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Drawn from some of the many donations made to the Gallery's collection, the exhibition Portraits for Posterity pays homage both to the remarkable (and varied) group of Australians who are portrayed in the portraits and the generosity of the many donors who have presented them to the Gallery.
Our most recent commission, the portrait of Maggie Beer by Del Kathryn Barton both combines a statuesque almost devotional likeness with a spell-binding and dream-like personalised symbology of the sitter.
Contemporary Australian Portraits is a cross section, a sampling, of some of the present-day directions in Australian portrait practice
During his long and distinguished career Max Dupain took thousands of photographs of people
Eleven works by Brett Whiteley, centred around his scintillating 'Patrick White at Centennial Park 1979-1980'.
Intimate Portraits is an exhibition of paintings, drawings and prints that explore the less public side of portraiture
Art by Warwick Baker, Chris Burden, Larry Clark, Rozalind Drummond, Nan Goldin, Robert Mapplethorpe and Collier Schorr explores personal relations, individual expression and fluid identity.
This is the first major exhibition to examine photographic portraiture in Australia, from its beginnings in the early 1840s to the present day
The sixth in the National Portrait Gallery’s series of student exhibitions, will feature 200 portrait artworks, both two and three-dimensional, from secondary school students from across Australia
This exhibition focuses on exploring national and communal identity through sculptural production in Australia, from the early decades of settlement through to the present day
The second instalment of a display featuring bold contemporary portraits drawn from the collection. For the Gallery’s 20th birthday this display brings together a group contemporary photographic portraits of inspiring women and men.
What does 'portraiture mean at the end of the 20th century? At the outset of building a national portrait collection it seems an appropriate question to investigate.
When a portrait communicates determination and individuality as boldly as these do, it has the potential to become an iconic image. For the Gallery’s 20th birthday this display brings together a group contemporary photographic portraits of inspiring women and men.
Open Air is an exhibition of portraits of Australians in environments of particular significance to them.
Adapted from A Tribute to William Dobell an exhibition presented by the Australian National University's Drill Hall Gallery in association with the Sir William Dobell Art Foundation, The National Gallery of Australia, and the Australian War Memorial. Dobell is of course, celebrated for his achievements in portraiture, winning the Archibald prize (1943, 1948 and 1959), the Wynne Prize (1948), and representing Australia at the 1954 Venice Biennale. Curator Mary Eagle concludes her essay in the catalogue of the exhibition thus, "Overall I see a dissonance in Dobell’s art and life
An annual event, the National Youth Self Portrait Prize seeks to encourage young people to embrace self portraiture and its expressive possibilities.
When a portrait communicates determination and individuality as boldly as these do, it has the potential to become an iconic image. For the Gallery’s 20th birthday this display brings together a group contemporary photographic portraits of inspiring women and men.
Seventeen of Australia’s thirty prime ministers to date are represented in the contrasting sizes, moods and mediums of these portraits.
Explore the beauty and symbolism of flowers in this weird and wonderful floral extravaganza that showcases more than 50 portraits from the collection, new acquisitions and selected loans.
The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
This sample of 56 photographs takes in some of the smallest photographs we own and some of the largest, some of the earliest and some of the most recent, as well as multiple photographic processes from daguerreotypes to digital media.
'I have just been to my dressing case to take a peep at you.
This exhibition is the first comprehensive survey of self-portraits in Australia, from the colonial period to the present
This exhibition showcases portraits acquired through the generosity of the National Portrait Gallery’s Founding Patrons, L Gordon Darling AC CMG and Marilyn Darling AC.
Originally conceived as an anthropological record, Percy Leason’s powerful 1934 portraits of Victorian Aboriginal people are today considered to be a highlight of 20th century Australian portraiture
Magazines are the portrait galleries of the 90s... Glossy is about magazines. The exhibition presents the work of eight photographers, Australian by birth or long-term residency, who are producing portraits for publication in magazines around the world.
The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
Elegance in exile is an exhibition surveying the work of Richard Read senior, Thomas Bock, Thomas Griffiths Wainewright and Charles Rodius: four artists who, though exiled to Australia as convicts, created many of the most significant and elegant portraits of the colonial period.
Although perceived to be a recent phenomenon, the 'Aussie invasion' of Hollywood can actually be traced as far back as the early 1900s
The Australian of the Year Awards have often provoked controversy about who is selected and whether their achievements are remarkable.
Masters of fare: chefs, winemakers, providores celebrates men and women who have championed the unique culinary characteristics and produce of Australia, enriching our lives with new ideas and new flavours over the past forty years.
The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
Death masks, post-mortem drawings and other spooky and disquieting portraits... Come and see how portraits of infamous Australians were used in the 19th century.
Nicholas Harding: 28 portraits features paintings of Robert Drewe, John Bell and Hugo Weaving alongside gorgeously coloured recent oil portraits, delicate gouaches and bold ink and charcoal drawings.
This exhibition features new works from ten women artists reinterpreting and reimagining elements of Australian history, enriching the contemporary narrative around Australia’s history and biography, reflecting the tradition of storytelling in our country.
The exhibition will include works of art from the NPG Canberra's permanent collection with some inward loans and aims to highlight the achievements of notable Australians.
The considered matching of artist to subject has produced an amazing collection of unique and original works in the permanent collection of the National Portrait Gallery