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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Bill Brandt

A Retrospective

Previous exhibition
from Friday 13 September until Sunday 10 November 2002

From Brandt's early work that documents fixed social contrasts of pre-World War II life in Britain to his later experimentation with a surreal style, this exhibition spans 50 years of Brandt's far reaching career in an extensive assemblage of 155 vintage gelatin silver prints from the Bill Brandt Archive in London.

London, 1952 by Bill Brandt
London, 1952 by Bill Brandt

From Brandt's early work that documents fixed social contrasts of pre-World War II life in Britain to his later experimentation with a surreal style, this exhibition spans 50 years of Brandt's far reaching career in an extensive assemblage of 155 vintage gelatin silver prints from the Bill Brandt Archive in London. Brandt's vision, unconfined by easy categories, extends from photojournalism to moody, atmospheric landscapes to stark, revealing portraiture to high-contrast nudes, distorted with very wide-angle lenses.

13 portraits

1 Cuckmere River, Sussex, 1963. 2 East Sussex, 1959 by Bill Brandt.

Related information

Slim Dusty and Dame Edna Everage, Carlton Hill Station, WA, 10 July 1993
Slim Dusty and Dame Edna Everage, Carlton Hill Station, WA, 10 July 1993
Slim Dusty and Dame Edna Everage, Carlton Hill Station, WA, 10 July 1993
Slim Dusty and Dame Edna Everage, Carlton Hill Station, WA, 10 July 1993

Rarely Everage

The Lives of Barry Humphries

Previous exhibition, 2002

The exhibition begins with Barry's childhood in Camberwell, Melbourne and chronicles his days as a struggling actor in Australia and England, his creation of characters including Barry McKenzie, Dame Edna Everage, Sandy Stone and Sir Les Patterson

Ian Thorpe
Ian Thorpe
Ian Thorpe
Ian Thorpe

Contemporary Australian Portraits

Previous exhibition, 2002

Contemporary Australian Portraits is a cross section, a sampling, of some of the present-day directions in Australian portrait practice

The Joy Of Life, 2002 by Janelle McKay
The Joy Of Life, 2002 by Janelle McKay
The Joy Of Life, 2002 by Janelle McKay
The Joy Of Life, 2002 by Janelle McKay

Headspace 3

Being Me

Previous exhibition, 2002

The self-portrait enables students to explore emerging and changing aspects of their own identity, their sense of self, their place in the world, their experience of being human

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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