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Emma Kindred examines fashion as a representation of self and social ritual in 19th-century portraiture.
Joanna Gilmour reflects on 25 years of collecting at the National Portrait Gallery.
Spanning the 1880s to the 1930s, this collection display celebrates the innovations in art – and life – introduced by the generation of Australians who travelled to London and Paris for experience and inspiration in the decades either side of 1900.
It’s often thought that foremost among portraiture’s many functions is the documentation of individuals who are celebrated and familiar, or who best exemplify the temper and identity of a certain place at a certain time.
Spanning the 1880s to the 1930s, this collection display celebrates the innovations in art – and life – introduced by the generation of Australians who travelled to London and Paris for experience and inspiration in the decades either side of 1900.
Joanna Gilmour reflects on merging collections and challenging traditional assumptions around portraiture in WHO ARE YOU.
Sandra Bruce gazes on love and the portrait through Australian Love Stories’ multi-faceted prism.
To celebrate the new exhibition Australian Love Stories, renowned Australian glass artist Harriet Schwarzrock has been commissioned to make a large-scale installation reflecting on the role the heart plays as our emotional centre.
A major new exhibition celebrating love in all its guises. Opening 20 March 2021.
Talented wife for a talented husband
Close encounters are the genesis for Graeme Drendel’s enticing portraiture.
Sarah Engledow explores the history of the prime ministers and artists featured in the exhibition.
Seventeen of Australia’s thirty prime ministers to date are represented in the contrasting sizes, moods and mediums of these portraits.
Penelope Grist finds inspiration in pioneering New Zealand artist, Frances Hodgkins.
This 1910 portrait of Elizabeth Sarah (Lillie) Roberts by Tom Roberts was brought into the Gallery's collection with the assistance of the Acquisition Fund in 2013.
Gift of Denis Savill 2017. Donated through the Australian Government's Cultural Gifts Program.
The Chairman, Board, Director and all the staff of the National Portrait Gallery mourn the loss of our Benefactor, Mary Isabel Murphy.
The Portrait Gallery is calling for contributions to support in the acquisition of superb portraits for the national collection.
Australian character on the market by Jane Raffan.
Karl James gives short shrift to doubts about the profile of General Sir John Monash.
Sarah Engledow ponders the divergent legacies of Messrs Kendall and Lawson.
One half of the team that was Eltham Films left scarcely a trace in the written historical record, but survives in a vivid portrait.
This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.
Sarah Engledow writes about Gordon and Marilyn Darling and their support for the National Portrait Gallery throughout its evolution.
Purchased 2015
Collection: National Portrait Gallery
Gift of Peter Roberts 2015
Collection: National Portrait Gallery
Gift of Peter Roberts 2015
Collection: National Portrait Gallery
Gift of Peter Roberts 2015
Collection: National Portrait Gallery
Gift of Peter Roberts 2015
Collection: National Portrait Gallery
Gift of Peter Roberts 2015
Sarah Engledow chronicles Rick Amor's work and accomplishments in this extensive essay in conjunction with the exhibition Rick Amor: 21 Portraits.
How the National Portrait Gallery and its unique collection came to be
Jane Raffan asks do clothes make the portrait, and can the same work with a new title fetch a better price?
Gift of Grietje Croll in memory of her late husband Robert Devereaux Croll and with the endorsement of his daughter Helen Croll 2013. Donated through the Australian Government's Cultural Gifts Program.
Purchased with the assistance of funds provided by the Circle of Friends 2013
Dr Anne Sanders NPG Curatorial Researcher investigated the lives of the pioneering psychologists whose portraits are featured in Inner Worlds.
Broadway star Miss Hilda Spong was painted by Tom Roberts in 1893.
Sarah Engledow is seduced by the portraits and the connections between the artists and their subjects in the exhibition Impressions: Painting light and life.
Collection: National Portrait Gallery
Purchased with funds provided by the Liangis family 2012
Impressions: Painting light and life presents portraits by, and of, artists at the heart of Australian impressionism including Tom Roberts, Arthur Streeton and Frederick McCubbin.
This display celebrates 100 years of the Historic Memorials Collection and its role in commissioning portraits of parliamentary and judicial figures in Australia.
Portraits of philanthropists in the collection honour their contributions to Australia and acknowledge their support of the National Portrait Gallery.
Celebrates the centenary of the first national art collection, the Historic Memorials Collection, housed at Australia's Parliament House.
Bess Norriss Tait created miniature watercolour portraits full of character and life.
Andrew Sayers asks whether a portrait can truly be the examination of a life.
'I have just been to my dressing case to take a peep at you.
Family affections are preserved in a fine selection of intimate portraits.
Michael Desmond explores the complex portrait of Dr Bob Brown by Harold 'The Kangaroo' Thornton.
Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.
