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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Charles, 2015 video: 7 minutes

Charles, 2015

by Amiel Courtin-Wilson
General content

Winner, DPA 2016

George and Jemima Billet with family

In the most correct style

Nearest & Dearest

Desirable outcomes, undesirable origins

Sir Charles Kingsford Smith and Captain Charles Ulm

Extraordinary airmen make aviation history

Passion

Charles is my wingman

Wild Man, 2005 by Ron Mueck

Ron Mueck

More about In the flesh artists

Ron Mueck grew up in Melbourne and began a career in puppetry and special-effects based in the US and then London. In the mid-1990s Charles Saatchi commissioned four major works including Dead dad, which were exhibited in Saatchi’s exhibition ‘Sensation’ at the Royal Academy, London and which travelled to Berlin and Brooklyn.

Charles (still from video)  by Amiel Courtin-Wilson

The Winner of the Digital Portraiture Award 2016 is...

2 December 2016
Archived media releases 2016

The winner of the Digital Portraiture Award 2016 has been announced. Congratulations to Amiel Courtin-Wilson for his submission titled Charles.

The Brougham

The Brougham

Beards

A philosopher-style of beard – thick and lengthy; a greyer, hence wiser version of the Burke; and suited to older men who saw themselves as sagacious or statesmanlike.

The Lambert

The Lambert

Beards

Barbering manuals of the turn of the century might describe this style as a ‘Van Dyck’, named after the Dutch painter Anthony van Dyck (1599–1641) who is known to have adopted this look.

The family

Literary lovers’ life liaison

Lust

Desire drives forbidden love

Mirka and Philippe - 9 Collins Street

New Australians bring creative wealth

Nearest & Dearest

Melbourne’s iconic culture-shapers

Beadle, Winchester, 1823 by John Dempsey

Beadles, bellmen and bumbles

General content

For Dempsey’s people their occasional encounters with state power would have been largely through the local parish, which administered the ‘Old Poor Law’.

Judith Wright with Barbara Blackman

Friendship’s rhyme and reason

Nearest & Dearest

Poetic trio

Thomas Woolner

The 1850s to the 1880s

Mo and beard timeline

The restrained and cultivated facial hair fashions evident through the first decades of the 1800s were on the wane by the middle of the century, when hirsute faces became mainstream.

Maryan, 2010 by Rod McNicol

Rod McNicol

18 June 2015
Archived media releases 2015

Australian photographer Rod McNicol has consistently analysed the passing of time through the evidence of the photographic portrait. At once confronting and tender, McNicol’s portrait photographs are bold and intimate.

Billy the match man, Liverpool, 1844 by John Dempsey

Rare Set of Watercolour Paintings on Display for the First Time

15 June 2017
Archived media releases 2017

A rare and enchanting collection of 52 portraits of British street people will be on display for the first time in the National Portrait Gallery’s winter show, Dempsey’s People: a folio of British street portraits 1824-1844.

Bathing woman, Bridlington, c.1825 by John Dempsey

Allow me to introduce...

General content

These full-length figures in watercolour, gouache and pencil date mostly from the 1820s, and almost all come from the collection of the Tasmanian Museum and Art Gallery, Hobart.

Rachel Ward and Bryan Brown

Australian Love Stories

4 January 2021
Media

A major new exhibition celebrating love in all its guises. Opening 20 March 2021.

© National Portrait Gallery 2021
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Fax +61 2 6102 7001
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The National Portrait Gallery is an Australian Government Agency