- About us
- Support the Gallery
- Venue hire
- Publications
- Research library
- Organisation chart
- Employment
- Contact us
- Make a booking
- Onsite programs
- Online programs
- School visit information
- Learning resources
- Little Darlings
- Professional learning
Gift of Patrick Corrigan AM 2004. Donated through the Australian Government's Cultural Gifts Program.
Ross Wilson (b. 1947), musician and producer, started playing in bands as a schoolboy, fronting the Pink Finks and the Party Machine in the late 1960s.
3 portraits in the collection
Sir Samuel Wilson was elected to the British House of Commons in 1886.
1 portrait in the collection
James Wilson (1760–1840), naval officer, was the commander of a ship called the Duff, which in 1797 brought a group of missionaries from the London Missionary Society to Tahiti.
1 portrait in the collection
Archie 100 curator (and detective) Natalie Wilson’s nationwide search for Archibald portraits unearthed the fascinating stories behind some long-lost treasures.
William Hardy Wilson (1881-1955) - or Hardy Wilson, as he styled himself - is regarded as one of the most significant and visionary Australian architects of the twentieth century.
1 portrait in the collection
Gift of Nell Schofield 2020. Donated through the Australian Government's Cultural Gifts Program.
Collection: National Portriat Gallery
Gift of the artist 2011
Collection: National Portrait Gallery
Purchased 2005
Gift of Leo Christie 2003. Donated through the Australian Government's Cultural Gifts Program.
Collection: National Portrait Gallery
Gift of Ted and Gina Gregg 2012
Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.
Artist Tessa Jones recalls creating her portrait of Daddy Cool and Mondo Rock singer and music producer, Ross Wilson.
Collection: National Portrait Gallery
Gift of Philip Bacon AM 2012
Purchased with funds provided by anonymous donors 2024
Gift of the Simpson Family in memory of Caroline Simpson OAM 2008. Donated through the Australian Government's Cultural Gifts Program.
Gift of Mr Ronald Walker 2001
Purchased 2005
Gift of the Simpson family in memory of Caroline Simpson OAM 2008. Donated through the Australian Government's Cultural Gifts Program.
This month I turn fifty, soI am just now looking rather more closely than usual at Fiona Foley, Steven Heathcote, Brenda Croft, Russell Crowe, Jeff Fenech, Akira Isogawa, Lee Kernaghan, My Le Thi, Shona Wilson and Mark Taylor AO, mindful that they too were 1964 arrivals.
In the one hundred years since Federation, Australia has produced twenty-five Prime Ministers of all shapes, shades and sizes
Winner, DPA 2016
An annual event to extend traditional notions of portraiture and foster emerging artists with an interest in new technology.
From infamous bushranger to oyster shop display, curator Jo Gilmour explores the life of George Melville.
Collection: National Portrait Gallery
Gift of Ms Vivian Wilson 2004
John Austin was born and developed his skills as a photographer in England.
2 portraits in the collection
The winner of the Digital Portraiture Award 2016 has been announced. Congratulations to Amiel Courtin-Wilson for his submission titled Charles.
Marcie Elizabeth 'Betty' Fairfax (1907–1995) was a leading figure in fashionable circles in Sydney in the 1920s and 1930s.
1 portrait in the collection
Purchased 2010
Collection: National Portrait Gallery
Purchased 2019
Collection: National Portrait Gallery
Purchased with funds provided by Graham Smith 2009
Collection: National Portrait Gallery
Gift of Ray Wilson OAM in memory of James Agapitos OAM 2011
Donated through the Australian Government's Cultural Gifts Program
Gift of the University of Newcastle (Australia) 2007
Gift of the Estate of Nicolaas van der Waarden 2013
Frederick Eccleston du Faur (1832–1915), environmentalist, public servant and arts patron, came to Australia from his native London in 1853.
1 portrait in the collection
Collection: National Portrait Gallery
Gift of Ms Vivian Wilson 2004
Richard Nicoll (1977‒2016), fashion designer, was born in London but spent much of his childhood in Perth.
1 portrait in the collection
Michele Aboud, commercial, fashion and portrait photographer, is a graduate of the Photographic College of London and UCLA.
1 portrait in the collection
Douglas Annand (1903–1976), graphic designer and artist, moved to Sydney from Brisbane in 1930.
2 portraits in the collection
Johann Zoffany, painter of portraits and conversation pieces, grew up in the court of the Prince von Thurn und Taxis in Germany, where his father was employed.
1 portrait in the collection
The Circle of Friends Acquisition Fund for 2012 was dedicated to purchasing a portrait of David Malouf by Rick Amor.
In conversation with Aretha Brown, Pieter Roelofs on Vermeer, humanoid robots, the nationwide search for Archibald portraits, and 25 years of collecting at the National Portrait Gallery.
Florence Austral (1892–1968), operatic soprano, achieved international renown during the 1920s.
1 portrait in the collection
Sandra Bruce chats with seven-time NPPP finalist Chris Budgeon about photography, guitars and representing the human story.
Collection: National Portrait Gallery
Purchased 2008
Collection: National Portrait Gallery
Purchased with funds provided by Graham Smith 2009
Martin Philbey’s portrait of Dan Sultan.
The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
Collection: National Portrait Gallery
Purchased 2011
Gift of Joan Collins and the Todd-Wilson family in memory of Bill Collins 2019. Donated through the Australian Government's Cultural Gifts Program.
The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
Nicholas Harding: 28 portraits features paintings of Robert Drewe, John Bell and Hugo Weaving alongside gorgeously coloured recent oil portraits, delicate gouaches and bold ink and charcoal drawings.
Death masks, post-mortem drawings and other spooky and disquieting portraits... Come and see how portraits of infamous Australians were used in the 19th century.
This exhibition is the first comprehensive survey of self-portraits in Australia, from the colonial period to the present
Dr Christopher Chapman explores how we can understand Richard Avedon's photographs.
Exploring the photographs of Martin Schoeller, Michael Desmond delves into the uneasy pact that exists between celebrity and the camera.
Those of you who are active in social media circles may be aware that through the past week I have unleashed a blitz on Facebook and Instagram in connection with our new winter exhibition Dempsey’s People: A Folio of British Street Portraits, 1824−1844.
Penelope Grist reminisces about the halcyon days of a print icon, before the infusion of the internet’s shades of grey.
Emanuel Solomon gave shelter to the Sisters of St Joseph upon the excommunication of St Mary MacKillop.
Alexandra Roginski gets a feel for phrenology’s fundamentals.
Penelope Grist spends some quality time with the Portrait Gallery’s summer collection exhibition, Eye to Eye.
Chris Chapman explains how Matthys Gerber bridges the gap between abstraction and portraiture.
Penelope Grist unpacks photographs by David Parker, who captured the phenomenal emergence of the 1970s and 80s Melbourne music scene.
Penelope Grist charts an immersive path through Stuart Spence’s photography.
George Selth Coppin (1819-1906) comedian, impresario and entrepreneur, was a driving force of the early Australian theatre.
Jean Appleton’s 1965 self portrait makes a fine addition to the National Portrait Gallery’s collection writes Joanna Gilmour.
Sarah Engledow ponders the divergent legacies of Messrs Kendall and Lawson.
At first glance, this small watercolour group portrait of her two sons and four daughters by Maria Caroline Brownrigg (d. 1880) may seem prosaic, even hesitant