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Betsy Napangardi Lewis (c. 1940–2008) was born at Kunajarryi, west of Yuendumu, Northern Territory and became a noted Warlpiri artist across the course of her career.
1 portrait in the collection
Gift of Patrick Corrigan AM 2020. Donated through the Australian Government's Cultural Gifts Program.
Betsy (Bessie) Lee Cowie (1860–1950), 'Australia's Temperance Queen', spent the early part of her life in Daylesford, Victoria, one of the five children of Henry Vickery, a butcher and miner, and his wife Emma.
1 portrait in the collection
Purchased 2017
Dorothy Robinson Napangardi (c. 1956–2013) was an influential Pintupi/Warlpiri artist who developed a distinctive abstract monochromatic style across the course of her career.
1 portrait in the collection
Gift of Patrick Corrigan AM 2020. Donated through the Australian Government's Cultural Gifts Program.
Collection: National Portrait Gallery
Gift of the artist 2002
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Gift of the artist 2003
Donated through the Australian Government's Cultural Gifts Program
Jon Lewis (1950-2020) was born in Maryland, USA, and came to Australia in 1951.
3 portraits in the collection
Lewis Pingo was an engraver at the Royal Mint. Pingo's father Thomas, an Italian-born medallist and die engraver, was one of the founders of the Royal Academy in 1768.
1 portrait in the collection
Mortimer Lewis (1796–1879), surveyor and architect, and his wife Elizabeth (née Clements, c.
1 portrait in the collection
Mortimer Lewis (1796–1879), surveyor and architect, and his wife Elizabeth (née Clements, c.
1 portrait in the collection
Essington Lewis CH (1881-1961) was chairman of BHP from 1950 to 1952, having been the company's chief general manager from 1938 to 1950.
1 portrait in the collection
Balang T.E. Lewis (1958–2018), a Murrungun man, was an actor, singer, songwriter and cultural leader.
2 portraits in the collection
Lewis Morley (1925–2013) established his reputation as one of the key British photographers of the 1960s and is known for his iconic image of a nude Christine Keeler straddling an Arne Jacobsen chair.
50 portraits in the collection
Lewis Miller (b. 1959), artist, won the Archibald Prize in 1998 with one of his many portraits of fellow artist Allan Mitelman, and has been a finalist seventeen times.
4 portraits in the collection
Gift of the artist 2003. Donated through the Australian Government's Cultural Gifts Program.
Collection: National Portrait Gallery
Gift of the artist 2003
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Purchased 2003
Collection: National Portrait Gallery
Gift of the artist 2003
Collection: National Portrait Gallery
Gift of the artist 2003
Gift of the artist 2003. Donated through the Australian Government's Cultural Gifts Program.
Collection: National Portrait Gallery
Gift of Lewis Morley 2004
Collection: National Portrait Gallery
Purchased 2003
Collection: National Portrait Gallery
Gift of the artist 2002
Donated through the Australian Government's Cultural Gifts Program
Gift of the artist 2007. Donated through the Australian Government's Cultural Gifts Program.
Collection: National Portrait Gallery
Gift of the artist 2002
Donated through the Australian Government's Cultural Gifts Program
Purchased 2021
Gift of BHP Billiton 2003. Donated through the Australian Government's Cultural Gifts Program.
Gift of Leo Schofield AM 2002. Donated through the Australian Government's Cultural Gifts Program.
Gift of the artist 2019
Gift of Leo Schofield AM 2002. Donated through the Australian Government's Cultural Gifts Program.
Collection: National Portrait Gallery
Gift of the artist 2002
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Gift of the artist 2005
Collection: National Portrait Gallery
Gift of the artist 2002
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Gift of the artist 2002
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Gift of the artist 2003
Donated through the Australian Government's Cultural Gifts Program
Gift of the Hon. Susan Crennan AC KC 2018. Donated through the Australian Government's Cultural Gifts Program.
Gift of the artist 2002. Donated through the Australian Government's Cultural Gifts Program.
Gift of BHP Billiton 2003. Donated through the Australian Government's Cultural Gifts Program.
