaherty Memorial Lecture at the Queen Victoria Musuem and Art Gallery in Launceston in which Andrew Sayers reflects on the unique qualities of a portrait gallery.
Penelope Grist speaks to Robert McFarlane about shooting for the stars.
Jennifer Higgie uncovers the intriguing stories behind portraits of women by women in the National Portrait Gallery’s collection.
Curator, Penny Grist, reveals how this exhibition came to be
Joanna Gilmour explores the 1790 portrait of William Bligh by Robert Dodd.
Sarah Engledow lauds the very civil service of Dame Helen Blaxland.
An exhibition of humanness in ten themes by Penelope Grist.
Joanna Gilmour examines the prolific output of Charles Balthazar Julien Févret de Saint-Mémin, and discovers the risk of taking a portrait at face value.
Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.
Inner Worlds evokes a broad view of psychology as a discipline. However, the specific interests of the practitioners whose portraits are included in the exhibition incorporate specialist areas including psychoanalysis.