Accomplished illustrator, painter, writer and diarist, set designer and one of the most distinguished photographers of the twentieth century, Cecil Beaton is renowned for his portraits of well known faces from the worlds of fashion, literature, and film.
This exhibition focuses on exploring national and communal identity through sculptural production in Australia, from the early decades of settlement through to the present day
From Brandt's early work that documents fixed social contrasts of pre-World War II life in Britain to his later experimentation with a surreal style, this exhibition spans 50 years of Brandt's far reaching career in an extensive assemblage of 155 vintage gelatin silver prints from the Bill Brandt Archive in London.
Contemporary Australian Portraits is a cross section, a sampling, of some of the present-day directions in Australian portrait practice
Drawn from some of the many donations made to the Gallery's collection, the exhibition Portraits for Posterity pays homage both to the remarkable (and varied) group of Australians who are portrayed in the portraits and the generosity of the many donors who have presented them to the Gallery.
The self-portrait enables students to explore emerging and changing aspects of their own identity, their sense of self, their place in the world, their experience of being human
Intimate Portraits is an exhibition of paintings, drawings and prints that explore the less public side of portraiture
Facing Memory: Headspace 4 provides us with valuable insights into the thoughts, creative processes and art-making practices of secondary students from Year 7 to Year 12 from sixty-two schools in the Australian Capital Territory, regional New South Wales and Victoria
Art by Warwick Baker, Chris Burden, Larry Clark, Rozalind Drummond, Nan Goldin, Robert Mapplethorpe and Collier Schorr explores personal relations, individual expression and fluid identity.
'I have just been to my dressing case to take a peep at you.
The sixth in the National Portrait Gallery’s series of student exhibitions, will feature 200 portrait artworks, both two and three-dimensional, from secondary school students from across Australia
The second instalment of a display featuring bold contemporary portraits drawn from the collection. For the Gallery’s 20th birthday this display brings together a group contemporary photographic portraits of inspiring women and men.
When a portrait communicates determination and individuality as boldly as these do, it has the potential to become an iconic image. For the Gallery’s 20th birthday this display brings together a group contemporary photographic portraits of inspiring women and men.
POL was a magazine that ran from 1969 to 1986
Adapted from A Tribute to William Dobell an exhibition presented by the Australian National University's Drill Hall Gallery in association with the Sir William Dobell Art Foundation, The National Gallery of Australia, and the Australian War Memorial. Dobell is of course, celebrated for his achievements in portraiture, winning the Archibald prize (1943, 1948 and 1959), the Wynne Prize (1948), and representing Australia at the 1954 Venice Biennale. Curator Mary Eagle concludes her essay in the catalogue of the exhibition thus, "Overall I see a dissonance in Dobell’s art and life
Lewis Morley has a great eye for a shot and a sharp ear for a pun
