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My dream job

Artist David M Thomas lists some of the ideas and influences behind his video portraits.

Around the grounds

Anne Sanders writes about the exhibitions Victoria & Albert: Art & Love on display at the Queen's Gallery, Buckingham Palace and the retrospective of Sir Thomas Lawrence at the National Portrait Gallery, London.

Public hanging

As a convict Thomas Bock was required to sketch executed murders for science; as a free man, fashionable society portraits.

Poison pen

Michael Desmond examines the career of the eighteenth-century suspected poisoner and portrait artist Thomas Griffiths Wainewright.

A man of superior attainments

Joanna Gilmour explores the life of a colonial portrait artist, writer and rogue Thomas Griffiths Wainewright.

The Final Frontier

Magda Keaney talks with Montalbetti+Campbell about their photographic portrait of Australian astronaut Andy Thomas.

Fine and dandy

Whether the result of misadventure or misdemeanour, many accomplished artists were transported to Australia where they ultimately left a positive mark on the history of art in this country.

Pre-Raphaelite Profile

In 2006 the National Portrait Gallery acquired a splendid portrait of Victoria's first governor, Lieutenant Governor Charles Joseph La Trobe by Thomas Woolner.

Spikes: then and now

As part of its ongoing program of commissions of portraits of prominent Australians, the National Portrait Gallery has unveiled a portrait of Her Excellency Marjorie Jackson-Nelson by South Australian artist Avril Thomas.

Dane reign

Mette Skougaard and Thomas Lyngby bring eloquent context to Ralph Heimans’ portraits of Crown Princess Mary and Crown Prince Frederik of Denmark.

Tiny Trace of a Colonial Giant

At just 7.8 x 6.2 cm, the daguerreotype of Thomas Sutcliffe Mort and his wife Theresa is one of the smallest works in the collection of the National Portrait Gallery.

Bonfire of the vanities

Australian Galleries Director Stuart Purves tells the story of two portraits by John Brack.

Painting writing

Dr Sarah Engledow explores the portraits of writers held in the National Portrait Gallery's collection.

Portrait 61

Max Dupain's unknown portrait subjects, phrenologist Madame Sibly, Indigenous-European relationships, Thomas Gainsborough and more.

Portrait 5

This issue of Portrait Magazine features Bill Leak's portrait of Robert Hughes, Polly Borland's photographs, Bill Brandt, Andy Thomas, Tracey Moffatt and more.

Portrait 35

This issue features suspected poisoner and portrait artist Thomas Wainewright, Rick Amor, Chuck Close, Mick Dodson, Scott Redford, the National Photographic Portrait Prize exhibition and more.

Portrait 60

Ralph Heimans on his portraits, and features on Louis Kahan, Helena Rubinstein, Judy Cassab and Tasmanian convicts.

Dr G Yunupingu

Dr G Yunupingu (1970-2017), a man of the Gumatj clan of north-east Arnhem Land, learned to play guitar, keyboard, drums and didgeridoo as a child.

Northern exposure

Phil Manning celebrates a century of Brisbane photographic portraiture.

All there in black and white

The National Portrait Gallery acquired a beguiling silhouette group portrait by Samuel Metford, an English artist who spent periods of his working life in America.

The Lawrence lustre

Angus Trumble salutes the glorious portraiture of Sir Thomas Lawrence.

Keep it in the family

David Solkin ponders the provocations and inspirations of the enigmatic Thomas Gainsborough.

A new perspective

An exhibition devoted to Hans Holbein's English commissions shows the portraitist bringing across the Channel new technical developments in art - with a dazzling facility.

Why do painted portraits still matter?

Lecture by Sandy Nairne, Director, National Portrait Gallery, London, given at the National Portrait Gallery, Canberra on 28 April 2006.

Fits of delicacy and despair

Henry Mundy's portraits flesh out notions of propriety and good taste in a convict colony.

Black tie or wombat: How formal should I go?

Michael Desmond discusses the portrait of Senator Neville Bonner by Robert Campbell Jnr.

Little treasures

The acquisition of the ivory miniatures of Mortimer and Mrs Lewis.

Two pair

123 Faces

Magda Keaney examines the 123 Faces project by Simon Obarzanek.

Duty bound

Joanna Gilmour explores the life of colonial women Lady Ellen Stirling, Eliza Darling, Lady Eliza Arthur, Elizabeth Macquarie and Lady Jane Franklin.

Picture this...

This edited version of a speech by Andrew Sayers examines some of the antecedents of the National Portrait Gallery and set out the ideas behind the modern Gallery and its collection.

Portrait of a Modernist

The National Portrait Gallery acquired the self-portrait by Grace Cossington Smith in 2003.

More cash than dash

Joanna Gilmour describes how colonial portraitists found the perfect market among social status seeking Sydneysiders.

Alternative virtue

Joanna Gilmour presents John Kay’s portraits of a more infamous side of Edinburgh.

In a good paddock

Celebrating a new painted portrait of Joseph Banks, Sarah Engledow spins a yarn of the naturalist, the first kangaroo in France and Don, a Spanish ram.

Reflections on portraiture

An extract from the 2004 Nuala O'Flaaherty Memorial Lecture at the Queen Victoria Musuem and Art Gallery in Launceston in which Andrew Sayers reflects on the unique qualities of a portrait gallery.

Portrait of a patron

A new painting by Jiawei Shen captures the vision and resolve of the Gallery's founder, L. Gordon Darling AC CMG.

Unknown drawer

Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.

Good, bad and the ugly

Michael Desmond explores what makes a portrait subject significant.