Jerrold Nathan's portrait of Jessie Street shows the elegant side of a many-faceted lady.
In his speech launching the new National Portrait Gallery building on 3 December 2008, then Prime Minister Kevin Rudd set the Gallery in a national and historical context.
Purchased 2009
Purchased 2009
Gift of the family of Sir Victor and Lady Windeyer 2009. Donated through the Australian Government's Cultural Gifts Program.
Dr. Sarah Engledow discovers the amazing life of Ms. Hilda Spong, little remembered star of the stage, who was captured in a portrait by Tom Roberts.
Collection: National Portrait Gallery
Purchased 2008
Purchased 2008
Purchased with funds provided by the Ian Potter Foundation 2008
Andrew Sayers discusses the real cost of George Lambert's Self portrait with gladioli 1922.
Studio: Australian Painters Photographed by R. Ian Lloyd presents 61 of some of Australia’s most respected and significant painters working in the studio environment.
Leslie Moran investigates the portraits of judges in the National Portrait Gallery's collection.
Purchased with funds provided by L Gordon Darling AC CMG 2006
Artist Mandy Martin describes the creation of her portrait of Aldo Giurgola, principal architect of Australia's Parliament House.
Gift of the Royal Australian Institute of Architects 2005
George Selth Coppin (1819-1906) comedian, impresario and entrepreneur, was a driving force of the early Australian theatre.
This exhibition is the first comprehensive survey of self-portraits in Australia, from the colonial period to the present
This edited version of a speech by Andrew Sayers examines some of the antecedents of the National Portrait Gallery and set out the ideas behind the modern Gallery and its collection.
This exhibition focuses on exploring national and communal identity through sculptural production in Australia, from the early decades of settlement through to the present day
This article examines the portraits gifted to the National Portrait Gallery by Fairfax Holdings in 2003.
Purchased with funds provided by Mary Isabel Murphy 2004
Collection: National Portrait Gallery
Gift of Penny Amberg and Andrew Bond 2001
Donated through the Australian Government's Cultural Gifts Program
Gift of John Fairfax Holdings Ltd 2002. Donated through the Australian Government's Cultural Gifts Program.
Collection: National Portrait Gallery
Purchased 2001
Purchased 2001
Collection: National Portrait Gallery
Purchased 2001
Gift of Gerard Vaughan 2001
For Tom Roberts - Australia's best nineteenth-century portrait painter - neither a proto-national portrait gallery nor more popular collections of portrait heads, were sufficient public celebrations for the notables of Australian history
Tom Roberts (1856–1931), artist, came to Australia from England at the age of 13, but returned eight years later to study art in London.
9 portraits in the collection
H. Walter Barnett (1862-1934) was a leading portrait photographer of the late Victorian, Edwardian and interwar periods.
12 portraits in the collection
Tim Burstall (1927-2004) set up Eltham Films in the early 1950s, when the local film industry was moribund.
2 portraits in the collection
Robert Hannaford AM (b. 1944), a largely self-taught artist, grew up on his family farm near the small South Australian town of Riverton before working as political cartoonist for the Adelaide Advertiser from 1964 to 1967.
6 portraits in the collection
Romaldo Giurgola AO (1920–2016), architect, was a founding partner of the firm that won the international design competition for Australia’s New Parliament House in 1980.
2 portraits in the collection
Thomas Clark, teacher and painter, arrived in Victoria from England in about 1852, having been anatomical draftsman at King's College London and headmaster of the Birmingham School of Design.
1 portrait in the collection
Hilda Spong (1875-1955), actress, came to Australia with her family when she was thirteen.
1 portrait in the collection
David Davies began studying art at the School of Mines and Industries in his birthplace, Ballarat.
1 portrait in the collection
Walter Withers (1854-1914), painter, interior designer and teacher, trained at the Royal Academy in London before coming to Australia at the end of 1882.
1 portrait in the collection
Goupil & Cie was established in Paris in 1850, initially as a dealer in prints, paintings and sculptures.
4 portraits in the collection
Thomas Joseph Carr (1839–1917) was the second Catholic archbishop of Melbourne, the successor to James Alipius Goold.
2 portraits in the collection
Patrick Ryan (d. 1990) and Tim Burstall set up Eltham Films in the early 1950s, when the local film industry was moribund.
1 portrait in the collection
Robert Henderson Croll (1869-1947), author, worked as a clerk in the Victorian public service for over 40 years, but is better remembered for his books and journalism.
2 portraits in the collection
Elizabeth Sarah (Lillie) Roberts (née Williamson, 1860–1928), artist, was born in Launceston, the daughter of Caleb Williamson, a successful merchant, and his wife, Elizabeth.
1 portrait in the collection
Talma Studios opened in Sydney in March 1899 in a George Street premises next door to the GPO.
1 portrait in the collection