Collection: National Portrait Gallery
Gift of the artist 2003
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Gift of the artist 2003
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Gift of the artist 2002
Donated through the Australian Government's Cultural Gifts Program
Gift of the artist 2003. Donated through the Australian Government's Cultural Gifts Program.
Collection: National Portrait Gallery
Gift of the artist 2002
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Gift of the artist 2003
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Gift of the artist 2003
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Gift of the artist 2002
Donated through the Australian Government's Cultural Gifts Program
Gift of the artist 2002. Donated through the Australian Government's Cultural Gifts Program.
Collection: National Portrait Gallery
Gift of the artist 2003
Donated through the Australian Government's Cultural Gifts Program
Gift of the artist 2002. Donated through the Australian Government's Cultural Gifts Program.
Collection: National Portrait Gallery
Gift of the artist 2002
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Gift of the artist 2002
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Gift of the artist 2002
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Gift of the artist 2002
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Gift of the artist 2002
Donated through the Australian Government's Cultural Gifts Program
Gift of the artist 2003. Donated through the Australian Government's Cultural Gifts Program.
Gift of the artist 2003. Donated through the Australian Government's Cultural Gifts Program.
Collection: National Portrait Gallery
Gift of the artist 2003
Donated through the Australian Government's Cultural Gifts Program
Magda Keaney speaks with Lewis Morley about his photographic career and the major retrospective of his work on display at the NPG.
Collection: National Portrait Gallery
Gift of the artist 2003
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Purchased 2007
Collection: National Portrait Gallery
Gift of the artist 2003
Donated through the Australian Government's Cultural Gifts Program
Gift of the artist 2003. Donated through the Australian Government's Cultural Gifts Program.
Collection: National Portrait Gallery
Gift of the artist 2003
Donated through the Australian Government's Cultural Gifts Program
Gift of the artist 2002. Donated through the Australian Government's Cultural Gifts Program.
Collection: National Portrait Gallery
Gift of the artist 2003
Donated through the Australian Government's Cultural Gifts Program
Gift of the artist 2003. Donated through the Australian Government's Cultural Gifts Program.
Collection: National Portrait Gallery
Gift of the artist 2003
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Gift of the artist 2003
Donated through the Australian Government's Cultural Gifts Program
The acquisition of the ivory miniatures of Mortimer and Mrs Lewis.
Collection: National Portrait Gallery
Gift of Sir Andrew Grimwade CBE 2018
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Purchased with funds provided by Robert Oatley AO 2007
Collection: National Portrait Gallery
Gift of the artist 2003
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Gift of the artist 2002
Donated through the Australian Government's Cultural Gifts Program
Gift of the artist 2003. Donated through the Australian Government's Cultural Gifts Program.
Collection: National Portrait Gallery
Gift of the artist 2002
Donated through the Australian Government's Cultural Gifts Program
Collection: National Portrait Gallery
Gift of the artist 2003
Donated through the Australian Government's Cultural Gifts Program
Michael Desmond explores what makes a portrait subject significant.
Lewis Morley has a great eye for a shot and a sharp ear for a pun
It's really strange to see myself portrayed like that, because when you have those private moments it's only you having that private moment to yourself.
Collection: National Portrait Gallery
Purchased 2011
This issue of Portrait Magazine features Grace Cossington Smith, the Fairfax portrait gift and Lewis Morley's photographs.
Little is known of Rudolph Buchner, a Sydney photographer whose parents lived in Manly.
2 portraits in the collection
Thomas Lewis Atkinson (1817-c. 1890) is described in the Benezit Dictionary of Artists as 'one of the shining representatives of English engraving'.
1 portrait in the collection
It is not well known that the person who composed the famous theme music for the BBC's Doctor Who series was Australian Ron Grainer.
Joanna Gilmour explores the enticing urban shadows cast by artists Martin Lewis and Edward Hopper.
POL was a magazine that ran from 1969 to 1986
The perfect match
Australia has become recognised for the range and talent of its musicians, composers, conductors and celebrities in general associated with the music industry
Collection: National Portrait Gallery
Purchased 1999
Little Darlings is for primary and secondary students, with four separate categories across Kindergarten to Year 12. Responding to the theme ‘Me and my place’, students painted, drew, photographed, printed or combined all of these to make their portrait.