When birds no longer sing

Emma Kindred looks at the career of Joan Ross, whose work subverts colonial imagery and its legacy with the clash of fluorescent yellow.

In the round

Andrew Sayers outlines the highlights of the National Portrait Gallery's display of portrait sculpture.

The God-shaped hole

Exploring the photographs of Martin Schoeller, Michael Desmond delves into the uneasy pact that exists between celebrity and the camera.

All dressed up

Jane Raffan asks do clothes make the portrait, and can the same work with a new title fetch a better price?

Hide/Seek

David Ward writes about the exhibition Hide/Seek: Difference and Desire in American Portraiture on display at the National Portrait Gallery, Washington.

Bill and Ted's excellent portrait.

Sarah Engledow on Messrs Dobell and MacMahon and the art of friendship.

Take thy face hence

Joanna Gilmour travels through time to explore the National Portrait Gallery London’s masterpieces in Shakespeare to Winehouse.

Showing character

Joanna Gilmour on Tom Durkin playing with Melbourne's manhood.

The art of conciliation

Gareth Knapman explores the politics and opportunism behind the portraits of Tasmania’s Black War.

Paper weight

Joanna Gilmour delves into a collection display that celebrates the immediacy and potency of drawing as an art form in its own right.

Subtle emotion

Christopher Chapman considers photographer Rozalind Drummond's portrait of author Nam Le.

Apollo's breath

Christopher Chapman delights in the intimacy of Robert Mapplethorpe's photography

Support Crew

Portraits of philanthropists in the collection honour their contributions to Australia and acknowledge their support of the National Portrait Gallery.

Conflicting images

Michael Desmond reveals the origins of composite portraits and their evolution in the pursuit of the ideal.

Brothers on farms

Malcolm Robertson tells the family history of one of Australia's earliest patrons of the arts, his Scottish born great great great grandfather, William Robertson.

Hearts of Darkness

The National Portrait Gallery's acquisition of the portrait of Edward John Eyre by pioneering English photographer Julia Margaret Cameron.

The Philosophy of Teapots and Ducks

Cartoonist Michael Leunig's insights into the human condition and current affairs have become famous Australia-wide.

Big bouquet of Blackmans

Dr. Sarah Engledow explores the context surrounding Charles Blackman's portrait of Judith Wright, Jack McKinney and their daughter Meredith.

A real Pratt

The death of a gentlewoman is shrouded in mystery, a well-liked governor finds love after sorrow, and two upright men become entangled in the historical record.

Top shot that

Gideon Haigh discusses portraits of Australian cricketers from the early 20th century

Vanity fair

Ashleigh Wadman rediscovers the Australian characters represented with a kindly touch by the British portrait artist Leslie Ward for the society magazine Vanity Fair.

Political profiles

Joanna Gilmour examines the prolific output of Charles Balthazar Julien Févret de Saint-Mémin, and discovers the risk of taking a portrait at face value.

In the galleries

Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.

An Australian story

In his speech launching the new National Portrait Gallery building on 3 December 2008, then Prime Minister Kevin Rudd set the Gallery in a national and historical context.

The bright-eyed Mariner

Of beef in burgundy

Angus Trumble reveals the complex technical mastery behind a striking recent acquisition, Henry Bone’s enamel portrait of William Manning.

The Wentworths – Hidden in Plain Sight

Grace Carroll on the gendered world of the Wentworths.

Wunderkind lost

Inga Walton on the brief but brilliant life of Hugh Ramsay.

Fugue in Yellow

Roger Benjamin explores the intriguing union of Lina Bryans and Alex Jelinek.

Profile of a marriage

Dr Sarah Engledow explores the lives of Sir George Grey and his wife Eliza, the subjects of a pair of wax medallions in the National Portrait Gallery's collection.

Australia’s great internationalists

Penelope Grist explores the United Nations stories in the Gallery’s collection.

The importance of being bearded

Joanna Gilmour discovers that the beards of the ill-fated explorers Burke and Wills were as epic as their expedition to traverse Australia from south to north.

Unbuttoning uniforms

Sharon Peoples contemplates costumes and the construction of identity.

Costantini's convictions

Jo Gilmour uncovers endearing authenticity in the art of a twice-transported Tasmanian.

You beauty

Joanna Gilmour explores the fact and fictions surrounding the legendary life of Irish-born dancer Lola Montez.

Money for Myth

Australian character on the market by Jane Raffan.

The Dissecting Room

Joanna Gilmour accounts for Australia’s deliciously ghoulish nineteenth century criminal portraiture. 

Augustus serendipitous

The London-born son of an American painter, Augustus Earle ended up in Australia by accident in January 1825. 

Presence and absence

The art of Australia’s colonial women painters affords us an invaluable, alternative perspective on the nascent nation-building project.

Getting bare

How seven portraits within Bare reveal in a public portrait parts of the body and elements of life usually located in the private sphere.

Off her own bat

Joanna Gilmour profiles Violet Teague, whose sophisticated works hid her originality and non-conformity in plain sight.

A feast of friends

John Singer Sargent: a painter at the vanguard of contemporary movements in music, literature and theatre.

First encounters

Representations of the inhabitants of the new world expose the complexities of the colonisers' intentions.

Secure the shadow ere the substance fade

The tragic tale of Tom Wills, the ‘inventor’ of Australian Rules Football.

Regarding Henrys

Sarah Engledow ponders the divergent legacies of Messrs Kendall and Lawson.

The shipwright's arms

Joanna Gilmour explores the life and times of convict-turned-artist William Buelow Gould.