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A new commissioned portrait funded by the Gallery’s Foundation will be launched at Murdoch University in Perth tonight, Wednesday 2 September.
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Partners in sparkle
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A companion to our 2013 exhibition Richard Avedon People. This resource ties in with the Australian Curriculum and is designed primarily for upper secondary school teachers of Visual Arts, English, History and Theory of Knowledge.
Commissioned with funds provided by Peter Weiss AO 2018
Office romance
TERROIR directors Gerard Reinmuth, Scott Balmforth and Richard Blythe believe that the practice of architecture is the production of knowledge.
Kristin Headlam's portrait of Chris Wallace-Crabbe was acquired with the support of the Circle of Friends in 2014.
Australia’s passion for rock ‘n roll was kindled by American and British acts in the 1950s and 60s. The novel genre’s driving, licentious rhythms and voices captured imaginations and libidos, not to mention aspiring young musicians.
After months of anticipation, the winner for the National Photographic Portrait Prize 2017 has been announced with renowned Sydney portrait photographer Gary Grealy taking out the award. George Fetting, guest judge for the 2017 Prize, was entranced with the evocative nature of the winning portrait Richard Morecroft and Alison Mackay.
From 2015 to 2017 the Acquisition Fund was focussed on Reg Richardson AM by Mitch Cairns, a finalist in the Archibald Prize 2014, and a great example of minimalist portraiture.
In 2020 the Annual Appeal was focussed on Sally Robinson's remarkable portrait of author Tim Winton.
The café is open 8:30am-4:30pm on weekdays and 9:00am-4:30pm on weekends. The shop is open 10:00am to 5:00pm every day.
We fix adolescence as the time of inner turmoil, private worlds and secret refuges, doubt and imagination, protest and liberation. The human mind and body never really leaves this state of transition.
This 1910 portrait of Elizabeth Sarah (Lillie) Roberts by Tom Roberts was brought into the Gallery's collection with the assistance of the Acquisition Fund in 2013.
The Circle of Friends Acquisition Fund for 2012 was dedicated to purchasing a portrait of David Malouf by Rick Amor.
Directors of the National Portrait Gallery from 1998 to today.
In 2022 the Annual Appeal was focussed on Mayatjara by Robert Fielding, a series of 24 photographs of Elders of the Anangu Pitjantjatjara Yankunytjatjara community.
It was definitely a candid encounter as was the expression on the face. It was constructed insofar as the image was deliberately taken from a distance so as to minimize intrusion and to magnify the effect of the image.
The National Portrait Gallery has unveiled twenty new portrait commissions of Australian leaders and individualists as part of its twentieth birthday celebrations in a new exhibition, 20/20: Celebrating twenty years with twenty new portrait commissions.
A major new exhibition celebrating love in all its guises. Opening 20 March 2021.
To celebrate the new exhibition Australian Love Stories, renowned Australian glass artist Harriet Schwarzrock has been commissioned to make a large-scale installation reflecting on the role the heart plays as our emotional centre.
Commissioned with funds provided by Jillian Broadbent AO and Dr Helen Nugent AO 2018.
We were in Gaza shooting a documentary and we had heard about the orphanages and wanted to visit and document some of the children who had lost parents during the wars in Gaza.
Natural light and human proportions – the design by Johnson Pilton Walker
Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2015 Prize.
Joanna Gilmour, National Photographic Portrait Prize judge and curator, introduces the 2013 Prize.
Chairman Sid Myer AM, Hayley Baillie, Tim Bednall, Jillian Broadbent AC, Patrick Corrigan AM, Marilyn Darling AC, Tim Fairfax AC, Sam Meers AO, John Liangis, Dr Helen Nugent AC and Nigel Satterley AM.
Sarah Engledow writes about Gordon and Marilyn Darling and their support for the National Portrait Gallery throughout its evolution.
Sarah Engledow explores the history of the prime ministers and artists featured in the exhibition.
Over the years the young Nicholas Harding got his hands on various mice and guinea pigs, but they served mainly to illustrate the concept of mortality.
Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2017 Prize.
Sarah Engledow looks at three decades of Nicholas Harding's portraiture.