Frances Samuel (1818-c. 1898) was a member of one of early Sydney's most significant Jewish settler families.
1 portrait in the collection
Featuring works by Australian and New Zealand photographers from the late 1970s up to the present day Reveries focuses on images made in the presence of or consciousness of death.
‘Everybody’s lives are built by so many influences, and for me, it is writers, artists and activists who have influenced how I think about the world.’
Harold Darling (1885-1950) was chairman of BHP from 1922 to 1950. Born in Adelaide, he entered his father's milling and grain business when he was 18.
2 portraits in the collection
Jill Neville (1932–1997), writer and critic, grew up in Sydney and attended a Blue Mountains boarding school.
1 portrait in the collection
Collection: National Portrait Gallery
Purchased 2011
Explore the beauty and symbolism of flowers in this weird and wonderful floral extravaganza that showcases more than 50 portraits from the collection, new acquisitions and selected loans.
This 1910 portrait of Elizabeth Sarah (Lillie) Roberts by Tom Roberts was brought into the Gallery's collection with the assistance of the Acquisition Fund in 2013.
Purchased with the assistance of funds provided by Ann Lewis AM and the Basil Bressler Bequest 2004
Accomplished illustrator, painter, writer and diarist, set designer and one of the most distinguished photographers of the twentieth century, Cecil Beaton is renowned for his portraits of well known faces from the worlds of fashion, literature, and film.
Kristin Headlam's portrait of Chris Wallace-Crabbe was acquired with the support of the Circle of Friends in 2014.
The exhibition begins with Barry's childhood in Camberwell, Melbourne and chronicles his days as a struggling actor in Australia and England, his creation of characters including Barry McKenzie, Dame Edna Everage, Sandy Stone and Sir Les Patterson
Blue Mountain, Owner, Trainer, Jockey, James Scobie 1887 by Frederick Woodhouse Snr. is a portrait of James Scobie, well known jockey and eminent horse trainer.
'I have just been to my dressing case to take a peep at you.
The name of Florence Broadhurst, one of Australia’s most significant wallpaper and textile designers, is now firmly cemented in the canon of Australian art and design.
Drawn from some of the many donations made to the Gallery's collection, the exhibition Portraits for Posterity pays homage both to the remarkable (and varied) group of Australians who are portrayed in the portraits and the generosity of the many donors who have presented them to the Gallery.
Aspects of singer songwriter Paul Kelly’s performance persona are communicated by portraits selected from a range of artists and leading music photographers in this focus exhibition.
Gift of Arlette Perkins daughter of Sir Lawrence Wackett 2009. Donated through the Australian Government's Cultural Gifts Program.
Over the last five years the National Portrait Gallery has developed a collection of portrait photographs that reflects both the strength and diversity of Australian achievement as well as the talents of our photographers.
Masters of fare: chefs, winemakers, providores celebrates men and women who have championed the unique culinary characteristics and produce of Australia, enriching our lives with new ideas and new flavours over the past forty years.
Collection: National Portrait Gallery
Purchased 2018
In its second year at the National Portrait Gallery, and for the first time touring to other venues, the National Photographic Portrait Prize 2009 continues to present surprising perspectives on the nature of contemporary portrait photography.
Rennie Ellis: Aussies All is a celebration of the life and work of the late Australian photographer Rennie Ellis.
The Australian public was invited in 2008 to vote for their favourite Australian. After the votes were tallied an exhibition of the top-ten Popular Australians and the top-twenty unsung heroes was displayed at the National Portrait Gallery.
Edward Hammond Hargraves (1816–1891), adventurer and speculator, claimed credit for the discovery of payable goldfields in New South Wales.
1 portrait in the collection
The artist's diary profiles six decades of Cassab's work, from the early portrait commissions of the 1950s to later paintings that have helped confirm her eminent place in the canon of Australian portraiture.
Paul Kelly & The Portraits presents a multifaceted image of the performer over the course of his career.
From 2015 to 2017 the Acquisition Fund was focussed on Reg Richardson AM by Mitch Cairns, a finalist in the Archibald Prize 2014, and a great example of minimalist portraiture.
