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The exhibition begins with Barry's childhood in Camberwell, Melbourne and chronicles his days as a struggling actor in Australia and England, his creation of characters including Barry McKenzie, Dame Edna Everage, Sandy Stone and Sir Les Patterson
Boyd’s self-portrait at age 25 is joined by his equally emotive portraits of those around him.
This is the first in a series of National Portrait Gallery exhibitions to survey the portraits painted by artists who are not thought of, primarily, as portrait painters
Magazines are the portrait galleries of the 90s... Glossy is about magazines. The exhibition presents the work of eight photographers, Australian by birth or long-term residency, who are producing portraits for publication in magazines around the world.
The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
The exhibition will include works of art from the NPG Canberra's permanent collection with some inward loans and aims to highlight the achievements of notable Australians.
This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.
Death masks, post-mortem drawings and other spooky and disquieting portraits... Come and see how portraits of infamous Australians were used in the 19th century.
This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.