An extract from the 2004 Nuala O'Flaaherty Memorial Lecture at the Queen Victoria Musuem and Art Gallery in Launceston in which Andrew Sayers reflects on the unique qualities of a portrait gallery.
Penelope Grist speaks to Robert McFarlane about shooting for the stars.
Curator, Penny Grist, reveals how this exhibition came to be
Sarah Engledow lauds the very civil service of Dame Helen Blaxland.
Joanna Gilmour explores the 1790 portrait of William Bligh by Robert Dodd.
An exhibition of humanness in ten themes by Penelope Grist.
Joanna Gilmour examines the prolific output of Charles Balthazar Julien Févret de Saint-Mémin, and discovers the risk of taking a portrait at face value.
Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.
Inner Worlds evokes a broad view of psychology as a discipline. However, the specific interests of the practitioners whose portraits are included in the exhibition incorporate specialist areas including psychoanalysis.