A reflection on the National Portrait Gallery's first four years.
Sam Bowker examines Paula Dawson's Mirror, Mirror - a holographic portrait of Graeme Murphy.
John Zubrzycki lauds the characters of the Australian escapology trade.
Aircraft designer, pilot and entrepreneur, Sir Lawrence Wackett rejoins friends and colleagues on the walls of the National Portrait Gallery.
Commissioned with funds provided by Westpac Group and Optus 2018
The exhibition will include works of art from the NPG Canberra's permanent collection with some inward loans and aims to highlight the achievements of notable Australians.
The Australian of the Year Awards have often provoked controversy about who is selected and whether their achievements are remarkable.
The considered matching of artist to subject has produced an amazing collection of unique and original works in the permanent collection of the National Portrait Gallery
Drawn from the Gallery's collection, the exhibition Face the Music explores the remarkable talents and achievements of Australian musicians, composers, conductors and celebrities associated with the music industry.
Magda Keaney explores the symbolism in eX de Medici's portrait of Midnight Oil.
Sarah Engledow arrives at the junction of fate and hope in Sarah Ball’s poignant Immigrants series.
Bon Scott and Angus Young photographed by Rennie Ellis are part of a display celebrating summer and images of the shirtless male.
The biographical exhibition of Barry Humphries was the first display of its kind at the National Portrait Gallery.
Dr Sarah Engledow explores the lives of Sir George Grey and his wife Eliza, the subjects of a pair of wax medallions in the National Portrait Gallery's collection.
In March 2003 Magda Keaney travelled to London to join the photography section of the Victoria & Albert Museum for three months.
The exhibition Portraits for Posterity celebrates gifts to the Gallery, of purchases made with donated funds, and testifies to the generosity and community spirit of Australians.
Celebrating a new painted portrait of Joseph Banks, Sarah Engledow spins a yarn of the naturalist, the first kangaroo in France and Don, a Spanish ram.
The exhibition Depth of Field displays a selection of portrait photographs that reflect the strength and diversity of Australian achievement.
Joanna Gilmour revels in accidental artist Charles Rodius’ nineteenth century renderings of Indigenous peoples.
The story behind two colonial portraits; a lithograph of captain and convict John Knatchbull and newspaper illustration of Robert Lowe, Viscount Sherbrooke.
Barry York charts the course from childhood request to autographed celebrity portrait anthology.
The exhibition Aussies all features the ecclectic portrait photography of Rennie Ellis which captures Australian life during the 70s and 80s.
Joanna Gilmour examines the prolific output of Charles Balthazar Julien Févret de Saint-Mémin, and discovers the risk of taking a portrait at face value.
Christopher Chapman highlights the inaugural hang of the new National Portrait Gallery building which opened in December 2008.
Joanna Gilmour on the exuberant union of fashion pioneers Jenny Kee and Linda Jackson, captured in luminescent splendour by artist Carla Fletcher.
In his speech launching the new National Portrait Gallery building on 3 December 2008, then Prime Minister Kevin Rudd set the Gallery in a national and historical context.
Dr Sarah Engledow, National Photographic Portrait Prize judge and curator, introduces the 2017 Prize.
Inga Walton traces the poignant path of photographer Polixeni Papapetrou, revealed in the NGV’s summer retrospective.
Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.
Dr Sarah Engledow examines a number of figures in the collection of the National Portrait Gallery who were pioneers or substantial supporters of the seminal Australian environmental campaigns of the early 1970s and 1980s.
Joanna Gilmour describes how colonial portraitists found the perfect market among social status seeking Sydneysiders.
How the National Portrait Gallery and its unique collection came to be
At first glance, this small watercolour group portrait of her two sons and four daughters by Maria Caroline Brownrigg (d. 1880) may seem prosaic, even hesitant
Sarah Engledow casts a judicious eye over portraits in the Victorian Bar’s Peter O’Callaghan QC Portrait Gallery.
Sarah Engledow writes about Gordon and Marilyn Darling and their support for the National Portrait Gallery throughout its evolution.